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Author: Sergeĭ Vladimirovich Obrazt͡sov Publisher: ISBN: Category : Puppet plays Languages : en Pages : 82
Book Description
Describes the various types of Chinese puppet theater, discusses ancient traditional plays still performed, and speculates on the origin of the gloved puppet.
Author: Sergeĭ Vladimirovich Obrazt͡sov Publisher: ISBN: Category : Puppet plays Languages : en Pages : 82
Book Description
Describes the various types of Chinese puppet theater, discusses ancient traditional plays still performed, and speculates on the origin of the gloved puppet.
Author: Fan Pen Li Chen Publisher: SUNY Press ISBN: 1438464835 Category : Literary Collections Languages : en Pages : 346
Book Description
English-language translations of traditional plays from the marionette puppet theater of northern China. Marionette puppet theater has a rich and ancient history in China, extending back to the Han dynasty and reaching its heyday in the Qing dynasty. While this art form is nearly extinct in northern China today, a handful of troupes in Heyang County in Shaanxi Province, which claims to be the birthplace of marionette theater, continue to perform skits and scenes from Heyangs earlier, broader marionette theater repertoire. In this book, Fan Pen Li Chen has collected and translated rare transcriptions of some of the most popular of these plays. Her insightful translations include a rich variety of genres and highlight memorable characters that range from manipulative aristocrats, poor Confucian scholars, and a woman warrior to Baldy Guo, the iconic clown of puppet theater. As the only work in English about the puppet theater of northern China, these translations provide valuable information about the history, religion, social roles, and popular culture of that region. Detailed introductions and annotations for each play, as well as an extensive bibliography, are also included.
Author: Sergeĭ Vladimirovich Obrazt͡sov Publisher: Plays ISBN: 9780823801947 Category : Puppet plays Languages : en Pages : 55
Book Description
Describes the various types of Chinese puppet theater, discusses ancient traditional plays still performed, and speculates on the origin of the gloved puppet.
Author: Grant Hayter-Menzies Publisher: McGill-Queen's Press - MQUP ISBN: 0773589090 Category : Biography & Autobiography Languages : en Pages : 232
Book Description
Kansas-born Pauline Benton (1898-1974) was encouraged by her father, one of America's earliest feminist male educators, to reach for the stars. Instead, she reached for shadows. In 1920s Beijing, she discovered shadow theatre (piyingxi), a performance art where translucent painted puppets are manipulated by highly trained masters to cast coloured shadows against an illuminated screen. Finding that this thousand-year-old forerunner of motion pictures was declining in China, Benton believed she could save the tradition by taking it to America. Mastering the male-dominated art form in China, Benton enchanted audiences eager for the exotic in Depression-era America. Her touring company, Red Gate Shadow Theatre, was lauded by theatre and art critics and even performed at Franklin Roosevelt's White House. Grant Hayter-Menzies traces Benton's performance history and her efforts to preserve shadow theatre as a global cultural treasure by drawing on her unpublished writings, the recollections of her colleagues, the testimonies of shadow masters who survived China's Cultural Revolution, as well as young innovators who have carried on Benton's pioneering work.
Author: Robin Ruizendaal Publisher: BRILL ISBN: 9047418131 Category : Performing Arts Languages : en Pages : 480
Book Description
From the 1990's to 2003 the author followed four marionette theatre companies in the Quanzhou area. Based on this unique fieldwork the author describes both the theatrical and social context of the marionette theatre. He shows it as a complex entity in which elements of religion, ritual, language, history and social structure all come together. The study includes an analysis of the companies' organization, libretti, music and puppets, as well as of the social and religous context of the performances and their ritual aspects. Its important insights into the functioning of a traditional form of theatre in the economically advanced region of southern Fujian provide a fascinating window on contemporary China.
Author: Publisher: State University of New York Press ISBN: 1438464851 Category : Literary Collections Languages : en Pages : 346
Book Description
English-language translations of traditional plays from the marionette puppet theater of Northern China. Marionette puppet theater has a rich and ancient history in China, extending back to the Han dynasty and reaching its heyday in the Qing dynasty. While this art form is nearly extinct in northern China today, a handful of troupes in Heyang County in Shaanxi Province, which claims to be the birthplace of marionette theater, continue to perform skits and scenes from Heyang’s earlier, broader marionette theater repertoire. In this book, Fan Pen Li Chen has collected and translated rare transcriptions of some of the most popular of these plays. Her insightful translations include a rich variety of genres and highlight memorable characters that range from manipulative aristocrats, poor Confucian scholars, and a woman warrior to Baldy Guo, the iconic clown of puppet theater. As the only work in English about the puppet theater of northern China, these translations provide valuable information about the history, religion, social roles, and popular culture of that region. Detailed introductions and annotations for each play, as well as an extensive bibliography, are also included. Fan Pen Li Chen is Associate Professor of East Asian Studies at the University at Albany, State University of New York. She is the author of Chinese Shadow Theatre: History, Popular Religion, and Women Warriors and Visions for the Masses: Chinese Shadow Plays from Shaanxi and Shanxi.
Author: Fan-Pen Li Chen Publisher: Cornell East Asia Series ISBN: Category : Drama Languages : en Pages : 292
Book Description
This collection of Chinese shadow plays contains seven selected traditional shadow plays from the Qing and early Republican periods from Shaanxi and Shanxi. A minor operatic genre, the Chinese shadow theatre provides one of the best avenues for examining the mentality and sense of humor of the silent masses. Although Shaanxi sports the largest number of shadow traditions in China and is where the art form is most vibrant, its shadow plays have never before been published in either Chinese or English. Translated from rare hand-copied play scripts, this volume includes the most literary and refined plays of the genre as well as coarser popular plays and farcical Post-midnight skits. It also features a survey of the state of the shadow theatre in contemporary China, extensive critical introductions and bibliography.
Author: Sophie Volpp Publisher: BRILL ISBN: 168417435X Category : Literary Criticism Languages : en Pages : 395
Book Description
"In seventeenth-century China, as formerly disparate social spheres grew closer, the theater began to occupy an important ideological niche among traditional cultural elites, and notions of performance and spectatorship came to animate diverse aspects of literati cultural production. In this study of late-imperial Chinese theater, Sophie Volpp offers fresh readings of major texts such as Tang Xianzu’s Peony Pavilion (Mudan ting) and Kong Shangren’s Peach Blossom Fan (Taohua shan), and unveils lesser-known materials such as Wang Jide’s play The Male Queen (Nan wanghou). In doing so, Volpp sheds new light on the capacity of seventeenth-century drama to comment on the cultural politics of the age.Worldly Stage arrives at a conception of theatricality particular to the classical Chinese theater and informed by historical stage practices. The transience of worldly phenomena and the vanity of reputation had long informed the Chinese conception of theatricality. But in the seventeenth century, these notions acquired a new verbalization, as theatrical models of spectatorship were now applied to the contemporary urban social spectacle in which the theater itself was deeply implicated."
Author: Sergeĭ Vladimirovich Obrazt͡sov
Author: Sergeĭ Vladimirovich Obrazt͡sov
Author: Fan Pen Li Chen
Author: Sergeĭ Vladimirovich Obrazt͡sov
Author: Sergei Obraztsov
Author: Center for Puppetry Arts (Atlanta, Ga.)
Author: Grant Hayter-Menzies
Author: Robin Ruizendaal
Author: 
Author: Fan-Pen Li Chen
Author: Sophie Volpp