Gustave Doré and the Modern Biblical Imagination PDF Download
Are you looking for read ebook online? Search for your book and save it on your Kindle device, PC, phones or tablets. Download Gustave Doré and the Modern Biblical Imagination PDF full book. Access full book title Gustave Doré and the Modern Biblical Imagination by Sarah C. Schaefer. Download full books in PDF and EPUB format.
Author: Sarah C. Schaefer Publisher: Oxford University Press ISBN: 0190075813 Category : Art Languages : en Pages : 377
Book Description
Gustave Doré and the Modern Biblical Imagination explores the role of biblical imagery in modernity through the lens of Gustave Doré (1832-83), whose work is among the most reproduced and adapted scriptural imagery in the history of Judeo-Christianity. First published in France in late 1865, Doré's Bible illustrations received widespread critical acclaim among both religious and lay audiences, and the next several decades saw unprecedented dissemination of the images on an international scale. In 1868, the Doré Gallery opened in London, featuring monumental religious paintings that drew 2.5 million visitors over the course of a quarter-century; when the gallery's holdings travelled to the United States in 1892, exhibitions at venues like the Art Institute of Chicago drew record crowds. The United States saw the most creative appropriations of Doré's images among a plethora of media, from prayer cards and magic lantern slides to massive stained-glass windows and the spectacular epic films of Cecile B. DeMille. This book repositions biblical imagery at the center of modernity, an era that has often been defined through a process of secularization, and argues that Doré's biblical imagery negotiated the challenges of visualizing the Bible for modern audiences in both sacred and secular contexts. A set of texts whose veracity and authority were under unprecedented scrutiny in this period, the Bible was at the center of a range of historical, theological, and cultural debates. Gustave Doré is at the nexus of these narratives, as his work established the most pervasive visual language for biblical imagery in the past two and a half centuries, and constitutes the means by which the Bible has persistently been translated visually.
Author: Sarah C. Schaefer Publisher: Oxford University Press ISBN: 0190075813 Category : Art Languages : en Pages : 377
Book Description
Gustave Doré and the Modern Biblical Imagination explores the role of biblical imagery in modernity through the lens of Gustave Doré (1832-83), whose work is among the most reproduced and adapted scriptural imagery in the history of Judeo-Christianity. First published in France in late 1865, Doré's Bible illustrations received widespread critical acclaim among both religious and lay audiences, and the next several decades saw unprecedented dissemination of the images on an international scale. In 1868, the Doré Gallery opened in London, featuring monumental religious paintings that drew 2.5 million visitors over the course of a quarter-century; when the gallery's holdings travelled to the United States in 1892, exhibitions at venues like the Art Institute of Chicago drew record crowds. The United States saw the most creative appropriations of Doré's images among a plethora of media, from prayer cards and magic lantern slides to massive stained-glass windows and the spectacular epic films of Cecile B. DeMille. This book repositions biblical imagery at the center of modernity, an era that has often been defined through a process of secularization, and argues that Doré's biblical imagery negotiated the challenges of visualizing the Bible for modern audiences in both sacred and secular contexts. A set of texts whose veracity and authority were under unprecedented scrutiny in this period, the Bible was at the center of a range of historical, theological, and cultural debates. Gustave Doré is at the nexus of these narratives, as his work established the most pervasive visual language for biblical imagery in the past two and a half centuries, and constitutes the means by which the Bible has persistently been translated visually.
Author: Publisher: Chartwell Books ISBN: 9780785823117 Category : Religion Languages : en Pages : 0
Book Description
Gustave Dore (1832-1883) was an engraver, sculptor and illustrator from France. His wood and steel engravings illustrated books by Lord Byron, Cervantes, Poe, but he is best known for his Biblical illustrations. It was for these that he became famous in his own lifetime, and for which he reaped the most financial success and acclaim. Moving from Genesis to Revelation, this collection contains scenes from just about every Bible story you can imagine. Being engravings, they are all in black-and-white, and utilize contrasting light to bring forth the focus of the scenes.
Author: Gustave Doré Publisher: Courier Corporation ISBN: 0486131939 Category : Art Languages : en Pages : 257
Book Description
Detailed plates from the Bible: the Creation scenes, Adam and Eve, horrifying visions of the Flood, the battle sequences with their monumental crowds, depictions of the life of Jesus, 241 plates in all.
Author: Gustave Dore Publisher: Courier Corporation ISBN: 0486996506 Category : Design Languages : en Pages : 67
Book Description
Extraordinary interpretations, carefully reproduced from early standard editions, capture all the dramatic intensity of scenes from the New Testament, among them the Nativity, the flight into Egypt, the Last Supper, and the Crucifixion. Each plate is accompanied by a verse from the King James Version of the Bible. 63 black-and-white illustrations.
Author: Gustave 1832-1883 Dore Publisher: Wentworth Press ISBN: 9781361947005 Category : History Languages : en Pages : 412
Book Description
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.