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No Author Better Served

No Author Better Served PDF Author: Samuel Beckett
Publisher: Harvard University Press
ISBN: 9780674625228
Category : Biography & Autobiography
Languages : en
Pages : 522

Book Description
Samuel Beckett claimed he couldn't talk about his work, but he proves remarkably forthcoming in these pages, which document the thirty-year working relationship between the playwright and his principal producer in the United States, Alan Schneider. The 500 letters capture the world of theater as well as the personalities of their authors.

No Author Better Served

No Author Better Served PDF Author: Samuel Beckett
Publisher: Harvard University Press
ISBN: 9780674625228
Category : Biography & Autobiography
Languages : en
Pages : 522

Book Description
Samuel Beckett claimed he couldn't talk about his work, but he proves remarkably forthcoming in these pages, which document the thirty-year working relationship between the playwright and his principal producer in the United States, Alan Schneider. The 500 letters capture the world of theater as well as the personalities of their authors.

Samuel Beckett's Theatre in America

Samuel Beckett's Theatre in America PDF Author: N. Bianchini
Publisher: Springer
ISBN: 1137439866
Category : Literary Criticism
Languages : en
Pages : 204

Book Description
A study of the 30-year collaboration between playwright Samuel Beckett and director Alan Schneider, Bianchini reconstructs their shared American productions between 1956 and 1984. By examining how Beckett was introduced to American audiences, this book leads into a wider historical discussion of American theatre in the mid-to-late 20th century.

Beckett and Aesthetics

Beckett and Aesthetics PDF Author: Daniel Albright
Publisher: Cambridge University Press
ISBN: 9780521829083
Category : Art
Languages : en
Pages : 200

Book Description
Table of contents

Historicizing Modernists

Historicizing Modernists PDF Author: Matthew Feldman
Publisher: Bloomsbury Publishing
ISBN: 1350215066
Category : Literary Criticism
Languages : en
Pages : 265

Book Description
Focussing upon both canonical figures such as Woolf, Eliot, Pound, and Stein and emergent themes such as Christian modernism, intermedial modernism, queer Harlem Renaissance, this volume brings together previously unseen materials, from various archives, to bear upon cutting-edge interpretation of modernism. It provides an overview of approaches to modernism via the employment of various types of primary source material: correspondence, manuscripts and drafts, memoirs and production notes, reading notes and marginalia, and all manner of useful contextualising sources like news reports or judicial records. While having much to say to literary criticism more broadly, this volume is closely focused upon key modernist figures and emergent themes in light of the discipline's 'archival turn' – termed in a unifying introduction 'achivalism'. An essential ingredient separating the above, recent tendency from a much older and better-established new historicism, in modernist studies at least, is that 'the literary canon' remains an important starting point. Whereas new historicism 'is interested in history as represented and recorded in written documents' and tends toward a 'parallel study of literature and non-literary texts', archival criticism tends toward recognised, oftentimes canonical or critically-lauded, writers, presented in Part 1. Sidestepping the vicissitudes of canon formation, manuscript scholars tend to gravitate toward leading modernist authors: James Joyce, Ezra Pound, Virginia Woolf, Gertrude Stein, T.S. Eliot and Samuel Beckett. Part of the reason is obvious: known authors frequently leave behind sizeable literary estates, which are then acquired by research centres. A second section then applies the same empirical methodology to key or emergent themes in the study of modernism, including queer modernism; spatial modernism; little magazines (and online finding aids structuring them); and the role of faith and/or emotions in the construction of 'modernism' as we know it.

Images of Beckett

Images of Beckett PDF Author: James Knowlson
Publisher: Cambridge University Press
ISBN: 9780521822589
Category : Art
Languages : en
Pages : 188

Book Description
Essays by Beckett's biographer and friend and hitherto unknown photographs by one of the leading theatre photographers in the field.

Beckett Critical Reader

Beckett Critical Reader PDF Author: S.E. Gontarski
Publisher: Edinburgh University Press
ISBN: 1474468551
Category : LITERARY CRITICISM
Languages : en
Pages : 256

Book Description
The Reader makes readily available for the first time 17 major, previously uncollected significant essays from the Journal of Beckett Studies from 1992 to the present.

