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Author: Robert Adlington Publisher: Routledge ISBN: 0429837372 Category : Music Languages : en Pages : 332
Book Description
Between 1955 and 1975 music theatre became a central preoccupation for European composers digesting the consequences of the revolutionary experiments in musical language that followed the end of the Second World War. The ‘new music theatre’ wrought multiple, significant transformations, serving as a crucible for the experimental rethinking of theatrical traditions, artistic genres, the conventions of performance, and the composer’s relation to society. This volume brings together leading specialists from across Europe to offer a new appraisal of the genre. It is structured according to six themes that investigate: the relation of new music theatre to earlier and contemporaneous theories of drama; the use of new technologies; the relation of new music theatre to progressive politics; the role of new venues and environments; the advancement of new conceptions of the performer; and the challenges that new music theatre lays down for music analysis. Contributing authors address canonical works by composers such as Berio, Birtwistle, Henze, Kagel, Ligeti, Nono, and Zimmermann, but also expand the field to figures and artistic developments not regularly represented in existing music histories. Particular attention is given to new music theatre as a site of intense exchange – between practitioners of different art forms, across national borders, and with diverse mediating institutions.
Author: Robert Adlington Publisher: Routledge ISBN: 0429837372 Category : Music Languages : en Pages : 332
Book Description
Between 1955 and 1975 music theatre became a central preoccupation for European composers digesting the consequences of the revolutionary experiments in musical language that followed the end of the Second World War. The ‘new music theatre’ wrought multiple, significant transformations, serving as a crucible for the experimental rethinking of theatrical traditions, artistic genres, the conventions of performance, and the composer’s relation to society. This volume brings together leading specialists from across Europe to offer a new appraisal of the genre. It is structured according to six themes that investigate: the relation of new music theatre to earlier and contemporaneous theories of drama; the use of new technologies; the relation of new music theatre to progressive politics; the role of new venues and environments; the advancement of new conceptions of the performer; and the challenges that new music theatre lays down for music analysis. Contributing authors address canonical works by composers such as Berio, Birtwistle, Henze, Kagel, Ligeti, Nono, and Zimmermann, but also expand the field to figures and artistic developments not regularly represented in existing music histories. Particular attention is given to new music theatre as a site of intense exchange – between practitioners of different art forms, across national borders, and with diverse mediating institutions.
Author: Joe Kelleher Publisher: Routledge ISBN: 1134331142 Category : Art Languages : en Pages : 233
Book Description
With specific examples and case studies by specialist writers, academics and a new generation of theatre researchers, this collection of specially commissioned essays is the perfect introduction to contemporary theatre practices in Europe.
Author: Sabina Cismas Publisher: Böhlau Verlag Wien ISBN: 3205202163 Category : Music Languages : en Pages : 286
Book Description
The book examines the early history of music theatre in Romania in the nineteenth century and how it was instrumentalised as a vehicle for the overall modernization and Europeanization of the country. It deals with the complex interaction between the aristocrats, who imported the opera, the local public, the foreign power holders in the time of the Russian Protectorate and the opera companies and musicians who came to Romania and shaped the musical life of the country.
Author: Eric Salzman Publisher: OUP USA ISBN: 0195099362 Category : Literary Criticism Languages : en Pages : 417
Book Description
"The New Music Theater is the first comprehensive attempt in English to cover a still-emerging art form in its widest range. This book, written for the reader who comes from the contemporary worlds of music, theater, film, literature, and visual arts, provides a wealth of examples and descriptions, not only of the works themselves but of the concepts, ideas and trends that have gone into the evolution of what may be the most central performance art form of the post-modern world."--BOOK JACKET.
Author: Michael Bawtree Publisher: New York : Oxford University Press ISBN: Category : Music Languages : en Pages : 248
Book Description
The book attempts a first definition that brings under the heading "New Singing Theatre" all the disparate works loosely known as musical theatre, everything from Broadway musicals to complex chamber works by avant-garde composers, through voguish multimedia events to whittled-down traditional opera too embarrassed to call itself opera. The book also is a first blueprint for the new form which has so rapidly evolved from anticipatory works in the 1920s and 1930s to the flowering of new works and new ways in the years since World War II. Based on Bawtree's worldwide experience working in the U.S., Canada, England, the Soviet Union, Germany, and Cuba, The New Singing Theatre will be required reading for all those concerned with staging dramatic works with music--producers, directors, administrators, designers, and singing actors.
