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Author: Gerry Smyth Publisher: Springer Nature ISBN: 3030612066 Category : Literary Criticism Languages : en Pages : 277
Book Description
Music and Sound in the Life and Literature of James Joyce: Joyces Noyces offers a fresh perspective on the Irish writer James Joyce’s much-noted obsession with music. This book provides an overview of a century-old critical tradition focused on Joyce and music, as well as six in-depth case studies which revisit material from the writer’s career in the light of new and emerging theories. Considering both Irish cultural history and the European art music tradition, the book combines approaches from cultural musicology, critical theory, sound studies and Irish studies. Chapters explore Joyce’s use of repetition, his response to literary Wagnerism, the role and status of music in the aesthetic and political debates of the fin de siècle, music and cultural nationalism, ubiquitous urban sound and ‘shanty aesthetics’. Gerry Smyth revitalizes Joyce’s work in relation to the ‘noisy’ world in which the author wrote (and his audience read) his work.
Author: Gerry Smyth Publisher: Springer Nature ISBN: 3030612066 Category : Literary Criticism Languages : en Pages : 277
Book Description
Music and Sound in the Life and Literature of James Joyce: Joyces Noyces offers a fresh perspective on the Irish writer James Joyce’s much-noted obsession with music. This book provides an overview of a century-old critical tradition focused on Joyce and music, as well as six in-depth case studies which revisit material from the writer’s career in the light of new and emerging theories. Considering both Irish cultural history and the European art music tradition, the book combines approaches from cultural musicology, critical theory, sound studies and Irish studies. Chapters explore Joyce’s use of repetition, his response to literary Wagnerism, the role and status of music in the aesthetic and political debates of the fin de siècle, music and cultural nationalism, ubiquitous urban sound and ‘shanty aesthetics’. Gerry Smyth revitalizes Joyce’s work in relation to the ‘noisy’ world in which the author wrote (and his audience read) his work.
Author: James Joyce Publisher: CreateSpace ISBN: 9781490905471 Category : Fiction Languages : en Pages : 26
Book Description
Strings in the earth and air Make music sweet; Strings by the river where The willows meet. There's music along the river For Love wanders there, Pale flowers on his mantle, Dark leaves on his hair. All softly playing, With head to the music bent, And fingers straying Upon an instrument.
Author: Catherine Flynn Publisher: Cambridge University Press ISBN: 1009235656 Category : Literary Criticism Languages : en Pages : 313
Book Description
The New Joyce Studies indicates the variety and energy of research on James Joyce since the year 2000. Essays examine Joyce's works and their reception in the light of a larger set of concerns: a diverse international terrain of scholarly modes and methodologies, an imperilled environment, and crises of racial justice, to name just a few. This is a Joyce studies that dissolves early visions of Joyce as a sui generis genius by reconstructing his indebtedness to specific literary communities. It models ways of integrating masses of compositional and publication details with literary and historical events. It develops hybrid critical approaches from posthuman, medical, and queer methodologies. It analyzes the nature and consequences of its extension from Ireland to mainland Europe, and to Africa and Latin America. Examining issues of copyright law, translation, and the history of literary institutions, this volume seeks to use Joyce's canonical centrality to inform modernist studies more broadly.
Author: James Joyce Publisher: Cambridge University Press ISBN: 131651594X Category : Fiction Languages : en Pages : 993
Book Description
This edition offers everything needed by the newcomer to this famous but intimating text: images, maps, footnotes, and introductory essays by eighteen leading Joyceans.
