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Author: Philip Kasinitz Publisher: Routledge ISBN: 1000448967 Category : Music Languages : en Pages : 261
Book Description
This volume brings together the work of social scientists and music scholars examining the role of migrant and migrant descended communities in the production and consumption of popular music in Europe and North America. The contributions to the collection include studies of language and local identity in hip hop in Liege and Montreal; the politics of Mexican folk music in Los Angeles; the remaking of ethnic boundaries in Naples; the changing meanings of Tango in the Argentine diaspora and of Alevi music among Turks in Germany; the history of Soca in Brooklyn; and the recreation of ‘American’ culture by the children of immigrants on the Broadway stage. Taken together, these works demonstrate how music affords us a window onto local culture, social relations and community politics in the diverse cities of immigrant receiving societies. Music is often one of the first arenas in which populations encounter newcomers, a place where ideas about identity can be reformulated and reimagined, and a field in which innovation and hybridity are often highly valued. This book highlights why it is a subject worthy of more attention from students of racial and ethnic relations in diverse societies. It was originally published as a special issue of Ethnic and Racial Studies.
Author: Philip Kasinitz Publisher: Routledge ISBN: 1000448967 Category : Music Languages : en Pages : 261
Book Description
This volume brings together the work of social scientists and music scholars examining the role of migrant and migrant descended communities in the production and consumption of popular music in Europe and North America. The contributions to the collection include studies of language and local identity in hip hop in Liege and Montreal; the politics of Mexican folk music in Los Angeles; the remaking of ethnic boundaries in Naples; the changing meanings of Tango in the Argentine diaspora and of Alevi music among Turks in Germany; the history of Soca in Brooklyn; and the recreation of ‘American’ culture by the children of immigrants on the Broadway stage. Taken together, these works demonstrate how music affords us a window onto local culture, social relations and community politics in the diverse cities of immigrant receiving societies. Music is often one of the first arenas in which populations encounter newcomers, a place where ideas about identity can be reformulated and reimagined, and a field in which innovation and hybridity are often highly valued. This book highlights why it is a subject worthy of more attention from students of racial and ethnic relations in diverse societies. It was originally published as a special issue of Ethnic and Racial Studies.
Author: Samuel K. Byrd Publisher: NYU Press ISBN: 1479802018 Category : Social Science Languages : en Pages : 304
Book Description
The Sounds of Latinidad explores the Latino music scene as a lens through which to understand changing ideas about latinidad in the New South. Focusing on Latino immigrant musicians and their fans in Charlotte, North Carolina, the volume shows how limited economic mobility, social marginalization, and restrictive immigration policies have stymied immigrants’ access to the American dream and musicians’ dreams of success. Instead, Latin music has become a way to form community, debate political questions, and claim cultural citizenship. The volume illuminates the complexity of Latina/o musicians’ lives. They find themselves at the intersection of culture and politics, often pushed to define a vision of what it means to be Latino in a globalizing city in the Nuevo South. At the same time, they often avoid overt political statements and do not participate in immigrants’ rights struggles, instead holding a cautious view of political engagement. Yet despite this politics of ambivalence, Latina/o musicians do assert intellectual agency and engage in a politics that is embedded in their musical community, debating aesthetics, forging collective solidarity with their audiences, and protesting poor working conditions. Challenging scholarship on popular music that focuses on famous artists or on one particular genre, this volume demonstrates how exploring the everyday lives of ordinary musicians can lead to a deeper understanding of musicians’ role in society. It argues that the often overlooked population of Latina/o musicians should be central to our understanding of what it means to live in a southern U.S. city today.
Author: Ellen Karp Publisher: University of Ottawa Press ISBN: 1772823538 Category : Music Languages : en Pages : 152
Book Description
A compilation of thirty-four songs of differing ethnicity from the Canadian Centre for Folk Culture Studies folklore collections. The songs are presented in their original language with English translation.
Author: Nancy Churnin Publisher: Creston Books ISBN: 1954354223 Category : Juvenile Nonfiction Languages : en Pages : 32
Book Description
Irving Berlin came to the United States as a refugee from Tsarist Russia, escaping a pogrom that destroyed his village. Growing up on the streets of the lower East Side, the rhythms of jazz and blues inspired his own song-writing career. Starting with his first big hit, Alexander's Ragtime Band, Berlin created the soundtrack for American life with his catchy tunes and irresistible lyrics. With "God Bless America," he sang his thanks to the country which had given him a home and a chance to express his creative vision.
