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Author: Fan Pen Li Chen Publisher: SUNY Press ISBN: 1438464835 Category : Literary Collections Languages : en Pages : 346
Book Description
English-language translations of traditional plays from the marionette puppet theater of northern China. Marionette puppet theater has a rich and ancient history in China, extending back to the Han dynasty and reaching its heyday in the Qing dynasty. While this art form is nearly extinct in northern China today, a handful of troupes in Heyang County in Shaanxi Province, which claims to be the birthplace of marionette theater, continue to perform skits and scenes from Heyangs earlier, broader marionette theater repertoire. In this book, Fan Pen Li Chen has collected and translated rare transcriptions of some of the most popular of these plays. Her insightful translations include a rich variety of genres and highlight memorable characters that range from manipulative aristocrats, poor Confucian scholars, and a woman warrior to Baldy Guo, the iconic clown of puppet theater. As the only work in English about the puppet theater of northern China, these translations provide valuable information about the history, religion, social roles, and popular culture of that region. Detailed introductions and annotations for each play, as well as an extensive bibliography, are also included.
Author: Fan Pen Li Chen Publisher: SUNY Press ISBN: 1438464835 Category : Literary Collections Languages : en Pages : 346
Book Description
English-language translations of traditional plays from the marionette puppet theater of northern China. Marionette puppet theater has a rich and ancient history in China, extending back to the Han dynasty and reaching its heyday in the Qing dynasty. While this art form is nearly extinct in northern China today, a handful of troupes in Heyang County in Shaanxi Province, which claims to be the birthplace of marionette theater, continue to perform skits and scenes from Heyangs earlier, broader marionette theater repertoire. In this book, Fan Pen Li Chen has collected and translated rare transcriptions of some of the most popular of these plays. Her insightful translations include a rich variety of genres and highlight memorable characters that range from manipulative aristocrats, poor Confucian scholars, and a woman warrior to Baldy Guo, the iconic clown of puppet theater. As the only work in English about the puppet theater of northern China, these translations provide valuable information about the history, religion, social roles, and popular culture of that region. Detailed introductions and annotations for each play, as well as an extensive bibliography, are also included.
Author: Grant Hayter-Menzies Publisher: McGill-Queen's Press - MQUP ISBN: 0773589090 Category : Biography & Autobiography Languages : en Pages : 232
Book Description
Kansas-born Pauline Benton (1898-1974) was encouraged by her father, one of America's earliest feminist male educators, to reach for the stars. Instead, she reached for shadows. In 1920s Beijing, she discovered shadow theatre (piyingxi), a performance art where translucent painted puppets are manipulated by highly trained masters to cast coloured shadows against an illuminated screen. Finding that this thousand-year-old forerunner of motion pictures was declining in China, Benton believed she could save the tradition by taking it to America. Mastering the male-dominated art form in China, Benton enchanted audiences eager for the exotic in Depression-era America. Her touring company, Red Gate Shadow Theatre, was lauded by theatre and art critics and even performed at Franklin Roosevelt's White House. Grant Hayter-Menzies traces Benton's performance history and her efforts to preserve shadow theatre as a global cultural treasure by drawing on her unpublished writings, the recollections of her colleagues, the testimonies of shadow masters who survived China's Cultural Revolution, as well as young innovators who have carried on Benton's pioneering work.
Author: Sergeĭ Vladimirovich Obrazt͡sov Publisher: ISBN: Category : Puppet plays Languages : en Pages : 82
Book Description
Describes the various types of Chinese puppet theater, discusses ancient traditional plays still performed, and speculates on the origin of the gloved puppet.
Author: Fan-Pen Li Chen Publisher: McGill-Queen's Press - MQUP ISBN: 0773531971 Category : Performing Arts Languages : en Pages : 367
Book Description
In her study of Chinese shadow theatre Fan-Pen Li Chen documents and corrects misconceptions about this once-popular art form. She argues how a traditional folk theatre reflected and subverted Chinese popular culture.
Author: Teri J. Silvio Publisher: University of Hawaii Press ISBN: 0824880986 Category : Social Science Languages : en Pages : 297
Book Description
The early twenty-first century has seen an explosion of animation. Cartoon characters are everywhere—in cinema, television, and video games and as brand logos. There are new technological objects that seem to have lives of their own—from Facebook algorithms that suggest products for us to buy to robots that respond to human facial expressions. The ubiquity of animation is not a trivial side-effect of the development of digital technologies and the globalization of media markets. Rather, it points to a paradigm shift. In the last century, performance became a key term in academic and popular discourse: The idea that we construct identities through our gestures and speech proved extremely useful for thinking about many aspects of social life. The present volume proposes an anthropological concept of animation as a contrast and complement to performance: The idea that we construct social others by projecting parts of ourselves out into the world might prove useful for thinking about such topics as climate crisis, corporate branding, and social media. Like performance, animation can serve as a platform for comparisons of different cultures and historical eras. Teri Silvio presents an anthropology of animation through a detailed ethnographic account of how characters, objects, and abstract concepts are invested with lives, personalities, and powers—and how people interact with them—in contemporary Taiwan. The practices analyzed include the worship of wooden statues of Buddhist and Daoist deities and the recent craze for cute vinyl versions of these deities, as well as a wildly popular video fantasy series performed by puppets. She reveals that animation is, like performance, a concept that works differently in different contexts, and that animation practices are deeply informed by local traditions of thinking about the relationships between body and soul, spiritual power and the material world. The case of Taiwan, where Chinese traditions merge with Japanese and American popular culture, uncovers alternatives to seeing animation as either an expression of animism or as “playing God.” Looking at the contemporary world through the lens of animation will help us rethink relationships between global and local, identity and otherness, human and non-human.
Author: Sophie Volpp Publisher: BRILL ISBN: 168417435X Category : Literary Criticism Languages : en Pages : 395
Book Description
"In seventeenth-century China, as formerly disparate social spheres grew closer, the theater began to occupy an important ideological niche among traditional cultural elites, and notions of performance and spectatorship came to animate diverse aspects of literati cultural production. In this study of late-imperial Chinese theater, Sophie Volpp offers fresh readings of major texts such as Tang Xianzu’s Peony Pavilion (Mudan ting) and Kong Shangren’s Peach Blossom Fan (Taohua shan), and unveils lesser-known materials such as Wang Jide’s play The Male Queen (Nan wanghou). In doing so, Volpp sheds new light on the capacity of seventeenth-century drama to comment on the cultural politics of the age.Worldly Stage arrives at a conception of theatricality particular to the classical Chinese theater and informed by historical stage practices. The transience of worldly phenomena and the vanity of reputation had long informed the Chinese conception of theatricality. But in the seventeenth century, these notions acquired a new verbalization, as theatrical models of spectatorship were now applied to the contemporary urban social spectacle in which the theater itself was deeply implicated."
Author: Fan Pen Li Chen
Author: Fan Pen Li Chen
Author: Center for Puppetry Arts (Atlanta, Ga.)
Author: Qilin Liu
Author: Roberta Helmer Stalberg
Author: Grant Hayter-Menzies
Author: Sergeĭ Vladimirovich Obrazt͡sov
Author: Fan-Pen Li Chen
Author: Berthold Laufer
Author: Teri J. Silvio
Author: Sophie Volpp