Author: Michelle Witen Publisher: Bloomsbury Publishing ISBN: 1350014249 Category : Literary Criticism Languages : en Pages : 320
Book Description
Drawing on draft manuscripts and other archival material, James Joyce and Absolute Music, explores Joyce's deep engagement with musical structure, and his participation in the growing modernist discourse surrounding 19th-century musical forms. Michelle Witen examines Joyce's claim of having structured the “Sirens” episode of his masterpiece, Ulysses, as a fuga per canonem, and his changing musical project from his early works, such as Dubliners and A Portrait of the Artist as a Young Man. Informed by a deep understanding of music theory and history, the book goes on to consider the “pure music” of Joyce's final work, Finnegans Wake. Demonstrating the importance of music to Joyce, this ground-breaking study reveals new depths to this enduring body of work.
Author: Elisa Berlin Publisher: ISBN: 9783656562948 Category : Languages : en Pages : 32
Book Description
Seminar paper from the year 2007 in the subject English Language and Literature Studies - Literature, grade: 1,0, University of Augsburg (Lehrstuhl fur Englische Literaturwissenschaft), course: James Joyce - Dubliners, 26 entries in the bibliography, language: English, abstract: The singing voice, like the speaking voice, masks and betrays the unconscious through combinations of pitch and word. Why sing if not to communicate supplementary information that words alone cannot convey?" Music and Literature have always been influencing each other and quite often music plays an important role in literature. Sometimes it contributes an entertaining or even humoristic factor, occasionally it pushes the action and at times it serves as a mirror of the culture to emphasize emotions and environment of the characters. Joyce's characters in Dubliners sing and perform when they can no longer speak about their frustrations or passions. Therefore the musical allusions always imply a clash between reality and imagination. What is desired in the song will almost certainly not happen. "In its attributes of direct emotional expressiveness, its allusiveness, its contact with the collective past through folk song and physical rhythm, and in its tremendous emotional range from the banal to the sublime, music offers resources that in certain ways can challenge or surpass spoken language." In Dubliners Joyce uses music in three distinct ways. Firstly, in a realistic manner to define the real world in which his character live in. Secondly to emphasize the importance of romance and form the background and the texture of their lives and thirdly for the revelation of character because his characters reveal themselves through music.
Author: Jack W. Weaver Publisher: ISBN: 9780813016085 Category : Literary Criticism Languages : en Pages : 148
Book Description
"Breaks new ground for Joyceans. . . . Weaver's work embodies a perceptive, believable explication of Joyce's interpolation of verbal and musical modalities, and in the process makes the reader eminently aware of the interlocking nature of the two art forms."--Zack Bowen, University of Miami Jack Weaver explains all of Joyce's writing in terms of music and evaluates the music--its form, kind, and technique--in each work. Using Joyce's own rhetoric of theme and variation, Weaver moves from one character to another, through the poems, fiction, and drama, noting improvisations and finding intricate musical patterns throughout the canon. As Joyce's work grows in philosophical complexity, Weaver says, its music becomes more recognizable. In Chamber Music and part of Dubliners, Joyce at first merely mentions musical titles, instruments, and forms. In other stories in Dubliners, he alludes to them. His writing in A Portrait of the Artist as a Young Man begins to approximate musical techniques, and music reflects and dominates its story and characters. By the time of Finnegans Wake, it replaces both. Within the works, Weaver cites examples of musical augmentation, diminution, harmony, counterpoint, and key signatures, showing how the works become more experimental and increasingly dissonant in the manner of avant-garde composers. Exploring fresh territory in the study of Joyce and music and of music and literature, Weaver argues that Joyce's characters and works operate between the extremes of order and disorder, harmony and chaos, music and noise, and that these polarities both signal and contribute to the rhetoric within the texts. Finally, he says, Joyce's rhetoric itself becomes music. Jack W. Weaver, professor of English at Winthrop University in Rock Hill, South Carolina, has written numerous articles and book chapters on Joyce, music, and Irish literature.
Author: Gerry Smyth
Author: Gerry Smyth
Author: James Joyce
Author: Catherine Flynn
Author: James Joyce
Author: James Joyce
Author: Ruth Bauerle
Author: Michelle Lynn Witen
Author: Michelle Witen
Author: Elisa Berlin
Author: Jack W. Weaver