Motets by Emperor Ferdinand III and other musicians from the Habsburg court, 1637-1657 PDF Download

Author: Ferdinand III (Holy Roman Emperor)
Publisher: A-R Editions, Inc.
ISBN: 0895797445
Category : Hymns, Latin
Languages : la
Pages : 296

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Author:
Publisher: BRILL
ISBN: 9004435034
Category : Music
Languages : en
Pages : 653

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A Companion to Music at the Habsburgs Courts in the Sixteenth and Seventeenth Centuries, edited by Andrew H. Weaver, is the first in-depth survey of the Habsburg family’s musical patronage over a broad span of time.

Author: Andrew H. Weaver
Publisher: Routledge
ISBN: 1317060288
Category : Music
Languages : en
Pages : 352

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Ferdinand III played a crucial role both in helping to end the Thirty Years' War and in re-establishing Habsburg sovereignty within his hereditary lands, and yet he remains one of the most neglected of all Habsburg emperors. The underlying premise of Sacred Music as Public Image for Holy Roman Emperor Ferdinand III is that Ferdinand's accomplishments came not through diplomacy or strong leadership but primarily through a skillful manipulation of the arts, through which he communicated important messages to his subjects and secured their allegiance to the Catholic Church. An important locus for cultural activity at court, especially as related to the Habsburgs' political power, was the Emperor's public image. Ferdinand III offers a fascinating case study in monarchical representation, for the war necessitated that he revise the image he had cultivated at the beginning of his reign, that of a powerful, victorious warrior. Weaver argues that by focusing on the patronage of sacred music (rather than the more traditional visual and theatrical means of representation), Ferdinand III was able to uphold his reputation as a pious Catholic reformer and subtly revise his triumphant martial image without sacrificing his power, while also achieving his Counter-Reformation goal of unifying his hereditary lands under the Catholic church. Drawing upon recent methodological approaches to the representation of other early modern monarchs, as well as upon the theory of confessionalization, this book places the sacred vocal music composed by imperial musicians into the rich cultural, political, and religious contexts of mid-seventeenth-century Central Europe. The book incorporates dramatic productions such as opera, oratorio, and Jesuit drama (as well as works in other media), but the primary focus is the more numerous and more frequently performed Latin-texted paraliturgical genre of the motet, which has generally not been considered by scholars as a vehicle for monarchical representation. By examining the representation of this little-studied emperor during a crucial time in European history, this book opens a window into the unique world view of the Habsburgs, allowing for a previously untold narrative of the end of the Thirty Years' War as seen through the eyes of this important ruling family.

Author: Erin Griffey
Publisher: Routledge
ISBN: 1000480321
Category : History
Languages : en
Pages : 550

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Through a thematic overview of court culture that connects the cultural with the political, confessional, spatial, material and performative, this volume introduces the dynamics of power and culture in the early modern European court. Exploring the period from 1500 to 1750, Early Modern Court Culture is cross-cultural and interdisciplinary, providing insights into aspects of both community and continuity at courts as well as individual identity, change and difference. Culture is presented as not merely a vehicle for court propaganda in promoting the monarch and the dynasty, but as a site for a complex range of meanings that conferred status and virtue on the patron, maker, court and the wider community of elites. The essays show that the court provided an arena for virtue and virtuosity, intellectual and social play, demonstration of moral authority and performance of social, gendered, confessional and dynastic identity. Early Modern Court Culture moves from political structures and political players to architectural forms and spatial geographies; ceremonial and ritual observances; visual and material culture; entertainment and knowledge. With 35 contributions on subjects including gardens, dress, scent, dance and tapestries, this volume is a necessary resource for all students and scholars interested in the court in early modern Europe.

Author: Janet K. Page
Publisher: Cambridge University Press
ISBN: 1107039088
Category : Music
Languages : en
Pages : 321

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Janet K. Page explores the interaction of music and piety, court and church, as seen through the relationship between the Habsburg court and Vienna's convents. In the first full-length study of its kind, she reveals a golden age of convent music in Vienna and the convents' surprising engagement with contemporary politics.

Author: Roger Freitas
Publisher: Cambridge University Press
ISBN: 0521885213
Category : Music
Languages : en
Pages : 433

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A fascinating insight into the life and music-making of the most documented musician of the seventeenth century, castrato Atto Melani.

