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Author: Stephen Sicari Publisher: Univ of South Carolina Press ISBN: 9781570033834 Category : Literary Criticism Languages : en Pages : 288
Book Description
This text suggests that James Joyce's famous experiments with style and technique throughout Ulysses constitute a series of attempts to find a language adequate to his purposes - a language capable of representing an ideal of behaviour for the modern world.
Author: Stephen Sicari Publisher: Univ of South Carolina Press ISBN: 9781570033834 Category : Literary Criticism Languages : en Pages : 288
Book Description
This text suggests that James Joyce's famous experiments with style and technique throughout Ulysses constitute a series of attempts to find a language adequate to his purposes - a language capable of representing an ideal of behaviour for the modern world.
Author: Daniel M. Shea Publisher: Columbia University Press ISBN: 3838255747 Category : Literary Criticism Languages : en Pages : 206
Book Description
"James Joyce and the Mythology of Modernism" examines anew how myth exists in Joyce's fiction. Using Joyce's idiosyncratic appropriation of the myths of Catholicism, this study explores how the rejected religion still acts as a foundational aesthetic for a new mythology of the Modern age starting with "A Portrait of the Artist as a Young Man" and maturing within "Ulysses". Like the mythopoets before him -- Homer, Dante, Milton, Blake -- Joyce consciously sets out to encapsulate his vision of a splintered and rapidly changing reality into a new aesthetic which alone is capable of successfully rendering the fullness of life in a meaningful way. Already reeling from the humanistic implications of an impersonal Newtonian universe, the Modern world now faced an Einsteinian one, a re-evaluation which includes Stephen's awakening from the "nightmare" of history, a re-definition of deity, and Bloom's urban identity. Written with both the experienced Joycean and the beginner in mind, this book tells how the Joycean myth is our own conception of the human being, and our place in the universe becomes (re)defined as definitively Modernist, yet still, through Molly Bloom's final affirmation, profoundly human.
Author: Kevin Rulo Publisher: Liverpool University Press ISBN: 1949979903 Category : Literary Criticism Languages : en Pages : 288
Book Description
In this book, Kevin Rulo reveals the crucial linkages between satire and modernism. He shows how satire enables modernist authors to evaluate modernity critically and to explore their ambivalence about the modern. Through provocative new readings of familiar texts and the introduction of largely unknown works, Satiric Modernism exposes a larger satiric mentality at work in well-known authors like T.S. Eliot, James Joyce, Wyndham Lewis, Ezra Pound, Virginia Woolf, and Ralph Ellison and in less studied figures like G.S. Street, the Sitwells, J.J. Adams, and Herbert Read, as well as in the literature of migration of Sam Selvon and John Agard, in the films of Paolo Sorrentino, and in the drama of Sarah Kane. In so doing, Rulo remaps the last hundred years as an era marked distinctively by a new kind of satiric critique of and aesthetic engagement with the temporal fissures, logics, and regimes of modernity. This ambitious, expansive study reshapes our understanding of modernist literary history and will be of interest to scholars of twentieth century and contemporary literature as well as of satire.
Author: Steve Pinkerton Publisher: Oxford University Press ISBN: 0190627573 Category : Literary Criticism Languages : en Pages : 256
Book Description
Scholars have long described modernism as "heretical" or "iconoclastic" in its assaults on secular traditions of form, genre, and decorum. Yet critics have paid surprisingly little attention to the related category of blasphemy--the rhetoric of religious offense--and to the specific ways this rhetoric operates in, and as, literary modernism. United by a shared commitment to "the word made flesh," writers such as James Joyce, Mina Loy, Richard Bruce Nugent, and Djuna Barnes made blasphemy a key component of their modernist practice, profaning the very scriptures and sacraments that fueled their art. In doing so they belied T. S. Eliot's verdict that the forces of secularization had rendered blasphemy obsolete in an increasingly godless century ("a world in which blasphemy is impossible"); their poems and fictions reveal how forcefully religion endured as a cultural force after the Death of God. More, their transgressions spotlight a politics of religion that has seldom engaged the attention of modernist studies. Blasphemy respects no division of church and state, and neither do the writers who wield it to profane all manner of coercive dogmas--including ecclesiastical as well as more worldly ideologies of race, class, nation, empire, gender, and sexuality. The late-century example of Salman Rushdie's The Satanic Verses affords, finally, a demonstration of how modernism persists in postwar anglophone literature and of the critical role blasphemy plays in that persistence. Blasphemous Modernism thus resonates with the broader cultural and ideological concerns that in recent years have enriched the scope of modernist scholarship.
