Portraiture and Friendship in Enlightenment France PDF Download

Author: Jessica L. Fripp
Publisher: University of Virginia Press
ISBN: 1644532026
Category : History
Languages : en
Pages : 358

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Book Description
Portraiture and Friendship in Enlightenment France examines how new and often contradictory ideas about friendship were enacted in the lives of artists in the eighteenth century. It demonstrates that portraits resulted from and generated new ideas about friendship by analyzing the creation, exchange, and display of portraits alongside discussions of friendship in philosophical and academic discourse, exhibition criticism, personal diaries, and correspondence. This study provides a deeper understanding of how artists took advantage of changing conceptions of social relationships and used portraiture to make visible new ideas about friendship that were driven by Enlightenment thought. Studies in Seventeenth- and Eighteenth-Century Art and Culture Distributed for the University of Delaware Press

Author: Rochelle Ziskin
Publisher: BRILL
ISBN: 9004526943
Category : Art
Languages : en
Pages : 349

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Book Description
Rochelle Ziskin explores two remarkable private gatherings generating significant art criticism during the middle of the eighteenth century, assessing how the sites harboring them embodied and disseminated their judgments.

Author: Ronit Milano
Publisher: BRILL
ISBN: 9004276254
Category : Art
Languages : en
Pages : 242

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Book Description
In The Portrait Bust and French Cultural Politics in the Eighteenth Century, Ronit Milano probes the aesthetic and intellectual charge of a remarkably concise art form, and its role in the construction of modern identity, during a seismic moment in French history.

Author: Jennifer Milam
Publisher: Rutgers University Press
ISBN: 1644532336
Category : Art
Languages : en
Pages : 241

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Book Description
"This volume considers how ideas were made visible through the making of art and visual experiences occasioned by reception during the long eighteenth century. Contributors consider the approach taken by individual artists and the material formation of concepts in different contexts by asking new questions of artworks that are implicated by the need to see ideas in painted, sculpted, illustrated, designed, and built forms. The first four essays work with ideas about material objects and identity formation, while the last four essays address the intellectual work that can be expressed through or performed by objects. Making Ideas Visible in the Eighteenth Century thus introduces new visual materials and novel conceptual models into traditional accounts of the intellectual history of the Enlightenment."--Cover page 4.

Author: Amanda Lahikainen
Publisher: Rutgers University Press
ISBN: 1644532700
Category : Art
Languages : en
Pages : 242

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Book Description
This book examines the entwined and simultaneous rise of graphic satire and cultures of paper money in late eighteenth- and early nineteenth-century Britain. Asking how Britons learned to value both graphic art and money, the book makes surprising connections between two types of engraved images that grew in popularity and influence during this time. Graphic satire grew in visual risk-taking, while paper money became a more standard carrier of financial value, courting controversy as a medium, moral problem, and factor in inflation. Through analysis of satirical prints, as well as case studies of monetary satires beyond London, this book demonstrates several key ways that cultures attach value to printed paper, accepting it as social reality and institutional fact. Thus, satirical banknotes were objects that broke down the distinction between paper money and graphic satire ​altogether.

Author: Amy Freund
Publisher: Penn State Press
ISBN: 0271066733
Category : Art
Languages : en
Pages : 312

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Book Description
Portraiture and Politics in Revolutionary France challenges widely held assumptions about both the genre of portraiture and the political and cultural role of images in France at the beginning of the nineteenth century. After 1789, portraiture came to dominate French visual culture because it addressed the central challenge of the Revolution: how to turn subjects into citizens. Revolutionary portraits allowed sitters and artists to appropriate the means of representation, both aesthetic and political, and articulate new forms of selfhood and citizenship, often in astonishingly creative ways. The triumph of revolutionary portraiture also marks a turning point in the history of art, when seriousness of purpose and aesthetic ambition passed from the formulation of historical narratives to the depiction of contemporary individuals. This shift had major consequences for the course of modern art production and its engagement with the political and the contingent.

