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Author: Gabriel P. Weisberg Publisher: ISBN: 9780300220117 Category : Art Languages : en Pages : 0
Book Description
This extensive publication, complete with hundreds of illustrations by such renowned artists as Carl Larsson, Edvard Munch, Vilhelm Hammershøi, Helene Schjerfbeck, Pekka Halonen, Akseli Gallen-Kallela, Gerhard Munthe, Pietro Krohn, and Frida Hansen, among others, offers an unprecedented study of Japanese influence on the visual arts in the Nordic countries. This unlikely diffusion of Japanese culture, known collectively as Japonisme, became increasingly apparent in England, France, and elsewhere in Europe during the 19th century, although nowhere was the influence seemingly as pervasive as it was throughout the Nordic countries. The book reveals how the widespread interest in Japanese aesthetics helped to establish notions of a fundamental unity between the arts and transformed the region's visual vocabulary. The adoption of Japanese motifs and styles in Finland, Norway, Sweden, and Denmark gave a necessary cohesion to their existing artistic language, creating a vital balance within and among all of the decorative arts. Distributed for Mercatorfonds Exhibition Schedule: Ateneum Art Museum, Finnish National Gallery, Helsinki (02/18/16-05/15/16) National Museum of Art, Architecture and Design, Oslo (06/16/16-10/16/16) Statens Museum for Kunst, Copenhagen (01/19/17-04/23/17)
Author: Gabriel P. Weisberg Publisher: ISBN: 9780300220117 Category : Art Languages : en Pages : 0
Book Description
This extensive publication, complete with hundreds of illustrations by such renowned artists as Carl Larsson, Edvard Munch, Vilhelm Hammershøi, Helene Schjerfbeck, Pekka Halonen, Akseli Gallen-Kallela, Gerhard Munthe, Pietro Krohn, and Frida Hansen, among others, offers an unprecedented study of Japanese influence on the visual arts in the Nordic countries. This unlikely diffusion of Japanese culture, known collectively as Japonisme, became increasingly apparent in England, France, and elsewhere in Europe during the 19th century, although nowhere was the influence seemingly as pervasive as it was throughout the Nordic countries. The book reveals how the widespread interest in Japanese aesthetics helped to establish notions of a fundamental unity between the arts and transformed the region's visual vocabulary. The adoption of Japanese motifs and styles in Finland, Norway, Sweden, and Denmark gave a necessary cohesion to their existing artistic language, creating a vital balance within and among all of the decorative arts. Distributed for Mercatorfonds Exhibition Schedule: Ateneum Art Museum, Finnish National Gallery, Helsinki (02/18/16-05/15/16) National Museum of Art, Architecture and Design, Oslo (06/16/16-10/16/16) Statens Museum for Kunst, Copenhagen (01/19/17-04/23/17)
Author: Agata Luksza Publisher: University of Iowa Press ISBN: 1609389301 Category : Performing Arts Languages : en Pages : 368
Book Description
Polish Theatre Revisited explores nineteenth-century Polish theatre through the lens of theatre audiences. Agata Łuksza places special emphasis on the most engaged spectators, known as “theatremaniacs”—from what they wore, to what they bought, to what they ate. Her source material is elusive ephemera from fans’ lives, such as notes scribbled on a weekly list of shows in the Warsaw theatres, collections of theatre postcards, and recipes for sweets named after famous actors. The fannish behavior of theatremaniacs was usually deemed excessive or in poor taste by people in positions of power, as it clashed with the ongoing embourgeoisement of the theatre and the disciplining of audiences. Nevertheless, the theatre was one of the key areas where early fan cultures emerged, and theatremaniacs indulged in diverse fan practices in opposition to the forces reforming the theatre and its spectatorship.
