Music Cultures of the Far East PDF Download

Author: Gavin Webb
Publisher: Cognella Academic Publishing
ISBN: 9781631894114
Category :
Languages : en
Pages :

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Author: Daria Bylieva
Publisher: Springer Nature
ISBN: 3030897087
Category : Computers
Languages : en
Pages : 1009

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This book requires an interdisciplinary understanding of creativity, ideal for the formation of a digital public culture. Educating students, young professionals and future engineers is to develop their capacity for creativity. Can creativity be learned? With this question, the relations of technology and art appear in a new light. Especially the notion of "progress" takes on a new meaning and must be distinguished from innovation. The discussion of particular educational approaches, the exploration of digital technologies and the presentation of best practice examples conclude the book. University teachers show how the teaching of creativity reinforces the teaching of other subjects, especially foreign languages.

Author: Mervyn Cooke
Publisher: Boydell & Brewer
ISBN: 9780851158303
Category : Literary Criticism
Languages : en
Pages : 310

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Book Description
Investigation into the influence of Eastern music on Britten's composition. Benjamin Britten's interest in the musical traditions of the Far East had a far-reaching influence on his compositional style; this book is the first to investigate the highly original cross-cultural synthesis he was able to achieve through the use of material borrowed from Balinese, Japanese and Indian music. Britten's visit to Indonesia and Japan in 1955-6 is reconstructed from archival sources, and shown to have had a profound impact on his subsequent work: the techniques of Balinese gamelan music were used in the ballet The Prince of the Pagodas (1957), and then became an essential feature of Britten's compositional style, at their most potent in Death in Venice(1973). The No drama and Gagaku court music of Japan were the inspiration for the trilogy of church parables Britten composed in the 1960s. The precise nature of these influences is discussed; Britten's sporadic borrowings from Indian music are also fully analysed. There is a survey of critical responses to Britten's cross-cultural experiments. Dr MERVYN COOKE lectures in music at the University of Nottingham.

Author: Elena G. Popkova
Publisher: Springer Nature
ISBN: 3030903249
Category : Business & Economics
Languages : en
Pages : 1125

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This book substantiates the transformation processes in the system of modern entrepreneurship in the conditions of formation of Industry 4.0. The authors develop a scientific concept of business 4.0, determine the specific features of business 4.0 and current problems and perspectives of its development in developed and developing markets, study the infrastructural provision of business 4.0 in view of its sectorial specifics, outline the perspectives and recommendations in the sphere of development of business 4.0, and offer the scientific and practical recommendations for state and corporate management.

Author: William P. Malm
Publisher: Prentice Hall
ISBN:
Category : Music
Languages : en
Pages : 314

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The purpose of this book is to survey the basic kinds of music and musical instruments found in the major oriental civilizations and in the island cultures of the Eastern Hemisphere. It is also intended as an introduction to the basic attitudes, techniques, and nomenclature of the discipline of ethnomusicology. Presents a romanization of the book of vocal examples along with a translation or explanation of their meaning. A sonic glossary index at the end of each chapter shows all non-western terms in alphabetical order including a unique prononciation audio cassette. The inclusion of human figures in all new drawings add information about playing positions as well as instrument designs. Contains a unique cassette of pronunciations by noted and qualified speakers.

Author: Tong Soon Lee
Publisher: Routledge
ISBN: 1000337324
Category : Music
Languages : en
Pages : 411

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The Routledge Handbook of Asian Music: Cultural Intersections introduces Asian music as a way to ask questions about what happens when cultures converge and how readers may evaluate cultural junctures through expressive forms. The volume’s thirteen original chapters cover musical practices in historical and modern contexts from Central Asia, East Asia, South Asia, and Southeast Asia, including art music traditions, folk music and composition, religious and ritual music, as well as popular music. These chapters showcase the diversity of Asian music, requiring readers to constantly reconsider their understanding of this vibrant and complex area. The book is divided into three sections: Locating meanings Boundaries and difference Cultural flows Contributors to the book offer a multidisciplinary portfolio of methods, ranging from archival research and field ethnography to biographical studies and music analysis. In addition to rich illustrations, numerous samples of notation and sheet music are featured as insightful study resources. Readers are invited to study individuals, music-makers, listeners, and viewers to learn about their concerns, their musical choices, and their lives through a combination of humanistic and social-scientific approaches. Demonstrating how transformative cultural differences can become in intercultural encounters, this book will appeal to students and scholars of musicology, ethnomusicology, and anthropology.

Author: William Paul Malm
Publisher:
ISBN:
Category :
Languages : en
Pages :

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Author: Lilit Yernjakyan
Publisher: Cambridge Scholars Publishing
ISBN: 1527512762
Category : Music
Languages : en
Pages : 154

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This book covers the creative work of one of the most prolific and prominent American-Armenian composers, Alan Hovhaness, in the context of East-West cultural interactions. It exposes characteristic features of different branches of Armenian monophonic music, traces modal structures, genre implications and allusions of Indian, Japanese, Korean musical traditions mirrored in his works. Through the analysis of his “multi-voiced” Eastern compositions, his complex musical identity is evaluated with a special emphasis on the manifestation of the phenomenon of “Armenian-ness”.

Author: Anna G. Piotrowska
Publisher: Northeastern University Press
ISBN: 1555538371
Category : Music
Languages : en
Pages : 273

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Translated from the Polish, Anna G. PiotrowskaÕs Gypsy Music in European Culture details the profound impact that Gypsy music has had on European culture from a broadly historical perspective. The author explores the stimulating influence that Gypsy music had on a variety of European musical forms, including opera, vaudeville, ballet, and vocal and instrumental compositions. The author analyzes the use of Gypsy themes and idioms in the music of recognized giants such as Bizet, Strauss, and Paderewski, detailing the composersÕ use of scale, form, motivic presentations, and rhythmic tendencies, and also discusses the impact of Gypsy music on emerging national musical forms.

Author: Antonio Baldassarre
Publisher: Hollitzer Wissenschaftsverlag
ISBN: 3990125044
Category : Music
Languages : en
Pages : 813

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Book Description
"Music cultures in sounds, words and images", edited by Antonio Baldassarre and Tatjana Markovic, is dedicated to the 60th birthday of the Croatian-American musicologist Zdravko Blažekovic (b. 1956, Zagreb). After his studies of musicology and first working experiences in Zagreb, Blažekovic moved to New York City, where he is since 1996 the executive editor of the RILM - Répertoire International de Littérature Musicale, and since 1998 director of the RCMI - Research Center for Music Iconography as well as editor of one of the leading journals for music iconography, "Music in Art", in the framework of the Barry S. Brook Center for Music Reserach and Documentation at the Graduate Center of the City University of New York. In view of Blažekovic's very broad multidisciplinary interests, including historical musicology, music iconography, organology, archeology, lexicography and databases, this book contains 38 studies in six languages (English, German, Italian, Serbian, Croatian, Chinese) organized in six chapters: Sounds of nations, Words on musics, Performance of musical cultures, Images on musics, Organology, and Classifying data on music.