A Taste for the Negative

A Taste for the Negative PDF Author: Shane Weller
Publisher: MHRA
ISBN: 1904713084
Category : Nihilism (Philosophy) in literature
Languages : en
Pages : 224

Book Description
This study examines the relationship between Samuel Beckett and nihilism.

Modernism at the Beach

Modernism at the Beach PDF Author: Hannah Freed-Thall
Publisher: Columbia University Press
ISBN: 0231551975
Category : Literary Criticism
Languages : en
Pages : 170

Book Description
At the beach, bodies converge with the elements and strange treasures come to light. Departing from the conventional association of modernism with the city, this book makes a case for the coastal zone as a surprisingly generative setting for twentieth-century literature and art. An unruly and elusive confluence of human and more-than-human forces, the seashore is also a space of performance—a stage for loosely scripted, improvisatory forms of embodiment and togetherness. The beach, Hannah Freed-Thall argues, was to the modernist imagination what mountains were to Romanticism: a space not merely of anthropogenic conquest but of vital elemental and creaturely connection. With an eye to the peripheries of capitalist leisure, Freed-Thall recasts familiar seaside practices—including tide-pooling, beachcombing, gambling, and sunbathing—as radical experiments in perception and sociability. Close readings of works by Marcel Proust, Virginia Woolf, Claude McKay, Samuel Beckett, Rachel Carson, and Gordon Matta-Clark, among others, explore the modernist beach as a queer refuge, a precarious commons, a scene of collective exhaustion and endurance, and a visionary threshold at the end of the world. Interweaving environmental humanities, queer and feminist theory, and cultural history, Modernism at the Beach offers new ways of understanding twentieth-century literature and its relation to ecological thought.

Literary Cynics

Literary Cynics PDF Author: Arthur Rose
Publisher: Bloomsbury Publishing
ISBN: 1474258662
Category : Literary Criticism
Languages : en
Pages : 272

Book Description
Focusing on work by Jorge Luis Borges, Samuel Beckett and J.M. Coetzee, Literary Cynics explores the relationship between literature and cynicism to consider what happens when authors write themselves into their art, against the rhetoric of authority. Rose takes as his starting point three moments of aesthetic crisis in the careers of these literary cynics: Borges's parables of the 1950s, Beckett's plays of the 1980s, and Coetzee's pedagogic novels of the 2000s. In their transition to 'late style', the works reflect their writers' abiding concern with particular conceptions of rhetoric and aesthetic form. Literary Cynics combines accounts of these 'late' works with classic, lesser known, and archival texts by the three writers, from Coetzee's Disgrace to Beckett's letters, as well as detailed analysis of cynicism, both ancient and modern, as a philosophical and political movement.

Samuel Beckett and Cinema

Samuel Beckett and Cinema PDF Author: Anthony Paraskeva
Publisher: Bloomsbury Publishing
ISBN: 1472533232
Category : Literary Criticism
Languages : en
Pages : 224

Book Description
In 1936, Samuel Beckett wrote a letter to the Soviet film director Sergei Eisenstein expressing a desire to work in the lost tradition of silent film. The production of Beckett's Film in 1964, on the cusp of his work as a director for stage and screen, coincides with a widespread revival of silent film in the period of cinema's modernist second wave. Drawing on recently published letters, archival material and production notebooks, Samuel Beckett and Cinema is the first book to examine comprehensively the full extent of Beckett's engagement with cinema and its influence on his work for stage and screen. The book situates Beckett within the context of first and second wave modernist filmmaking, including the work of figures such as Vertov, Keaton, Lang, Epstein, Flaherty, Dreyer, Godard, Bresson, Resnais, Duras, Rogosin and Hitchcock. By examining the parallels between Beckett's methods, as a writer-director, and particular techniques, such as the embodied presence of the camera, the use of asynchronous sound, and the cross-pollination of theatricality and cinema, as well as the connections between his collaborators and the nouvelle vague, the book reveals how Beckett's aesthetic is fundamentally altered by his work for the screen, and his formative encounters with modernist film culture.