Author: E. Taylor Atkins Publisher: Bloomsbury Publishing ISBN: 1350195944 Category : History Languages : en Pages : 409
Book Description
The phenomenon of 'Cool Japan' is one of the distinctive features of global popular culture of the millennial age. A History of Popular Culture in Japan provides the first historical and analytical overview of popular culture in Japan from its origins in the 17th century to the present day, using it to explore broader themes of conflict, power and meaning in Japanese history. E. Taylor Atkins shows how Japan was one of the earliest sites for the development of mass-produced, market-oriented cultural products consumed by urban middle and working classes. From traditional monochrome ink painting, court literature and poetry to anime, manga and J-Pop, popular culture was pivotal in the rise of Japanese nationalism, imperialism, militarism and economic development, and to the present day plays a central role in Japanese identity. With updated historiography throughout, this fully revised second edition features: - A new chapter on popular culture in the Edo period - An expanded section on pre-Tokugawa culture - More discussion on recent pop culture phenomena such as TV game shows, cuteness and J-Pop - 10 new images - A new glossary of terms including kanji This improved edition is a vital resource for students of Japanese cultural history wishing to gain a deeper understanding of Japan's contributions to global cultural heritage.
Author: Minna Törmä Publisher: Routledge ISBN: 0429786808 Category : Art Languages : en Pages : 189
Book Description
This book explores the ways in which Nordic private collectors displayed their collections of Chinese objects in their homes. This leads to a reconsideration of how to define collecting and display by analysing the difference between objects serving as decorative or collectible items, while tracing collecting and display trends of the twentieth century. Minna Törmä examines four Scandinavian collections as case studies: Kustaa Hiekka, Sophus Black, Osvald Sirén and Marie-Louise and Gunnar Didrichsen, all of whom had professional backgrounds (a jeweler, two businessmen and a scholar) and for whom collecting became a passion and an educational endeavour. This book will be of interest to scholars in art history, museum studies, Chinese studies and design history.
Author: Tsukasa Aso Publisher: Springer Nature ISBN: 981168782X Category : Law Languages : en Pages : 562
Book Description
For the first time, this book provides an up-to-date history of product design and product design law covering 17 countries — Japan, Korea, China, Singapore, the United Kingdom, Germany, France, Italy, the Nordic countries (Denmark, Finland, Iceland, Norway and Sweden), Russia, the United States, Brazil and Australia — selected for their innovative or influential approach to design or design protection. Each country is the subject of two chapters — one on the history of design and the other on the history of design law — authored by experts in design and intellectual property (IP) law. This unique interdisciplinary approach explains why and how various national design protection systems (that can include design, copyright, trade mark, competition and civil laws) developed, making it an ideal book for students, researchers and lawyers. The book also serves as an international survey of different national policy and legal responses to historical developments and specific design and legal issues allowing readers to consider their advantages and disadvantages — and so is also recommended for policy and law makers, as well as organizations that administer IP rights. Topics include the subject matter of design protection; procedural and substantive requirements; design registration; infringement; and the overlap of design rights and other IP rights. The chapters on design history provide further context to the historical development of these legal concepts by considering major design movements, key designers and iconic designs and the current state of design. The chapters highlight the connected and often complementary relationship between the two histories, not only for each country, but at the regional and international level, often as a result of government policies, trade, colonialism, immigration and globalisation. Design and design practice continue to become more global and evolve with developments in technology. At the same time, design laws are not internationally harmonized and continue to develop at the national level, with a number of significant changes occurring in recent years. This timely book shows how the lessons of the past continue to inform the future direction of design and the legal systems developed to protect it.
Author: Charlotte Ashby Publisher: Bloomsbury Publishing ISBN: 1474224326 Category : Design Languages : en Pages : 256
Book Description
Scandinavia is a region associated with modernity: modern design, modern living and a modern welfare state. This new history of modernism in Scandinavia offers a picture of the complex reality that lies behind the label: a modernism made up of many different figures, impulses and visions. It places the individuals who have achieved international fame, such as Edvard Munch and Alvar Aalto in a wider context, and through a series of case studies, provides a rich analysis of the art, architecture and design history of the Nordic region, and of modernism as a concept and mode of practice. Modernism in Scandinavia addresses the decades between 1890 and 1970 and presents an intertwined history of modernism across the region. Charlotte Ashby gives a rationale for her focus on those countries which share an interrelated history and colonial past, but also stresses influences from outside the region, such as the English Arts and Crafts movement and the impact of emergent American modernism. Her richly illustrated account guides the reader through key historical periods and cultural movements, with case studies illuminating key art works, buildings, designed products and exhibitions.
