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Author: Dan Leers Publisher: Samuel Dorsky Museum of Art ISBN: 9780615510941 Category : Art Languages : en Pages : 0
Book Description
This catalogue introduces readers to Malian photographers Malick Sidibé and Seydou Keïta and others whose images visualize an influential form of post-colonial African identity.
Author: Dan Leers Publisher: Samuel Dorsky Museum of Art ISBN: 9780615510941 Category : Art Languages : en Pages : 0
Book Description
This catalogue introduces readers to Malian photographers Malick Sidibé and Seydou Keïta and others whose images visualize an influential form of post-colonial African identity.
Author: Candace M. Keller Publisher: Indiana University Press ISBN: 0253057213 Category : Photography Languages : en Pages : 486
Book Description
Imaging Culture is a sociohistorical study of the meaning, function, and aesthetic significance of photography in Mali, West Africa, from the 1930s to the present. Spanning the dynamic periods of colonialism, national independence, socialism, and democracy, its analysis focuses on the studio and documentary work of professional urban photographers, particularly in the capital city of Bamako and in smaller cities such as Mopti and Ségu. Featuring the work of more than twenty-five photographers, it concentrates on those who have been particularly influential for the local development and practice of the medium as well as its international popularization and active participation in the contemporary art market. Imaging Culture looks at how local aesthetic ideas are visually communicated in the photographers' art and argues that though these aesthetic arrangements have specific relevance for local consumers, they transcend geographical and cultural boundaries to have value for contemporary global audiences as well. Imaging Culture is an important and visually interesting book which will become a standard source for those who study African photography and its global impact.
Author: Michelle Lamunière Publisher: Yale University Press ISBN: 9780300091885 Category : Art Languages : en Pages : 116
Book Description
"Seydou Keita and Malick Sidibe, two commercial photographers from Mali, took mesmerizing portraits in Bamako, the capital, during the period before and after the country achieved independence from France in 1960. This book presents a range of these portraits as well as excerpts from recent interviews with the artists and an essay placing their work in the context of the history of portrait photography in West Africa since its beginnings in the 1840s." "These photographs are the work of Africans controlling the camera to create images of African subjects for an African audience. For both photographers the studio was a theater in which to coordinate costumes, lighting, props, and poses to help the subjects define themselves. Keita adapted the formulas of portrait photography to make unique images that reflect both his clients' social identity within the community and their enthusiastic embrace of modernity. Later, as portrait conventions and societal roles became more flexible, Sidibe's subjects took an even more active part in constructing the images they wanted to convey. In Bambara, the language widely spoken in Mali, there is an expression, i ka nye tan, which means "you look beautiful like that." Keita's and Sidibe's protraits flatter the sitters, presenting them in the best possible light."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved
Author: Seydou Keita Publisher: Steidl ISBN: 9783869303017 Category : Photography Languages : en Pages : 398
Book Description
Seydou Keita was born in Bamako, Mali in 1921, then part of the colony of French Sudan and a bustling transportation hub on the route to Dakar. With a Kodak Brownie given to him by his uncle, Keita took up photography at the age of 14, going on to establish what would become Bamako's most successful portraiture enterprise of the 1950s and 60s. "Photographs, Bamako, Mali 1949-1970" draws on an expanded archive to offer over 400 portraits, mostly unpublished, from the height of the photographer's productivity in downtown Bamako. Providing lushly patterned backdrops and props that now serve to date distinct periods in his career, the artist often styled his subjects but also encouraged their active participation, hanging sample portraits around the studio as inspiration. Migratory youth, government officials, shop owners and Bamako's cultural elite all make appearances here, and while Keita's photographs served as both family record and cultural status symbol for the clients who commissioned them, these images have become a lasting visual record of Mali at that time. Seydou Keita's work made its first international appearance in 1991 and has been exhibited extensively across Europe, Japan and the United States.