Author: Sara Cohen Publisher: Routledge ISBN: 1351218409 Category : Music Languages : en Pages : 284
Book Description
How is popular music culture connected with the life, image, and identity of a city? How, for example, did the Beatles emerge in Liverpool, how did they come to be categorized as part of Liverpool culture and identity and used to develop and promote the city, and how have connections between the Beatles and Liverpool been forged and contested? This book explores the relationship between popular music and the city using Liverpool as a case study. Firstly, it examines the impact of social and economic change within that city on its popular music culture, focusing on de-industrialization and economic restructuring during the 1980s and 1990s. Secondly, and in turn, it considers the specificity of popular music culture and the many diverse ways in which it influences city life and informs the way that the city is thought about, valued and experienced. Cohen highlights popular music's unique role and significance in the making of cities, and illustrates how de-industrialization encouraged efforts to connect popular music to the city, to categorize, claim and promote it as local culture, and harness and mobilize it as a local resource. In doing so she adopts an approach that recognizes music as a social and symbolic practice encompassing a diversity of roles and characteristics: music as a culture or way of life distinguished by social and ideological conventions; music as sound; speech and discourse about music; and music as a commodity and industry.
Author: Alex E. Chávez Publisher: Duke University Press ISBN: 0822372207 Category : Social Science Languages : en Pages : 440
Book Description
In Sounds of Crossing Alex E. Chávez explores the contemporary politics of Mexican migrant cultural expression manifest in the sounds and poetics of huapango arribeño, a musical genre originating from north-central Mexico. Following the resonance of huapango's improvisational performance within the lives of audiences, musicians, and himself—from New Year's festivities in the highlands of Guanajuato, Mexico, to backyard get-togethers along the back roads of central Texas—Chávez shows how Mexicans living on both sides of the border use expressive culture to construct meaningful communities amid the United States’ often vitriolic immigration politics. Through Chávez's writing, we gain an intimate look at the experience of migration and how huapango carries the voices of those in Mexico, those undertaking the dangerous trek across the border, and those living in the United States. Illuminating how huapango arribeño’s performance refigures the sociopolitical and economic terms of migration through aesthetic means, Chávez adds fresh and compelling insights into the ways transnational music-making is at the center of everyday Mexican migrant life.
Author: Alexei Eremine Publisher: ACIDI, I.P. ISBN: Category : Social Science Languages : en Pages : 140
Book Description
Following the format of the journal, the texts, in three parts, testify musical experience in different representations, from elementary school practices to music festivals and resident chamber music, mentioning categories accepted in the Portuguese society, among others, referring to the popular, folk/world and art music.
Author: Svanibor Pettan Publisher: Oxford University Press ISBN: 0190885742 Category : Music Languages : en Pages : 320
Book Description
The nine ethnomusicologists who contributed to this volume present a diverse range of views, approaches, and methodologies that address indigenous peoples, immigrants, and marginalized communities. Discussing participatory action research, social justice, empowerment, and critical race theory in relation to ethnomusicology, De-Colonization, Heritage, and Advocacy is the second of three paperback volumes derived from the original Oxford Handbook of Applied Ethnomusicology. The Handbook can be understood as an applied ethnomusicology project: as a medium of getting to know the thoughts and experiences of global ethnomusicologists, of enriching general knowledge and understanding about ethnomusicologies and applied ethnomusicologies in various parts of the world, and of inspiring readers to put the accumulated knowledge, understanding, and skills into good use for the betterment of our world.
Author: Susan Hartman Publisher: Beacon Press ISBN: 0807024678 Category : Social Science Languages : en Pages : 266
Book Description
A gripping portrait of refugees who forged a new life in the Rust Belt, the deep roots they’ve formed in their community, and their role in shaping its culture and prosperity. "This is an American tale that everyone should read. . . . The storytelling is so intimate and the characters feel so deeply real that you will know them like neighbors."—Jake Halpern, author of Welcome to the New World War, persecution, natural disasters, and climate change continue to drive millions around the world from their homes. In this “tender, intimate, and important book—a carefully reported rebuttal to the xenophobic narratives that define so much of modern American politics” (Sarah Stillman, staff writer, The New Yorker), journalist Susan Hartman follows 3 refugees over 8 years and tells the story of how they built new lives in the old manufacturing town of Utica, New York. Sadia, a Somali Bantu teenager, rebels against her mother; Ali, an Iraqi interpreter, creates a home with an American woman but is haunted by war; and Mersiha, a Bosnian baker, gambles everything to open a café. Along the way, Hartman “illuminates the humanity of these outsiders while demonstrating the crucial role immigrants play in the economy—and the soul—of the nation" (Los Angeles Times). The 3 newcomers are part of an extraordinary migration over the past 4 decades; thousands fleeing war and persecution have transformed Utica, opening small businesses, fixing up abandoned houses, and adding a spark of vitality to forlorn city streets. Utica is not alone. Other Rust Belt cities—including Buffalo, Dayton, and Detroit—have also welcomed refugees, hoping to jump-start their economies and attract a younger population. City of Refugees is a complex and poignant story of a small city but also of America—a country whose promise of safe harbor and opportunity is knotty and incomplete, but undeniably alive.
Author: Philip Kasinitz
Author: Philip Kasinitz
Author: Samuel K. Byrd
Author: Ellen Karp
Author: Nancy Churnin
Author: Sara Cohen
Author: Alex E. Chávez
Author: Alexei Eremine
Author: Steven M. Alper
Author: Svanibor Pettan
Author: Susan Hartman