Author: George Henry LewesPublisher: London Smith, Elder 1875.
ISBN:
Category : Acting
Languages : en
Pages : 304
Book Description
On Actors and the Art of Acting
Author: George Henry LewesPublisher: London Smith, Elder 1875.
ISBN:
Category : Acting
Languages : en
Pages : 304
Book Description
Actors and the Art of Performance
Author: Susanne GranzerPublisher: Springer
ISBN: 1137596341
Category : Performing Arts
Languages : en
Pages : 131
Book Description
Actors and the Art of Performance: Under Exposure combines the author's two main biographical paths: her professional commitment to the fields of both theatre and philosophy. The art of acting on stage is analysed here not only from the theoretical perspective of a spectator, but also from the perspective of the actor. The author draws on her experience as both a theatre actor and a university professor whose teachings in the art of acting rely heavily on her own experience and also on her philosophical knowledge. The book is unique not only in terms of its content but also in terms of its style. Written in a multiplicity of voices, the text oscillates between philosophical reasoning and narrative forms of writing, including micro-narratives, fables, parables, and inter alia by Carroll, Hoffmann and Kleist. Hence the book claims that a trans-disciplinary dialogue between the art of acting and the art of philosophical thinking calls for an aesthetical research that questions and begins to seek alternatives to traditionally established and ingrained formats of philosophy.
On Actors and the Art of Acting
Author: George Henry LewesPublisher:
ISBN:
Category : Acting
Languages : en
Pages : 290
Book Description
Collection of articles written at different periods emphasizing the effect of criticism on the acting profession.
On Politics and the Art of Acting
Author: Arthur MillerPublisher: Viking Adult
ISBN:
Category : Literary Criticism
Languages : en
Pages : 104
Book Description
At once witty, wise and deeply provocative, On Politics and the Art of Acting is essential reading for everyone seriously interested in the American political scene."--BOOK JACKET.
The Science and Art of Acting for the Camera
Author: John Howard SwainPublisher: Taylor & Francis
ISBN: 1315309017
Category : Performing Arts
Languages : en
Pages : 227
Book Description
The Science and Art of Acting for the Camera provides a precise yet practical approach to help unlock the mysteries of acting for film and television. Written by veteran actor, producer, and director John Howard Swain, the book offers a clear-cut, no-nonsense technique that equips aspiring or working actors with the necessary skills to succeed on camera. The technique teaches you how to build multi-dimensional characters; construct truthful and exciting relationships; ignite stimulating emotions; craft a series of discoveries guaranteed to energize your work; and much, much more. The book also provides instruction for actors working in commercials—from slating, to the dreaded "tell us about yourself" interview, to nailing "the tag" and embracing the cliché—and supplies sample commercial copy for students to practice.
Stella Adler on Ibsen, Strindberg, and Chekhov
Author: Stella AdlerPublisher: Vintage
ISBN: 0307787931
Category : Literary Criticism
Languages : en
Pages : 417
Book Description
In her long-awaited book, the legendary acting teacher Stella Adler gives us her extraordinary insights into the work of Henrik Ibsen ("The creation of the modern theater took a genius like Ibsen. . .Miller and Odets, Inge and O'Neill, Williams and Shaw, swallowed the whole of him"), August Strindberg ("He understood and predicted the forces that would break in our lives"), and Anton Chekhov ("Chekhov doesn't want a play, he wants what happens in life. In life, people don't usually kill each other. They talk"). Through the plays of these masters, Adler discusses the arts of playwriting and script interpretation ("There are two aspects of the theater. One belongs to the author and the other to the actor. The actor thinks it all belongs to the author. . .The curtain goes up and all he knows are the lines. . .It is not enough. . .Script interpretation is your profession"). She looks into aspects of society and class, and into our cultural past, as well as the evolution of the modern spirit ("The actor learns from Ibsen what is modern in the modern theater. There are no villains, no heroes. Ibsen understands, more than anything, there is more than one truth"). Stella Adler--daughter of Jacob Adler, who was universally acknowledged to be the greatest actor of the Yiddish theater, and herself a disciple of Stanislavsky--examines the role of the actor and brings to life the plays from which all modern theater derives: Ibsen's Hedda Gabler, The Master Builder, An Enemy of the People, and A Doll's House; Strindberg's Miss Julie and The Father; Chekhov's The Seagull, Uncle Vanya, The Cherry Orchard, and Three Sisters ("Masha is the sister who is the mystery. You cannot reach her. You cannot reach the artist. There is no logical way. Keep her in a special pocket of feelings that are complex and different"). Adler discusses the ideas behind these plays and explores the world of the playwrights and the history--both familial and cultural--that informed their work. She illumines not only the dramatic essence of each play but its subtext as well, continually asking questions that deepen one's understanding of the work and of the human spirit. Adler's book, brilliantly edited by Barry Paris, puts her famous lectures into print for the first time.
On Actors and the Art of Acting
Author: George Henry LewesPublisher: Forgotten Books
ISBN: 9781330427613
Category : Literary Collections
Languages : en
Pages : 297
Book Description
Excerpt from On Actors and the Art of Acting My Dear Trollope, One reason for inscribing this trifle to you is that years ago you expressed a wish to see some dramatic criticisms which had interested you-republished in a more accessible form than the pages of a periodical. The reasons which have always deterred me from republishing articles written for a temporary purpose have not lost their force; and if I here weave together several detached papers into a small volume, it is because a temporary purpose may again be served now a change seems coming over the state of the stage, and there are signs of a revival of the once splendid art of the actor. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
On Actors and the Art of Acting
Author: George Henry LewesPublisher: Praeger
ISBN: 0837105331
Category : Performing Arts
Languages : en
Pages : 0
Book Description
1875. This volume contains a collection of articles written by Lewes at different periods, but with the purpose of directing attention not simply to the fact that Acting is an Art, but that, like all other Arts, it is obstructed by a mass of unsystemised opinion, calling itself criticism. Contents: Edmund Kean; Charles Kean; Rachel; Macready; Farren; Charles Mathews; Frederic Lemaitre; The two Keeleys; Shakespeare as Actor and Critic; On Natural Acting; Foreign Actors on our Stage; The Drama in Paris. 1865; The Drama in Germany. 1867; The Drama in Spain. 1867; and First Impressions of Salvini. 1875. See other titles by this author available from Kessinger Publishing.
The Art of Acting
Author: The Art of Film Acting
Author: Jeremiah ComeyPublisher: Taylor & Francis
ISBN: 1136047212
Category : Performing Arts
Languages : en
Pages : 302
Book Description
This guide for actors and directors develops a valid method for training performers to act from their core--whether they are cold reading, auditioning, or performing for film or television. This book teaches actors how to achieve and respond to believable and honest emotions before the camera, and it maintains that the key to a successful performance lies in how the actors relate to one another and to the circumstances. Exercises, including script examples, throughout the book give readers an easy resource for practicing the principles outlined. The Art of Film Acting applies a classic stage acting method (Stanislavsky) to the more intimate medium of performing before a camera, teaching readers to experience an emotion rather than to indicate it.