Picasso and the Politics of Visual Representation PDF Download

Author: Jonathan P. Harris
Publisher:
ISBN: 9781846318757
Category : Art
Languages : en
Pages : 0

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Book Description
Focuses on the lesser known 'political Picasso' of the period after 1944 when he produced a body of work connected directly to his left-wing political beliefs and continued affiliation to a Republican Spain destroyed by the Spanish Civil War.

Author: Pablo Picasso
Publisher:
ISBN:
Category : Portrait painting
Languages : en
Pages : 508

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Book Description
This book, published to accompany a major exhibition at The Museum of Modern Art, New York, opening in April 1996, no doubt will long remain the definitive work on its subject.

Author: Jonathan Harris
Publisher: John Wiley & Sons
ISBN: 1118316797
Category : Art
Languages : en
Pages : 360

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Book Description
An innovative history and critical account mapping the ways artists and their works have engaged with, and offered commentary on, modern spectacle in both capitalist and socialist modernism over the past ninety years. Focuses on artists whose work expresses the concept of revolutionary social transformation Provides a strong historical narrative that adds structure and clarity Features a cogent and innovative critique of contemporary art and institutions Covers 100 years of art from Vladimir Tatlin’s constructivist ‘Monument to the Third International’, to Picasso’s late 1940s commitment to Communism, to the Unilever Series sponsored Large Artworks installed at London’s Tate Modern since 2000. Includes the only substantial account in print of John Lennon and Yoko Ono’s 1969 Montreal ‘Bed-in’ Offers an accessible description and interpretation of Debord’s ‘society of the spectacle’ theory

Author: Annie Cohen-Solal
Publisher: Farrar, Straus and Giroux
ISBN: 0374720525
Category : Biography & Autobiography
Languages : en
Pages : 401

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Book Description
A New York Times Book Review Editors' Choice “Absorbing [and] astute . . . Cohen-Solal captures a facet of Picasso’s character long overlooked.” —Hamilton Cain, The Wall Street Journal “A beguiling read, as ingenious as it is ambitious . . . See Picasso and Paris shimmering with new light.” —Mark Braude, author of Kiki Man Ray: Art, Love, and Rivalry in 1920s Paris Born from her probing inquiry into Picasso’s odyssey in France, which inspired a museum exhibition of the same name, historian Annie-Cohen Solal’s Picasso the Foreigner presents a bold new understanding of the artist’s career and his relationship with the country he called home. Winner of the 2021 Prix Femina Essai Before Picasso became Picasso—the iconic artist now celebrated as one of France’s leading figures—he was constantly surveilled by the French police. Amid political tensions in the spring of 1901, he was flagged as an anarchist by the security services—the first of many entries in an extensive case file. Though he soon emerged as the leader of the cubist avant-garde, and became increasingly wealthy as his reputation grew worldwide, Picasso’s art was largely excluded from public collections in France for the next four decades. The genius who conceived Guernica in 1937 as a visceral statement against fascism was even denied French citizenship three years later, on the eve of the Nazi occupation. In a country where the police and the conservative Académie des Beaux-Arts represented two major pillars of the establishment at the time, Picasso faced a triple stigma—as a foreigner, a political radical, and an avant-garde artist. Picasso the Foreigner approaches the artist’s career and art from an entirely new angle, making extensive use of fascinating and long-overlooked archival sources. In this groundbreaking narrative, Picasso emerges as an artist ahead of his time not only aesthetically but politically, one who ignored national modes in favor of contemporary cosmopolitan forms. Annie Cohen-Solal reveals how, in a period encompassing the brutality of World War I, the Nazi occupation, and Cold War rivalries, Picasso strategized and fought to preserve his agency, eventually leaving Paris for good in 1955. He chose the south over the north, the provinces over the capital, and craftspeople over academicians, while simultaneously achieving widespread fame. The artist never became a citizen of France, yet he generously enriched and dynamized the country’s culture like few other figures in its history. This book, for the first time, explains how. Includes color images

Author: Duncan Wheeler
Publisher: Manchester University Press
ISBN: 1526105209
Category : Political Science
Languages : en
Pages : 413

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Book Description
The transition to democracy that followed the death of Spanish dictator Francisco Franco in 1975 was once hailed as a model of political transformation. But since the 2008 financial crisis it has come under intense scrutiny. Today, a growing divide exists between advocates of the Transition and those who see it as the source of Spain’s current socio-political bankruptcy. This book revisits the crucial period from 1962 to 1992, exposing the networks of art, media and power that drove the Transition and continue to underpin Spanish politics in the present. Drawing on rare archival materials and over three hundred interviews with politicians, artists, journalists and ordinary Spaniards, including former prime minister Felipe Gonzalez (1982–96), Following Franco unlocks the complex and often contradictory narratives surrounding the foundation of contemporary Spain.

