Journal of the Warburg and Courtauld Institutes PDF Download

Author: Warburg Institute
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 300

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Author: David Chambers
Publisher:
ISBN: 9780854811229
Category :
Languages : en
Pages : 292

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Author:
Publisher:
ISBN: 9780854811489
Category : Civilization
Languages : en
Pages :

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Author:
Publisher: Warburg Institute
ISBN: 9780854811458
Category :
Languages : en
Pages : 261

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This is the first volume of the Journal of the Warburg and Courtauld Institutes which is also available in a new, online edition (online ISSN 2044-0014) accessible through IngentaConnect[trademark]: http: //www.ingentaconnect.com/content/warburg/jwc

Author:
Publisher:
ISBN: 9781908590039
Category :
Languages : en
Pages :

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Author: Warburg institute (Londres)
Publisher:
ISBN: 9780854810734
Category :
Languages : en
Pages : 26

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Author: Courtauld Institute of Art
Publisher:
ISBN: 9780854811465
Category :
Languages : en
Pages : 349

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Author:
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 436

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Author: Massimo Mastrogregori
Publisher: Walter de Gruyter GmbH & Co KG
ISBN: 3110937786
Category : History
Languages : en
Pages : 336

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Annually published since 1930, the International bibliography of Historical Sciences (IBOHS) is an international bibliography of the most important historical monographs and periodical articles published throughout the world, which deal with history from the earliest to the most recent times. The works are arranged systematically according to period, region or historical discipline, and within this classification alphabetically. The bibliography contains a geographical index and indexes of persons and authors.

Author: Stephanie Pratt
Publisher: University of Oklahoma Press
ISBN: 9780806136578
Category : History
Languages : en
Pages : 236

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Ask anyone the world over to identify a figure in buckskins with a feather bonnet, and the answer will be “Indian.” Many works of art produced by non-Native artists have reflected such a limited viewpoint. In American Indians in British Art, 1700–1840, Stephanie Pratt explores for the first time an artistic tradition that avoided simplification and that instead portrayed Native peoples in a surprisingly complex light. During the eighteenth century, the British allied themselves with Indian tribes to counter the American colonial rebellion. In response, British artists produced a large volume of work focusing on American Indians. Although these works depicted their subjects as either noble or ignoble savages, they also represented Indians as active participants in contemporary society. Pratt places artistic works in historical context and traces a movement away from abstraction, where Indians were symbols rather than actual people, to representational art, which portrayed Indians as actors on the colonial stage. But Pratt also argues that to view these images as mere illustrations of historical events or individuals would be reductive. As works of art they contain formal characteristics and ideological content that diminish their documentary value.