Author: Michela Niccolai Publisher: Brepols Publishers ISBN: 9782503577661 Category : Musical theater Languages : de Pages : 0
Book Description
From the mid-1800s in Europe there was a vigorous and enthusiastic expansion of diverse forms of musical theatre. The cabarets, music-halls and private theatres rubbed shoulders with the subsidised and official theatres that offered more established types of spectacle, creating a milieu which welcomed a number of new musical and theatrical genres which fed from and into one another. In the midst of this creative dynamism, alongside revues and café-concert spectacles, operetta and its derivative forms took centre stage. Divided into six sections, the volume covers the revue de fin d'année as a theatrical genre which also influenced all other lighter genres in France during its heyday ; dance music in Offenbach's operettas and his musical recreation of the Parisian soundscape ; transformation of the opera repertoire in operetta and revue parodies ; Viennese and English operetta and musical comedy from the end of the 'reign' of Gilbert and Sullivan until the outbreak of World War II ; diverse theatrical practices from Parisian puppet theatre and the posters of musical spectacles in the café conchantant, to contemporary Italian operetta before the rise of Fascism, and its dissemination, via the impresario Vittorio Rosi, in Japan.
Author: Joe Kelleher Publisher: Routledge ISBN: 1134331134 Category : Performing Arts Languages : en Pages : 423
Book Description
Through specific examples, case studies and essays by specialist writers, academics, and a new generation of theatre researchers, this collection of specially commissioned essays looks at current theatre practices across Europe. From Théatre du Soleil to Socìetas Raffaello Sanzio, the authors reconsider the possibilities of theatre practice, its relation to history and location and its place in Europe at the turn of the twenty-first century. Contemporary Theatres in Europe examines a wide range of topics including: mainstream European theatre experimental performance music theatre theatre for children dance theatre. Tailor-made for students, offering clear examples of different ways of thinking and writing about performance, this is a richly detailed introduction which brings key themes to life for all students of European theatre.
Author: Manfred Brauneck Publisher: transcript Verlag ISBN: 383943243X Category : Performing Arts Languages : en Pages : 603
Book Description
Over the past 20 years European theatre underwent fundamental changes in terms of aesthetic focus, institutional structure and in its position in society. The impetus for these changes was provided by a new generation in the independent theatre scene. This book brings together studies on the state of independent theatre in different European countries, focusing on the fields of dance and performance, children and youth theatre, theatre and migration and post-migrant theatre. Additionally, it includes essays on experimental musical theatre and different cultural policies for independent theatre scenes in a range of European countries.
Author: Eric Salzman Publisher: Oxford University Press ISBN: 0190282762 Category : Music Languages : en Pages : 416
Book Description
Alternatives to grand opera and the popular musical can be traced at least as far back as the 1912 premiere of Schoenberg's "Pierrot Lunaire." Yet this ongoing history has never been properly sorted out, its complex ideas and philosophy as well as musical and theatrical achievements never brought fully to light. The New Music Theater is the first comprehensive attempt in English to cover this still-emerging art form in its widest range. This book provides a wealth of examples and descriptions not only of the works themselves, but of the concepts, ideas, and trends that have gone into the evolution of what may be the most central performance art form of the post-modern world. Authors Salzman and Desi consider the subject of music theatre from a social as well as artistic point of view, exploring how theatre works in culture, and how music works in the theatre. Illuminating their discussion with illustrations from current artists and their works, The New Music Theater both describes where we have been and points the way to the future of this all-encompassing art form.
Author: Robert Adlington
Author: Robert Adlington
Author: Joe Kelleher
Author: Sabina Cismas
Author: Eric Salzman
Author: Michael Bawtree
Author: Michela Niccolai
Author: Joe Kelleher
Author: Brian Yorkey
Author: Manfred Brauneck
Author: Eric Salzman