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Author: Rob Goldberg Publisher: Duke University Press ISBN: 147802710X Category : History Languages : en Pages : 210
Book Description
In Radical Play Rob Goldberg recovers a little-known history of American children’s culture in the 1960s and 1970s by showing how dolls, guns, action figures, and other toys galvanized and symbolized new visions of social, racial, and gender justice. From a nationwide movement to oppose the sale of war toys during the Vietnam War to the founding of the company Shindana Toys by Black Power movement activists and the efforts of feminist groups to promote and produce nonsexist and racially diverse toys, Goldberg returns readers to a defining moment in the history of childhood when politics, parenting, and purchasing converged. Goldberg traces not only how movement activists brought their progressive politics to the playroom by enlisting toys in the era’s culture wars but also how the children’s culture industry navigated the explosive politics and turmoil of the time in creative and socially conscious ways. Outlining how toys shaped and were shaped by radical visions, Goldberg locates the moment Americans first came to understand the world of toys—from Barbie to G.I. Joe—as much more than child’s play.
Author: Rob Goldberg Publisher: Duke University Press ISBN: 147802710X Category : History Languages : en Pages : 210
Book Description
In Radical Play Rob Goldberg recovers a little-known history of American children’s culture in the 1960s and 1970s by showing how dolls, guns, action figures, and other toys galvanized and symbolized new visions of social, racial, and gender justice. From a nationwide movement to oppose the sale of war toys during the Vietnam War to the founding of the company Shindana Toys by Black Power movement activists and the efforts of feminist groups to promote and produce nonsexist and racially diverse toys, Goldberg returns readers to a defining moment in the history of childhood when politics, parenting, and purchasing converged. Goldberg traces not only how movement activists brought their progressive politics to the playroom by enlisting toys in the era’s culture wars but also how the children’s culture industry navigated the explosive politics and turmoil of the time in creative and socially conscious ways. Outlining how toys shaped and were shaped by radical visions, Goldberg locates the moment Americans first came to understand the world of toys—from Barbie to G.I. Joe—as much more than child’s play.
Author: Mary Flanagan Publisher: MIT Press ISBN: 0262518651 Category : Computers Languages : en Pages : 363
Book Description
An examination of subversive games like The Sims—games designed for political, aesthetic, and social critique. For many players, games are entertainment, diversion, relaxation, fantasy. But what if certain games were something more than this, providing not only outlets for entertainment but a means for creative expression, instruments for conceptual thinking, or tools for social change? In Critical Play, artist and game designer Mary Flanagan examines alternative games—games that challenge the accepted norms embedded within the gaming industry—and argues that games designed by artists and activists are reshaping everyday game culture. Flanagan provides a lively historical context for critical play through twentieth-century art movements, connecting subversive game design to subversive art: her examples of “playing house” include Dadaist puppet shows and The Sims. She looks at artists’ alternative computer-based games and explores games for change, considering the way activist concerns—including worldwide poverty and AIDS—can be incorporated into game design. Arguing that this kind of conscious practice—which now constitutes the avant-garde of the computer game medium—can inspire new working methods for designers, Flanagan offers a model for designing that will encourage the subversion of popular gaming tropes through new styles of game making, and proposes a theory of alternate game design that focuses on the reworking of contemporary popular game practices.
Author: Dusica Marinkovic-Penney Publisher: GRIN Verlag ISBN: 3638296679 Category : Literary Collections Languages : en Pages : 14
Book Description
Seminar paper from the year 2004 in the subject American Studies - Culture and Applied Geography, grade: 1 (A), Justus-Liebig-University Giessen (Anglistics), course: Radical Theater: American Plays and American Culture of the 1960s, language: English, abstract: All three plays The Zoo Story, The Death of Bessie Smith and The American Dream are Edward Albee’s early plays in which he points out the deplorable state of the American society. Albee’s way of writing is provocative because his ultimate goal is to shock his audience. At the same time he wants to amuse the viewers with dialogues that are governed by sarcasm and irony. He writes in the preface of the play The American Dream: “Is the play offensive? I certainly hope so; it was my intention to offend- as well as amuse and entertain.” (p.14) Thus his plays manages to confront the audience with the harsh reality of life and the problems of modern society. In The Zoo Story a clash of two different representatives of the modern American society takes place and ends up in an accidental manslaughter. In The Death of Bessie Smith the audience faces a society ruled by hatred, racism and frustration. The third play which is going to be examined closely in this paper is The American Dream, a sad portrait of an American family craving for something to replace the emptiness they find themselves in. This paper will examine the social criticism in these three plays which were written between 1958 and 1960 in order to find common topics and critical issues which were present at that particular time, and are still relevant today. The topics that are going to be analyzed are the outcasts of the society and their treatment by the members of the establishment, the lack of communication and growing violence as a result of it and finally the artificial values of the modern society and the constantly present hypocrisy and double standard. As Edward Albee sums it up: The play [The American Dream] is an examination of the American scene, an attack on the substitution of artificial for real values in our society, a condemnation of complacency, it is a stand against the fiction that everything in this slipping land of ours is peachy-keen. (p. 13-14)
Author: Shira Chess Publisher: MIT Press ISBN: 0262360446 Category : Games & Activities Languages : en Pages : 182
Book Description
An important new voice provides a riveting look at why video games need feminism and why all of us should make space for more play in our lives. "You play like a girl": it's meant to be an insult, accusing a player of subpar, un-fun playing. If you're a girl, and you grow up, do you "play like a woman"--whatever that means? In this provocative and enlightening book, Shira Chess urges us to play like feminists. Furthermore, she urges us to play video games like feminists. Playing like a feminist is empowering and disruptive; it exceeds the boundaries of gender yet still advocates for gender equality. Feminism need video games as much as video games need feminism.