Author: John McGreal
Publisher: Troubador Publishing Ltd
ISBN: 1788036441
Category : Art
Languages : en
Pages : 283

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Book Description
John McGreal's three new books – It’s Abstraction, Concretely, It’s Figuration, Groundly and It’s Representation, Really – continue the ‘It’ Series published by Matador since 2010. They constitute another stage in an artistic journey exploring the visual and audial dialectic of mark, word and image that began over 25 years ago. Emerging out of the first books on the Bibliograph published in 2016, initiated with It’s Nothing, Seriously, these new texts retain some of the same structural features. The Bibliographs contain the same focus on repetition and variation in meaning of their dominant motifs of representation, abstraction and figuration which have framed philosophical discourse on epistemology and ontology in aesthetics; their chance placement in each Bibliograph interspersed with one another displaying and enhancing similarities and differences. At the same time these works constitute a development in the aesthetic form of the Bibliograph. In earlier works on Nothing, Absence and Silence, it was just a question of finding and transferring given textual references from their source to construct their Bibliographs, with the focus being on the strategic position of the latter within each book. In these new works, the concern has been with working on the line and shape of the references themselves, with their enhanced spacial form as well as that of each Bibliograph as a whole. In shaping and spacing the referential images, the place of words and letters became as important as their semantic & syntactical role. Expansion and contraction of whole words was used to enhance this process. Under such detailed attention their breakdown into particles of language, into part-words and single letters was a result. The recombination of elements produced new words in a process of restrangement with new sequences of letters having visual rather than semantic value. The play on prefixes of dominant motifs yielded new words as did tmesis. This concern with the form of referential images does not preclude an equal commitment to their content. The aleatory character of textual entries in each Bibliograph encourage the reader to let his or her mind go; to read in a new way on diverse contemporary issues across conventional boundaries in the arts and sciences at several levels of physical, psychical and social reproduction.

Author: James Attlee
Publisher: Bloomsbury Publishing
ISBN: 1786691434
Category : History
Languages : en
Pages : 262

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Book Description
A brilliant, concise account of the painting often described as the most important work of art produced in the twentieth century, as part of the stunning Landmark Library series. Pablo Picasso had already accepted a commission to create a work for the Spanish Republican Pavilion in 1937 when news arrived of the bombing of the undefended Basque town of Gernika. James Attlee offers an illuminating account of the genesis, creation and complex afterlife of Picasso's Guernica. He explores the historical and cultural context from which the painting sprang and the meanings it accrued during its travels across Europe and the Americas, as well as its influence on artists both living and dead. Finally, he argues for its continuing importance as a warning of what happens when the forces of darkness go unchallenged. Praise for Guernica: 'Helps you appreciate Guernica's daring and resonance' Literary Review 'An impressive overview of the painting's conception and execution, and its subsequent life as an exhibit and a symbol... Attlee's book succeeds in showing how influential Guernica has been' Sunday Times 'Attlee digs up rich examples of the debate and devotion that invariably attended the painting... Guernica literature abounds; but this book is a worthwhile addition' Spectator

Author: Pepe Karmel
Publisher:
ISBN: 9780300094367
Category : Art
Languages : en
Pages : 233

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Book Description
This work seeks to transform our understanding of Cubism, showing in detail how it emerged in Picasso's work of the years 1906-13, and tracing its roots in 19th-century philosophy and linguistics.

Author: Silvano Levy
Publisher: NYU Press
ISBN: 081475127X
Category : Art
Languages : en
Pages : 173

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Book Description
Dal. Picasso. Ernst. Magritte. Maddox. Breton. Artaud, Fondane, Masson--all are to be found in this gallery of surrealist artists. Focussing on surrealist visuality--defined as the visual expression of internal perception or, in Andr Breton's words, internal representation--the contributors to this handsomely illustrated volume shed new light on one of the twentieth century's most exciting cultural movements.

Author: Gertje Utley
Publisher: Yale University Press
ISBN: 0300082517
Category : Biography & Autobiography
Languages : en
Pages : 292

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Book Description
The fact that Picasso joined the French Communist Party in 1944 and remained a loyal member to the end of his long life presents puzzling contradictions. How can the image of him as a protean genius be reconciled with his membership in a repressive political organization that maintained an authoritarian hold on its artistic community and all but obliterated the freedom of the creative mind? How could the creator of Guernica, lauded at that time as the champion of civilian victims of totalitarian aggression, support the policies of the Soviet Union? This stimulating book is the first comprehensive examination of Picasso’s political commitment, his motivations to join the French Communist Party, and his contributions as an active member. Gertje R. Utley assesses the impact communism had on the artist’s life and explores how Picasso’s political beliefs and the doctrines of the Communist Party affected his artistic production. Utley provides the first account in English of the intricate relations between the French Communist Party and its artists in the years immediately following the Liberation. She then examines in detail the role Picasso played within the Communist agenda, his financial and moral support, his active participation at Party events, and his artistic endorsement of the Party’s most important ideological positions during the Cold War years. Addressing Picasso’s unfailing loyalty in the face of both the Party’s untenable political positions and the opposition within the Party to his art, this book offers new insight into aspects of the artist’s thought and art that have been little considered before.