Author: Monika Kaup Publisher: University of Virginia Press ISBN: 0813933145 Category : Literary Criticism Languages : en Pages : 392
Book Description
In a comparative and interdisciplinary analysis of modern and postmodern literature, film, art, and visual culture, Monika Kaup examines the twentieth century's recovery of the baroque within a hemispheric framework embracing North America, Latin America, and U.S. Latino/a culture. As "neobaroque" comes to the forefront of New World studies, attention to transcultural dynamics is overturning the traditional scholarship that confined the baroque to a specific period, class, and ideology in the seventeenth century. Reflecting on the rich, nonlinear genealogy of baroque expression, Neobaroque in the Americas envisions the baroque as an anti-proprietary expression that brings together seemingly disparate writers and artists and contributes to the new studies in global modernity.
Author: Monika Kaup Publisher: University of Virginia Press ISBN: 0813933137 Category : History Languages : en Pages : 434
Book Description
In a comparative and interdisciplinary analysis of modern and postmodern literature, film, art, and visual culture, Monika Kaup examines the twentieth century's recovery of the baroque within a hemispheric framework embracing North America, Latin America, and U.S. Latino/a culture. As "neobaroque" comes to the forefront of New World studies, attention to transcultural dynamics is overturning the traditional scholarship that confined the baroque to a specific period, class, and ideology in the seventeenth century. Reflecting on the rich, nonlinear genealogy of baroque expression, Neobaroque in the Americas envisions the baroque as an anti-proprietary expression that brings together seemingly disparate writers and artists and contributes to the new studies in global modernity.
Author: Publisher: BRILL ISBN: 9004324356 Category : Literary Criticism Languages : en Pages : 339
Book Description
This anthology examines the phenomenon of the Neo-Baroque through interdisciplinary perspectives. Understanding the Neo-Baroque as transcultural (between different cultures) and transhistorical (between historical moments) the contributors explore its slippery nature of the Neo-Baroque.
Author: Lois Parkinson Zamora Publisher: Duke University Press ISBN: 0822392526 Category : Literary Criticism Languages : en Pages : 690
Book Description
Baroque New Worlds traces the changing nature of Baroque representation in Europe and the Americas across four centuries, from its seventeenth-century origins as a Catholic and monarchical aesthetic and ideology to its contemporary function as a postcolonial ideology aimed at disrupting entrenched power structures and perceptual categories. Baroque forms are exuberant, ample, dynamic, and porous, and in the regions colonized by Catholic Europe, the Baroque was itself eventually colonized. In the New World, its transplants immediately began to reflect the cultural perspectives and iconographies of the indigenous and African artisans who built and decorated Catholic structures, and Europe’s own cultural products were radically altered in turn. Today, under the rubric of the Neobaroque, this transculturated Baroque continues to impel artistic expression in literature, the visual arts, architecture, and popular entertainment worldwide. Since Neobaroque reconstitutions necessarily reference the European Baroque, this volume begins with the reevaluation of the Baroque that evolved in Europe during the late nineteenth century and the early twentieth. Foundational essays by Friedrich Nietzsche, Heinrich Wölfflin, Walter Benjamin, Eugenio d’Ors, René Wellek, and Mario Praz recuperate and redefine the historical Baroque. Their essays lay the groundwork for the revisionist Latin American essays, many of which have not been translated into English until now. Authors including Alejo Carpentier, José Lezama Lima, Severo Sarduy, Édouard Glissant, Haroldo de Campos, and Carlos Fuentes understand the New World Baroque and Neobaroque as decolonizing strategies in Latin America and other postcolonial contexts. This collection moves between art history and literary criticism to provide a rich interdisciplinary discussion of the transcultural forms and functions of the Baroque. Contributors. Dorothy Z. Baker, Walter Benjamin, Christine Buci-Glucksmann, José Pascual Buxó, Leo Cabranes-Grant, Haroldo de Campos, Alejo Carpentier, Irlemar Chiampi, William Childers, Gonzalo Celorio, Eugenio d’Ors, Jorge Ruedas de la Serna, Carlos Fuentes, Édouard Glissant, Roberto González Echevarría, Ángel Guido, Monika Kaup, José Lezama Lima, Friedrich Nietzsche, Mario Praz, Timothy J. Reiss, Alfonso Reyes, Severo Sarduy, Pedro Henríquez Ureña, Maarten van Delden, René Wellek, Christopher Winks, Heinrich Wölfflin, Lois Parkinson Zamora
Author: Lisa Beaven Publisher: Medieval Institute Publications ISBN: 1580442722 Category : Art Languages : en Pages : 327
Book Description
Emotion and the Seduction of the Senses, Baroque to Neo-Baroque examines the relationship between the cultural productions of the baroque in the seventeenth century and the neo-baroque in our contemporary world. The volume illuminates how, rather than providing rationally ordered visual realms, both the baroque and the neo-baroque construct complex performative spaces whose spectacle seeks to embrace, immerse, and seduce the senses and solicit the emotions of the beholder.