Author: Branko Vraneš Publisher: Springer Nature ISBN: 3662619326 Category : Literary Criticism Languages : en Pages : 277
Book Description
According to the customary literary-historical and theoretical notion, the fact that the first modern novel represents a parody or travesty of the chivalric ideal merits no particular attention. Failing to become attuned to the real role of the chivalric ideal at the beginning of the era of the modern novel, commentators missed the chance to adequately review the role of chivalry at the end of that period. The modern novel did not only begin, but also ended with a travesty of the chivalric ideal. The deep need of a significant number of modernist writers to measure their own time according to the ideals of the high and late Middle Ages cannot, therefore, be explained by a set of literary-historical, spiritual-historical or social circumstances. The predilection of a range of twentieth century novelists for a distant feudal past suggests that there exists a fundamental poetic connection between the modern (or at least the modernist) novel and the ideals of chivalry.
Author: Michael LeMahieu Publisher: University of Chicago Press ISBN: 022642040X Category : Literary Criticism Languages : en Pages : 310
Book Description
Wittgenstein and Modernism is the first collection to address the rich, vexed, and often contradictory relationship between modernism, the 20th century s predominant cultural and artistic movement, and Wittgenstein, the most preeminent and enduring philosopher of the period. Although Wittgenstein famously declared that philosophy ought really to be written only as a form of poetry, we have yet to fully consider how Wittgenstein s philosophy relates to the poetic, literary, and artistic production that exemplifies the modernist era in which he lived and worked. Featuring contributions from scholars of philosophy and literature, the contributors put Wittgenstein s writing in dialogue with work by poets and novelists (James, Woolf, Kafka, Musil, Rilke, Hofmannsthal, Beckett, Bellow and Robinson) as well as philosophers and theorists (Karl Kraus, John Stuart Mill, Walter Benjamin, Michael Fried, Stanley Cavell). The volume illuminates two important aspects of Wittgenstein s work related to modernism and postmodernism: form and medium. Each of Wittgenstein s two major works not only advanced a revolutionary conception of philosophy, but also developed a revolutionary philosophical form to engage his readers in a mode of philosophical practice. As a whole this volume comprises an overarching argument about the importance of Wittgenstein for understanding modernism, and the importance of modernism for understanding Wittgenstein."
Author: L. Cucullu Publisher: Springer ISBN: 0230501958 Category : Literary Criticism Languages : en Pages : 233
Book Description
This book links the leading innovators of modernism to the cult of the modern expert. In historicizing modernism as a distinct mode of knowledge that competes with other forms of expertise from law to psychology, Lois Cucullu shows how three modernist experts - Woolf, Forster, and Joyce - used technical innovations in the novel to replace reigning Victorian beliefs about marriage, procreation and the family. Modernist narratives of consciousness and bodies convert the gendered domestic sphere into an aesthetic one that grants cultural reproduction and a modern cultural class the centrality once accorded biological reproduction and the bourgeois household.
Author: Daniel Morris Publisher: University of Delaware ISBN: 1611493455 Category : Literary Criticism Languages : en Pages : 266
Book Description
Distinguished contributors take up eminent scholar Daniel R. Schwarz’s reading of modern fiction and poetry as mediating between human desire and human action. The essayists follow Schwarz’s advice, “always the text, always historicize,” thus making this book relevant to current debates about the relationships between literature, ethics, aesthetics, and historical contexts.
Author: Stephen Sicari
Author: Stephen Sicari
Author: Daniel M. Shea
Author: Simon Joyce
Author: Kevin Rulo
Author: Steve Pinkerton
Author: Branko Vraneš
Author: Michael LeMahieu
Author: Harold Bloom
Author: L. Cucullu
Author: Daniel Morris