Author: Kenneth B. Loiselle
Publisher: Cornell University Press
ISBN: 0801454867
Category : History
Languages : en
Pages : 280

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Book Description
Friendship, an acquired relationship primarily based on choice rather than birth, lay at the heart of Enlightenment preoccupations with sociability and the formation of the private sphere. In Brotherly Love, Kenneth Loiselle argues that Freemasonry is an ideal arena in which to explore the changing nature of male friendship in Enlightenment France. Freemasonry was the largest and most diverse voluntary organization in the decades before the French Revolution. At least fifty thousand Frenchmen joined lodges, the memberships of which ranged across the social spectrum from skilled artisans to the highest ranks of the nobility. Loiselle argues that men were attracted to Freemasonry because it enabled them to cultivate enduring friendships that were egalitarian and grounded in emotion. Drawing on scores of archives, including private letters, rituals, the minutes of lodge meetings, and the speeches of many Freemasons, Loiselle reveals the thought processes of the visionaries who founded this movement, the ways in which its members maintained friendships both within and beyond the lodge, and the seemingly paradoxical place women occupied within this friendship community. Masonic friendship endured into the tumultuous revolutionary era, although the revolutionary leadership suppressed most of the lodges by 1794. Loiselle not only examines the place of friendship in eighteenth-century society and culture but also contributes to the history of emotions and masculinity, and the essential debate over the relationship between the Enlightenment and the French Revolution.

Author: Edward Joe Johnson
Publisher: Summa Publications, Inc.
ISBN: 9781883479428
Category : Literary Criticism
Languages : en
Pages : 292

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Author: Beatrijs Vanacker
Publisher: Leuven University Press
ISBN: 9462703302
Category : Social Science
Languages : en
Pages : 387

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Book Description
Interdisciplinary and cross-cultural view on authority construction among early modern female intellectuals The complex relation between gender and the representation of intellectual authority has deep roots in European history. Portraits and Poses adopts a historical approach to shed new light on this topical subject. It addresses various modes and strategies by which learned women (authors, scientists, jurists, midwifes, painters, and others) sought to negotiate and legitimise their authority at the dawn of modern science in Early Modern and Enlightenment Europe (1600–1800). This volume explores the transnational dimensions of intellectual networks in France, Italy, Britain, the German states and the Low Countries, among others. Drawing on a wide range of case studies from different spheres of professionalisation, it examines both individual and collective constructions of female intellectual authority through word and image. In its innovative combination of an interdisciplinary and transnational approach, this volume contributes to the growing literature on women and intellectual authority in the Early Modern Era and outlines contours for future research.

Author: Lewis C. Seifert
Publisher: Routledge
ISBN: 1317097513
Category : Literary Criticism
Languages : en
Pages : 316

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Book Description
Today the friendships that grab people’s imaginations are those that reach across inequalities of class and race. The friendships that seem to have exerted an analogous level of fascination in early modern France were those that defied the assumption, inherited from Aristotle and patristic sources, that friendships between men and women were impossible. Together, the essays in Men and Women Making Friends in Early Modern France tell the story of the declining intelligibility of classical models of (male) friendship and of the rising prominence of women as potential friends. The revival of Plato’s friendship texts in the sixteenth century challenged Aristotle’s rigid ideal of perfect friendship between men. In the seventeenth century, a new imperative of heterosociality opened a space for the cultivation of cross-gender friendships, while the spiritual friendships of the Catholic Reformation modeled relationships that transcended the gendered dynamics of galanterie. Men and Women Making Friends in Early Modern France argues that the imaginative experimentation in friendships between men and women was a distinctive feature of early modern French culture. The ten essays in this volume address friend-making as a process that is creative of self and responsive to changing social and political circumstances. Contributors reveal how men and women fashioned gendered selves, and also circumvented gender norms through concrete friendship practices. By showing that the benefits and the risks of friendship are magnified when gender roles and relations are unsettled, the essays in this volume highlight the relevance of early modern friend-making to friendship in the contemporary world.