Author: John V. Waldron Publisher: Lexington Books ISBN: 073917777X Category : Literary Criticism Languages : en Pages : 193
Book Description
For many, the advent of globalization brought with it an end to the way that the world had been viewed previous to the fall of the Berlin Wall. Among the many endings the one that most concerns my book is the perceived foreclosure of any alternatives to the capitalistic ideology that structures globalization. Even criticisms of globalization are bounded by its limits since the critical models they use cannot conceive of a space outside its homogenizing discourse. Against the final limits that shape most interpretations of globalization, I show how writers on the periphery of the globalizing north, through the development and deployment of neo-baroque imaginings, offer a different possibility to monological globalism. I show that the baroque has been a way of resisting and reconfiguring the colonial gaze in Latin America since the time of the first encounter to the present.
Author: Pablo Baler Publisher: Springer ISBN: 1137591838 Category : Literary Criticism Languages : en Pages : 149
Book Description
Pablo Baler studies the ruptures and continuities linking the de-centered dynamics of the 17thcentury to the logic of instability that permeates 20th century visual and literary production in Latin America. Bringing philosophy, literary interpretation, art criticism, and a poetic approach to the history of ideas, Baler offers a new perspective from which to understand the uncanny phenomenon of baroque distortion. This interdisciplinary inquiry not only leads to a more specific formulation regarding the singularity of the reappropriations of the baroque in Spanish America, but also allows for a more comprehensive assessment of its historical reach in the broader context of the representational crisis of modernity.
Author: Erik S. Roraback Publisher: BRILL ISBN: 900433985X Category : Literary Criticism Languages : en Pages : 311
Book Description
In The Philosophical Baroque, Erik Roraback brings a fresh, interdisciplinary eye to a selection of texts from across modernity’s four hundred years—from the explosive energy of the early seventeenth century to the spectacle society of the present.
Author: Joanna Page Publisher: Open Book Publishers ISBN: 1800649762 Category : History Languages : en Pages : 275
Book Description
In Decolonial Ecologies: The Reinvention of Natural History in Latin American Art, Joanna Page illuminates the ways in which contemporary artists in Latin America are reinventing historical methods of collecting, organizing, and displaying nature in order to develop new aesthetic and political perspectives on the past and the present. Page brings together an entirely new corpus of artistic projects from Argentina, Brazil, Chile, Colombia, Ecuador, Mexico, and Peru that engage critically and creatively with forms as diverse as the medieval bestiary, baroque cabinets of curiosities, atlases created by European travellers to the New World, the floras and herbaria composed by eighteenth- and nineteenth-century naturalists, and the dioramas designed for natural history museums. She explores how artists develop decolonial and post-anthropocentric perspectives on the collections and expeditions that were central to the evolution of European natural history. Their works forge a critique of the rationalizing approach to nature taken by modern Western science, reconnecting it with forms of popular, indigenous and spiritual knowledge and experience that it has systematically excluded since the Enlightenment. Drawing on photography, video, illustration, sculpture, and installation, this vividly illustrated and lucidly written book (also available in premium quality in hardback edition) explores how these artworks might also deconstruct the apocalyptic visions of environmental change that often dominate Western thought, developing a renewed understanding of alternative ways in which humans might co-inhabit the natural world.
Author: Beatriz de Alba-Koch Publisher: University of Toronto Press ISBN: 144264883X Category : Art Languages : en Pages : 355
Book Description
The Ibero-American Baroque is an interdisciplinary, empirically-grounded contribution to the understanding of cultural exchanges in the early modern Iberian world.
Author: Monika Kaup
Author: Monika Kaup
Author: 
Author: Lois Parkinson Zamora
Author: Lisa Beaven
Author: John V. Waldron
Author: Pablo Baler
Author: Erik S. Roraback
Author: Joanna Page
Author: Beatriz de Alba-Koch