Author: Paul Greenhalgh Publisher: Bloomsbury Publishing ISBN: 1474239722 Category : Art Languages : en Pages : 512
Book Description
In his major new history, Paul Greenhalgh tells the story of ceramics as a story of human civilisation, from the Ancient Greeks to the present day. As a core craft technology, pottery has underpinned domesticity, business, religion, recreation, architecture, and art for millennia. Indeed, the history of ceramics parallels the development of human society. This fascinating and very human history traces the story of ceramic art and industry from the Ancient Greeks to the Romans and the medieval world; Islamic ceramic cultures and their influence on the Italian Renaissance; Chinese and European porcelain production; modernity and Art Nouveau; the rise of the studio potter, Art Deco, International Style and Mid-Century Modern, and finally, the contemporary explosion of ceramic making and the postmodern potter. Interwoven in this journey through time and place is the story of the pots themselves, the culture of the ceramics, and their character and meaning. Ceramics have had a presence in virtually every country and historical period, and have worked as a commodity servicing every social class. They are omnipresent: a ubiquitous art. Ceramic culture is a clear, unique, definable thing, and has an internal logic that holds it together through millennia. Hence ceramics is the most peculiar and extraordinary of all the arts. At once cheap, expensive, elite, plebeian, high-tech, low-tech, exotic, eccentric, comic, tragic, spiritual, and secular, it has revealed itself to be as fluid as the mud it is made from. Ceramics are the very stuff of how civilized life was, and is, led. This then is the story of human society's most surprising core causes and effects.
Author: Teija Isohauta Publisher: Routledge ISBN: 1000546624 Category : Architecture Languages : en Pages : 223
Book Description
Alvar Aalto and The Art of Landscape captures the essence of the Finnish architect’s landscape concept, emphasising culture and tradition, which characterised his approach to and understanding of architecture as part of the wider environment. From the forests of his youth to sights from his travels, Alvar Aalto (1898–1976) was influenced by outdoor landscapes. Throughout his career, he felt the need to shape the terrain and this became a signature of his architecture. Divided into five chapters, this book traces Aalto’s relationship with landscape, starting with an analysis of his definitions and descriptions of landscape language, which ranged from natural references and biological terms, to synonyms and comparisons. It includes beautifully illustrated case study projects from the 1950s and 1960s, discussing Aalto’s transformation of different landscapes through topography, terracing and tiers, ruins and natural elements, horizon outlines, landmarks, and the repetition of form. Featuring archival sketches, garden drawings, and plans, the book also contains Aalto’s text ‘Architecture in the Landscape of Central Finland’ from 1925 in the appendix. This book provides fascinating, untold insights into Aalto’s relationship with landscape and how this developed during his lifetime, for scholars, researchers, and students interested in architecture and landscape history, landscape art, and cultural studies.
Author: Holger Weiss Publisher: Walter de Gruyter GmbH & Co KG ISBN: 3110670712 Category : History Languages : en Pages : 502
Book Description
This volume adds to the plurality of global histories by locating the global through its articulation and manifestation within particular localities. It accomplishes this by bringing together interlinked case-studies that analyse various temporal and spatial dimensions of the global in the local and the interactions between the local and the global. The case-studies apply a spatial approach to analyse how global questions of space, movement, networks, borders, and territory are worked out at a local level. The material draws on the Nordic countries, Europe, the Atlantic world, Africa, and Australia and ranges from the seventeenth to the twentieth century. It is further divided into sections that address topics such as the translocality of humans and goods, local articulations of identities and globalities, parliamentarism and anti-colonialism, the organization of knowledge and the construction of spaces of representation and memory.
Author: Gabriel P. Weisberg
Author: Gabriel P. Weisberg
Author: Agata Luksza
Author: E. Taylor Atkins
Author: Minna Törmä
Author: Tsukasa Aso
Author: Jane Desmarais
Author: Charlotte Ashby
Author: Paul Greenhalgh
Author: Teija Isohauta
Author: Holger Weiss