Author: Alexander J. Fisher
Publisher: Oxford University Press
ISBN: 0199764646
Category : History
Languages : en
Pages : 385

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Music, Piety, and Propaganda: The Soundscapes of Counter-Reformation Bavaria explores the nature of sound as a powerful yet ambivalent force in the religious struggles that permeated Germany during the Counter-Reformation. Author Alexander J. Fisher goes beyond a musicological treatment of composers, styles, and genres to examine how music, and more broadly sound itself, shaped the aural landscape of Bavaria as the duchy emerged as a militant Catholic bulwark. Fisher focuses particularly on the ways in which sound—including bell-ringing, gunfire, and popular song, as well as cultivated polyphony—not only was deployed by Catholic secular and clerical elites to shape the religious identities of Bavarian subjects, but also carried the potential to challenge and undermine confessional boundaries. Surviving literature, archival documents, and music illustrate the ways in which Bavarian authorities and their allies in the Catholic clergy and orders deployed sound to underline crucial theological differences with their Protestant antagonists, notably the cults of the Virgin Mary, the Eucharist, and the saints. Official and popular rituals like divine worship, processions, and pilgrimages all featured distinctive sounds and music that shaped and reflected an emerging Catholic identity. Although officials imposed a severe regime of religious surveillance, the Catholic state's dominance of the soundscape was hardly assured. Fisher traces archival sources that show the resilience of Protestant vernacular song in Bavaria, the dissemination and performance of forbidden, anti-Catholic songs, the presence of Lutheran chorales in nominally Catholic church services into the late 16th century, and the persistence of popular "noise" more generally. Music, Piety, and Propaganda thus reveals historical, theological, and cultural issues of the period through the piercing dimension of its sounds, bringing into focus the import of sound as a strategic cultural tool with significant impact on the flow of history.

Author: Giovanni Maria Ruggieri
Publisher: A-R Editions, Inc.
ISBN: 0895797712
Category : Music
Languages : en
Pages : 160

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Book web page: https://www.areditions.com/rr/rrb/b185.html Giovanni Maria Ruggieri (ca. 1669¿1714) lived and worked in Venice, and his Suonate da chiesa, op. 4 (Venice: Giuseppe Sala, 1697) is preserved in the Musiksammlung of the Österreichische Nationalbibliothek, Vienna. Although Ruggieri remained an amateur musician, this set of sonatas shows that he was a highly accomplished composer. These trio sonatas comprise different styles. Faster fugal movements that accommodate passages of idiomatic instrumental writing are placed alongside more solemn slow movements, saturated with musical-rhetorical figures and, on occasion, stile antico writing. Dance style is merged with the learned style, and the musical quality is remarkable. The present edition enables musicians to explore these fine works, contributing to an understanding of the da chiesa repertoire in late-seventeenth-century Italy and aiding the rediscovery of an unjustly neglected composer. Performance parts available for purchase from the publisher.

Author: Sebastian Knüpfer
Publisher: A-R Editions, Inc.
ISBN: 0895797984
Category : Choruses, Sacred (Mixed voices) with instrumental ensemble
Languages : un
Pages : 329

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This edition contains eight sacred compositions by the Leipzig cantors who were the immediate predecessors of J. S. Bach: Sebastian Knüpfer (1633–76), Johann Schelle (1648–1701), and Johann Kuhnau (1660–1722). They are edited from manuscripts collected by James Sherard (1666–1738), an English apothecary and amateur musician. Five of the works are large-scale vocal concertos, inluding two highly expressive psalm settings by Sebastian Knüpfer; a Magnificat by Johann Schelle that anticipates aspects of J. S. Bach's Magnificat in D Major (BWV 243); and Schelle's Durch Adams Fall, one of the first Lutheran works to combine chorale melodies, Biblical recitation, and arias. The remaining three compositions are virtuosic concertos for solo voice, including Schelle's Ah! Quam multa sunt peccata for alto, and two major additions to the repertory for tenor: Kuhnau's Laudate pueri and Muss nicht der Mensch. The instrumental writing also includes many notable features, such as two early examples of trumpet solos, one piece with scordatura violins, and two with organ obbligatos. Contents 1. De profundis, Sebastian Knüpfer (CCATB solo, CATB ripieno, 4 violas [or 2 violins, 2 violas], fagotto, violone, organ) 2. Lauda Jerusalem, Knüpfer (CATB, 2 violins, 3 violas, fagotto, violone, organ) 3. Salve solis orientis, Johann Schelle (CCATTB, clarino piccolo, 2 cornettinos, 3 trombones, 2 violins, 2 violas, basso continuo) 4. Durch Adams Fall, Schelle (CCATB, 2 cornettinos, 3 trombones, 2 violins, 2 violas, organ) 5. Magnificat, Schelle (CCATB, 2 cornettinos, 3 trombones, 2 violins, 2 violas, organ) 6. Ah! quam multa sunt peccata, Schelle (Alto, 2 violins, cembalo) 7. Laudate pueri, Johann Kuhnau (Tenor, 2 violins [scordatura], trombone or viola da gamba [or violoncello], basso continuo) 8. Muss nicht der Mensch, Kuhnau (Tenor, clarino, violin, fagotto, basso continuo)

Author: Raymond Buniak
Publisher:
ISBN:
Category : Trombone
Languages : en
Pages : 406

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