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Author: Jeffrey T. Nealon Publisher: U of Nebraska Press ISBN: 149620865X Category : Social Science Languages : en Pages : 143
Book Description
Despite the presence of the Flaming Lips in a commercial for a copier and Iggy Pop’s music in luxury cruise advertisements, Jeffrey T. Nealon argues that popular music has not exactly been co-opted in the American capitalist present. Contemporary neoliberal capitalism has, in fact, found a central organizing use for the values of twentieth-century popular music: being authentic, being your own person, and being free. In short, not being like everybody else. Through a consideration of the shift in dominant modes of power in the American twentieth and twenty-first centuries, from what Michel Foucault calls a dominant “disciplinary” mode of power to a “biopolitical” mode, Nealon argues that the modes of musical “resistance” need to be completely rethought and that a commitment to musical authenticity or meaning—saying “no” to the mainstream—is no longer primarily where we might look for music to function against the grain. Rather, it is in the technological revolutions that allow biopolitical subjects to deploy music within an everyday set of practices (MP3 listening on smartphones and iPods, streaming and downloading on the internet, the background music that plays nearly everywhere) that one might find a kind of ambient or ubiquitous answer to the “attention capitalism” that has come to organize neoliberalism in the American present. In short, Nealon stages the final confrontation between “keepin’ it real” and “sellin’ out.”
Author: Jeffrey T. Nealon Publisher: U of Nebraska Press ISBN: 149620865X Category : Social Science Languages : en Pages : 143
Book Description
Despite the presence of the Flaming Lips in a commercial for a copier and Iggy Pop’s music in luxury cruise advertisements, Jeffrey T. Nealon argues that popular music has not exactly been co-opted in the American capitalist present. Contemporary neoliberal capitalism has, in fact, found a central organizing use for the values of twentieth-century popular music: being authentic, being your own person, and being free. In short, not being like everybody else. Through a consideration of the shift in dominant modes of power in the American twentieth and twenty-first centuries, from what Michel Foucault calls a dominant “disciplinary” mode of power to a “biopolitical” mode, Nealon argues that the modes of musical “resistance” need to be completely rethought and that a commitment to musical authenticity or meaning—saying “no” to the mainstream—is no longer primarily where we might look for music to function against the grain. Rather, it is in the technological revolutions that allow biopolitical subjects to deploy music within an everyday set of practices (MP3 listening on smartphones and iPods, streaming and downloading on the internet, the background music that plays nearly everywhere) that one might find a kind of ambient or ubiquitous answer to the “attention capitalism” that has come to organize neoliberalism in the American present. In short, Nealon stages the final confrontation between “keepin’ it real” and “sellin’ out.”
Author: Richard Dalgety Publisher: Troubador Publishing Ltd ISBN: 1788035119 Category : Fiction Languages : en Pages : 264
Book Description
I’m Not Like Everybody Else is a collection of short stories and poetry that explores how the rainy North-West can create anti-heroes and rebel spirits. Drawing from the music and culture of the region, Richard explores themes of isolation, focusing on rebellious thoughts and actions from a cast of characters that have been marginalised and driven to the edge of society. “Manchester, you are in my blood, I can never leave you.” The book was written in an unplanned and spontaneous frenzy and at a time of extreme emotional turmoil for the author. I’m Not Like Everybody Else expresses themes of isolation through the eyes of those who are alienated by society: murderers, psychopaths, the homeless, the falsely accused, cross-dressers and fatalistic revisionists. “I’m not like everybody else. I feel that strong urge for isolation too.” Inspired by Irvine Welsh and Charles Bukowski, Richard’s second collection will be enjoyed by readers based in the North-West, as well as fans of poetry and short stories, and his first collection, I Wasn’t Made For These Times.
Author: Steve Bollen Publisher: eBook Partnership ISBN: 1783241527 Category : Languages : en Pages : 307
Book Description
The last forty years have seen a massive change in the delivery of healthcarein the UK. Starting from well outside the establishment, SteveBollen negotiated his way through prejudice and personal problemsand, from a base in one of the most socially deprived areas in the UK,rose through the ranks to become one of the country's leading sportsinjury surgeons. Part autobiography, part observation, comment and commentaryon the Health Service, health, life, love and death, sprinkled withstardust from his long association with top sportsmen and women,his story shares the laughter, tears, frustrations and triumphs of a longand fulfilling surgical career.
Author: Howie Schaffer Publisher: Xlibris Corporation ISBN: 1413482643 Category : Poetry Languages : en Pages : 156
Book Description
A Note from the Author I write many poems, they are like diary entries for me. They commemorate and explore significant moments in my life. I do not necessarily write my poems for a public audience or with the goal of conveying a specific meaning to a reader. It is my hope that the words, images, experiences, and feelings conveyed in my poems will speak to the lives and emotions of the benevolent and brave people who take time to wander through this book of poems. It was only because of the encouragement of friends and family that I found the motivation and insanity to solicit a publisher for my book of poems. My early poems can broadly be considered a reflection on how we often make decisions that create distance between who we are and the people we want to be. My more recent poems deal, in part, with the adjustment inherent to the sudden and unexplained arrival of love and the process of, and choices involved in, moving from youth into adulthood. Along the journey are poems that were written for the purpose of seeking to understand myself and to be deciphered by others. Also included are many poems written only out of a spirit of spontaneity and fun.
Author: Tony Dunsbee Publisher: M-Y Books Limited ISBN: 1909908320 Category : Music Languages : en Pages : 895
Book Description
Combining the personal memories and critical analysis of a self-confessed pop addict with a wealth of contemporary documentary evidence, Gathered From Coincidence reconstructs a truly momentous era to tell the story of the music of the Sixties year by year. By tracing in parallel the origins and development of the recording careers of major talents on both sides of the Atlantic - the Beatles, the Rolling Stones, the Beach Boys, Bob Dylan, Dusty Springfield and many more besides - this account shows how they traded creativity with one another. All the great Sixties' hits - as well as a host of less well-known gems - are described in the context of the charts of the day, tracking the ups and downs of different trends as they came and went, such as: rock'n'roll, rhythm & blues, psychedelia, modern folk, the concept album or supergroups. But beyond this, each chapter also places the music in a broader historical and cultural setting of landmark events at home and abroad - the space race, the Profumo affair, the Cold War, Vietnam, the growth of satire - to show how, as the decade unfolded, the paths of pop and current affairs drew ever closer together. If you thought the Sixties were just about the fleeting dreams of hippies in the Summer of Love, then think again! This book will open your eyes to a far-reaching imaginative legacy and how it came to shape pop music as a dazzling art form in its own right.
Author: Bruce Pollock Publisher: Macmillan Reference USA ISBN: Category : Rock music Languages : en Pages : 552
Book Description
A listing of over 7,500 rock songs presented alphabetically by artist that notes the album the song appeared on, its year of release, the producer, record company, and songwriters. Also briefly describes the song or its popularity and features an index alphabetized by song title.
Author: Jeffrey T. Nealon
Author: Jeffrey T. Nealon
Author: Richard Dalgety
Author: Steve Bollen
Author: Howie Schaffer
Author: Tony Dunsbee
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Author: William Dean Howells
Author: Bruce Pollock
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