Author: Candace M. Keller Publisher: Indiana University Press ISBN: 0253057205 Category : History Languages : en Pages : 470
Book Description
Imaging Culture is a sociohistorical study of the meaning, function, and aesthetic significance of photography in Mali, West Africa, from the 1930s to the present. Spanning the dynamic periods of colonialism, national independence, socialism, and democracy, its analysis focuses on the studio and documentary work of professional urban photographers, particularly in the capital city of Bamako and in smaller cities such as Mopti and Ségu. Featuring the work of more than twenty-five photographers, it concentrates on those who have been particularly influential for the local development and practice of the medium as well as its international popularization and active participation in the contemporary art market. Imaging Culture looks at how local aesthetic ideas are visually communicated in the photographers' art and argues that though these aesthetic arrangements have specific relevance for local consumers, they transcend geographical and cultural boundaries to have value for contemporary global audiences as well. Imaging Culture is an important and visually interesting book which will become a standard source for those who study African photography and its global impact.
Author: Allison Moore Publisher: Duke University Press ISBN: 1478007346 Category : Photography Languages : en Pages : 264
Book Description
In Embodying Relation Allison Moore examines the tensions between the local and the global in the art photography movement in Bamako, Mali, which blossomed in the 1990s after Malian photographers Seydou Keïta and Malick Sidibé became internationally famous and the Bamako Photography Biennale was founded. Moore traces the trajectory of Malian photography from the 1880s—when photography first arrived as an apparatus of French colonialism—to the first African studio practitioners of the 1930s and the establishment in 1994 of the Bamako Biennale, Africa's most important continent-wide photographic exhibition. In her detailed discussion of Bamakois artistic aesthetics and institutions, Moore examines the post-fame careers of Keïta and Sidibé, the biennale's structure, the rise of women photographers, cultural preservation through photography, and how Mali's shift to democracy in the early 1990s enabled Bamako's art scene to flourish. Moore shows how Malian photographers' focus on cultural exchange, affective connections with different publics, and merging of traditional cultural precepts with modern notions of art embody Caribbean philosopher and poet Édouard Glissant's notion of “relation” in ways that spark new artistic forms, practices, and communities.
Author: Michelle Lamunière Publisher: ISBN: 9780300243918 Category : Commercial photography Languages : en Pages : 116
Book Description
"Seydou Keïta and Malick Sidibé, two important and widely known commercial photographers from Mali, took mesmerizing photographs of members of their communities during the decades before and after the country's independence from France in 1960. This book presents a range of these portraits, as well as excerpts of recent interviews with the artists and an essay placing the photographers within the context of the history of portrait photography in West Africa since its beginnings in the 1840s. In contrast to the early photographs of Africans produced by Western colonial powers, Keïta and Sidibé's photographs represent the work of Africans controlling the camera to create images of African subjects for an African audience. Keïta combined formulas of Western portrait photography with local aesthetics to create images that reflect both his clients' social identity and status within the community and an enthusiastic embrace of modernity. Later, as portrait conventions and societal roles became more flexible, Sidibé's subjects took a more active part in constructing the images of themselves that they wanted to convey. Africans have valued photography for its unique ability to capture a person's likeness, which, says Sidibé, was regarded as more eternal than the subjects themselves. This book is a striking collection of such likenesses"--Publisher's website, viewed August 23, 2018.
Author: John Peffer Publisher: Indiana University Press ISBN: 0253008727 Category : Art Languages : en Pages : 472
Book Description
Beautifully illustrated, Portrait Photography in Africa offers new interpretations of the cultural and historical roles of photography in Africa. Twelve leading scholars look at early photographs, important photographers' studios, the uses of portraiture in the 19th century, and the current passion for portraits in Africa. They review a variety of topics, including what defines a common culture of photography, the social and political implications of changing technologies for portraiture, and the lasting effects of culture on the idea of the person depicted in the photographic image.
Author: Dan Leers
Author: Dan Leers
Author: Candace M. Keller
Author: Michelle Lamunière
Author: Seydou Keita
Author: Candace M. Keller
Author: Allison Moore
Author: Michelle Lamunière
Author: Malick Sidibé
Author: John Peffer
Author: Peter Menzel