Painting, Ethics, and Aesthetics in Rome

Painting, Ethics, and Aesthetics in Rome PDF Author: Nathaniel B. Jones
Publisher: Cambridge University Press
ISBN: 1108420125
Category : Art
Languages : en
Pages : 311

Book Description
Demonstrates how ancient Roman mural paintings stood at the intersection of contemporary social, ethical, and aesthetic concerns.

Roman Painting

Roman Painting PDF Author: Roger Ling
Publisher: Cambridge University Press
ISBN: 9780521315951
Category : Art
Languages : en
Pages : 284

Book Description
A general survey of Roman wall painting from the second century B.C. through the fourth century A.D., traces the origins, chronological development, subjects, techniques, and social context of the influential art form.

Painting, Poetry, and the Invention of Tenderness in the Early Roman Empire

Painting, Poetry, and the Invention of Tenderness in the Early Roman Empire PDF Author: Hérica Valladares
Publisher: Cambridge University Press
ISBN: 1108835414
Category : Art
Languages : en
Pages : 267

Book Description
This book connects the emergence of Latin love elegy and a new, tender style in Roman wall painting.

Greek and Roman Aesthetics

Greek and Roman Aesthetics PDF Author: Oleg V. Bychkov
Publisher: Cambridge University Press
ISBN: 052154792X
Category : History
Languages : en
Pages : 295

Book Description
An anthology of works commenting on the perception of beauty in art, structure and style in literature, and aesthetic judgement.

The Ancient Middle Classes

The Ancient Middle Classes PDF Author: Ernst Emanuel Mayer
Publisher: Harvard University Press
ISBN: 0674070100
Category : History
Languages : en
Pages : 276

Book Description
Our image of the Roman world is shaped by the writings of Roman statesmen and upper class intellectuals. Yet most of the material evidence we have from Roman times—art, architecture, and household artifacts from Pompeii and elsewhere—belonged to, and was made for, artisans, merchants, and professionals. Roman culture as we have seen it with our own eyes, Emanuel Mayer boldly argues, turns out to be distinctly middle class and requires a radically new framework of analysis. Starting in the first century bce, ancient communities, largely shaped by farmers living within city walls, were transformed into vibrant urban centers where wealth could be quickly acquired through commercial success. From 100 bce to 250 ce, the archaeological record details the growth of a cosmopolitan empire and a prosperous new class rising along with it. Not as keen as statesmen and intellectuals to show off their status and refinement, members of this new middle class found novel ways to create pleasure and meaning. In the décor of their houses and tombs, Mayer finds evidence that middle-class Romans took pride in their work and commemorated familial love and affection in ways that departed from the tastes and practices of social elites.

Greek Myths in Roman Art and Culture

Greek Myths in Roman Art and Culture PDF Author: Zahra Newby
Publisher: Cambridge University Press
ISBN: 1107072247
Category : Art
Languages : en
Pages : 409

Book Description
A new reading of the portrayal of Greek myths in Roman art, revealing important shifts in Roman values and identities.

The Aesthetics of Emulation in the Visual Arts of Ancient Rome

The Aesthetics of Emulation in the Visual Arts of Ancient Rome PDF Author: Ellen Perry
Publisher: Cambridge University Press
ISBN: 9780521283977
Category : Art
Languages : en
Pages : 0

Book Description
Arguing that the scholarship on this topic has not appreciated Roman values in the visual arts, this book examines Roman strategies for the appropriation of the Greek visual culture. A knowledge of Roman values explains the entire range of visual appropriation in Roman art, which includes not only the phenomenon of copying, but also such manifestations as allusion, parody, and, most importantly, aemulatio, successful rivalry with one's models.

Materiality in Roman Art and Architecture

Materiality in Roman Art and Architecture PDF Author: Annette Haug
Publisher: Walter de Gruyter GmbH & Co KG
ISBN: 3110764768
Category : History
Languages : en
Pages : 551

Book Description
The focus of this volume is on the aesthetics, semantics and function of materials in Roman antiquity between the 2nd century B.C. and the 2nd century A.D. It includes contributions on both architectural spaces (and their material design) and objects – types of 'artefacts' that differ greatly in the way they were used, perceived and loaded with cultural significance. With respect to architecture, the analysis of material aesthetics leads to a new understanding of the performance, imitation and transformation of surfaces, including the social meaning of such strategies. In the case of objects, surface treatments are equally important. However, object form (a specific design category), which can enter into tension with materiality, comes into particular focus. Only when materials are shaped do their various qualities emerge, and these qualities are, to a greater or lesser extent, transferred to objects. With a focus primarily on Roman Italy, the papers in this volume underscore the importance of material design and highlight the awareness of this matter in the ancient world.

Aesthetic Experiences and Classical Antiquity

Aesthetic Experiences and Classical Antiquity PDF Author: Jonas Grethlein
Publisher: Cambridge University Press
ISBN: 110719265X
Category : Art
Languages : en
Pages : 317

Book Description
This book investigates the nature of aesthetic experience with the help of ancient material, exploring our responses to both narratives and images.

Art and Rhetoric in Roman Culture

Art and Rhetoric in Roman Culture PDF Author: Jaś Elsner
Publisher: Cambridge University Press
ISBN: 1139991736
Category : Art
Languages : en
Pages :

Book Description
Rhetoric was fundamental to education and to cultural aspiration in the Greek and Roman worlds. It was one of the key aspects of antiquity that slipped under the line between the ancient world and Christianity erected by the early Church in late antiquity. Ancient rhetorical theory is obsessed with examples and discussions drawn from visual material. This book mines this rich seam of theoretical analysis from within Roman culture to present an internalist model for some aspects of how the Romans understood, made and appreciated their art. The understanding of public monuments like the Arch of Titus or Trajan's Column or of imperial statuary, domestic wall painting, funerary altars and sarcophagi, as well as of intimate items like children's dolls, is greatly enriched by being placed in relevant rhetorical contexts created by the Roman world.