My Husband, Jimmie Rodgers PDF Download

Author: Carrie Cecil Williamson Rodgers
Publisher:
ISBN:
Category : Country musicians
Languages : en
Pages : 300

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Author: Jimmie Rogers
Publisher:
ISBN: 9781494068400
Category :
Languages : en
Pages : 276

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Book Description
This is a new release of the original 1935 edition.

Author: Mrs. Jimmie Rodgers
Publisher:
ISBN:
Category : Country music
Languages : en
Pages : 0

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Author: Carrie Rodgers
Publisher: Distributed for the Country Mu
ISBN: 9780915608416
Category : Biography & Autobiography
Languages : en
Pages : 0

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Book Description
My Husband, Jimmie Rodgers was the first book-length biography ever published about a country musician, and fittingly so. No single performer left as profound an impression on early country music. Songs that Rodgers popularized--"T for Texas," "Daddy and Home," "In the Jailhouse Now," "Miss the Mississippi"--are still a regular part of country performers' repertoires. Despite a recording career that lasted only six years (1927-1933) and ended with Rodgers's untimely death from tuberculosis, in many ways Jimmie Rodgers is still very much with us.

Author: Mrs Jimmie Rogers
Publisher:
ISBN: 9781436693042
Category :
Languages : en
Pages : 276

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Book Description
This scarce antiquarian book is a facsimile reprint of the original. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions that are true to the original work.

Author: Barry Mazor
Publisher: Oxford University Press on Demand
ISBN: 0195327624
Category : Biography & Autobiography
Languages : en
Pages : 385

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Book Description
Here is the first book to explore the legacy of Jimmie Rodgers, offering a lively look at Rodgers' career, tracing his rise from working-class obscurity to the pinnacle of renown. As Mazor shows, Rodgers brought emotional clarity and a unique sense of narrative drama to every song he performed. But more than anything else, Mazor suggests, it was Rodgers' shape-shifting ability to assume many public personas--working stiff, decked-out cowboy, suave ladies' man--that connected him to a broad public and set the stage for the stars who followed.

Author: Nolan Porterfield
Publisher: Univ. Press of Mississippi
ISBN: 9781604731606
Category : Biography & Autobiography
Languages : en
Pages : 516

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Author: Ben Wynne
Publisher: LSU Press
ISBN: 0807157813
Category : History
Languages : en
Pages : 297

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Book Description
Born into poverty in Mississippi at the close of the nineteenth century, Charley Patton and Jimmie Rodgers established themselves among the most influential musicians of their era. In Tune tells the story of the parallel careers of these two pioneering recording artists -- one white, one black -- who moved beyond their humble origins to change the face of American music. At a time when segregation formed impassable lines of demarcation in most areas of southern life, music transcended racial boundaries. Jimmie Rodgers and Charley Patton drew inspiration from musical traditions on both sides of the racial divide, and their songs about hard lives, raising hell, and the hope of better days ahead spoke to white and black audiences alike. Their music reflected the era in which they lived but evoked a range of timeless human emotions. As the invention of the phonograph disseminated traditional forms of music to a wider audience, Jimmie Rodgers gained fame as the "Father of Country Music," while Patton's work eventually earned him the title "King of the Delta Blues." Patton and Rodgers both died young, leaving behind a relatively small number of recordings. Though neither remains well known to mainstream audiences, the impact of their contributions echoes in the songs of today. The first book to compare the careers of these two musicians, In Tune is a vital addition to the history of American music.

Author: Donald W. Whisenhunt
Publisher: Rowman & Littlefield Publishers
ISBN: 1461644291
Category : History
Languages : en
Pages : 253

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Book Description
American society in the years from 1920 to 1945 experienced great transformation and upheaval. Significant changes in the role of government, in the nation's world outlook, in the economy, in technology, and in the social order challenged those who lived in this tumultuous period framed by the two world wars. This transformation lies at the core of this collection of biographical essays. Written by leading and rising scholars, these never-before-published pieces provide students with a greater understanding of a period that in many ways represents an important last chapter in the creation of modern America.

Author: Erich Nunn
Publisher: University of Georgia Press
ISBN: 0820347361
Category : Folk music
Languages : en
Pages : 229

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Book Description
Sounding the Color Line explores how competing understandings of the U.S. South in the first decades of the twentieth century have led us to experience musical forms, sounds, and genres in racialized contexts. Yet, though we may speak of white or black music, rock or rap, sounds constantly leak through such barriers. A critical disjuncture exists, then, between actual interracial musical and cultural forms on the one hand and racialized structures of feeling on the other. This is nowhere more apparent than in the South. Like Jim Crow segregation, the separation of musical forms along racial lines has required enormous energy to maintain. How, asks Nunn, did the protocols structuring listeners' racial associations arise? How have they evolved and been maintained in the face of repeated transgressions of the musical color line? Considering the South as the imagined ground where conflicts of racial and national identities are staged, this book looks at developing ideas concerning folk song and racial and cultural nationalism alongside the competing and sometimes contradictory workings of an emerging culture industry. Drawing on a diverse archive of musical recordings, critical artifacts, and literary texts, Nunn reveals how the musical color line has not only been established and maintained but also repeatedly crossed, fractured, and reformed. This push and pull--between segregationist cultural logics and music's disrespect of racially defined boundaries--is an animating force in twentieth-century American popular culture.