Author: Kenneth B. Kidd Publisher: Univ. Press of Mississippi ISBN: 1496851048 Category : Literary Criticism Languages : en Pages : 201
Book Description
Contributions by Kristopher Alexander, Amanda K. Allen, Brianna Anderson, Catherine Burwell, Katharine Capshaw, Negin Dahya, Gabriel Duckels, Paige Gray, Gabrielle Atwood Halko, Natasha Hurley, Kenneth B. Kidd, Erica Law-Montes, Derritt Mason, Brandon Murakami, Tehmina Pirzada, Cristina Rhodes, Cristina Rivera, Jakob Rosendal, TreaAndrea M. Russworm, Vivek Shraya, Victoria Ford Smith, Joshua Whitehead, and Shuyin Yu How do we think about children’s and young adult literature? Children’s literature is often defined through audience, so what happens when children are drawn to and claim genres not built expressly “for” them? To what extent do canonical formations tend to overwrite or obscure less visible efforts to create and promote material for the young? These are the driving questions of Alt Kid Lit: What Children's Literature Might Be. Contributors to the volume offer theoretical meditations on the category of children’s and young adult literature as well as case studies of materials that complicate our understanding of such. Chapters attend to a diverse array of subjects including the “non-places” of children’s literature; child mediums; Black theater for children; children’s interpretive drawings; fanfiction; Latinx, Indigenous, and silkpunk speculative fiction; environmental zines; shōnen anime; Jim Henson's The Dark Crystal; South Asian television; and “emergency children’s literature.” The book also features interviews with two experimental writers about genre and alt-publishing and a roundtable conversation on video games and children’s digital engagements. Building on diverse approaches including queer theory and postcolonial studies, Alt Kid Lit shines light on materials, methodologies, and epistemologies that are sometimes underacknowledged in the field of children’s and young adult literature studies.
Author: Robert Mshengu Kavanagh Publisher: Bloomsbury Publishing ISBN: 1783609796 Category : Performing Arts Languages : en Pages : 265
Book Description
In this book, South African performer and activist Robert Mshengu Kavanagh reveals the complex and conflicting interplay of class, nation and race in South African theatre under Apartheid. Evoking an era when theatre itself became a political battleground, Kavanagh displays how the struggle against Apartheid was played out on the stage as well as on the streets. Kavanagh's account spans three very different areas of South African theatre, with the author considering the merits and limitations of the multi-racial theatre projects created by white liberals; the popular commercial musicals staged for black audiences by emergent black entrepreneurs; and the efforts of the Black Consciousness Movement to forge a distinctly African form of revolutionary theatre in the 1970s. The result is a highly readable, pioneering study of the theatre at a time of unprecedented upheaval, diversity and innovation, with Kavanagh's cogent analysis demonstrating the subtle ways in which culture and the arts can become an effective means of challenging oppression.
Author: Kendall B Wallace Publisher: CRC Press ISBN: 9781439805701 Category : Medical Languages : en Pages : 458
Book Description
Provides insight into the involvement of free radicals in the pathogenesis of chemical-induced toxic tissue injury. The text addresses the fundamentals of free radical chemistry and the theoretical basis for electron transfer reaction leading to free radical generation. It describes the various subcellular sources of free radicals, the biological reactivity with lipid, protein and nucleic acids, and the physiochemical determinants of free radical-induced cell injury and the various antioxidant defence systems. The book focuses on target organ toxicity, and the concluding section offers an overview of the evidence implicating free radicals in the aetiology of various chemical toxicities, challenging the possibility of misguided use of biomarkers for oxidative damage.
Author: S. Montgomery Ewegen Publisher: Indiana University Press ISBN: 0253010519 Category : Philosophy Languages : en Pages : 249
Book Description
Plato's dialogue Cratylus focuses on being and human dependence on words, or the essential truths about the human condition. Arguing that comedy is an essential part of Plato's concept of language, S. Montgomery Ewegen asserts that understanding the comedic is key to an understanding of Plato's deeper philosophical intentions. Ewegen shows how Plato's view of language is bound to comedy through words and how, for Plato, philosophy has much in common with playfulness and the ridiculous. By tying words, language, and our often uneasy relationship with them to comedy, Ewegen frames a new reading of this notable Platonic dialogue.
Author: Olga Kekis Publisher: Routledge ISBN: 1351253964 Category : Performing Arts Languages : en Pages : 330
Book Description
Hypertheatre: Contemporary Radical Adaptation of Greek Tragedy investigates the adaptation of classical drama for the contemporary stage and explores its role as an active, polemical form of theatre which addresses present-day issues. The book’s premise is that by breaking drama into constituent parts, revising, reinterpreting and rewriting to create a new, culturally and politically relevant construct, the process of adaptation creates a 'hyperplay', newly repurposed for the contemporary world. This process is explored through a diverse collection of postmodern adaptations of Antigone, Medea, and The Trojan Women, analysing their adaptive strategies and the evidence of how these remakings reflect the cultures of which they are a part. Central to this study is the idea that each of these adaptations becomes an entirely new play, redefining its central female figures and invoking reconfigurations of femininity which emphasise individual women’s strengths and female solidarity. Written for scholars of Theatre, Adaptation, Performance Studies, and Literature, Hypertheatre places the Greek classics firmly within a contemporary feminist discourse.
Author: Rob Goldberg
Author: Rob Goldberg
Author: Mary Flanagan
Author: Dusica Marinkovic-Penney
Author: Shira Chess
Author: Kenneth B. Kidd
Author: Mary Flanagan
Author: Robert Mshengu Kavanagh
Author: Kendall B Wallace
Author: S. Montgomery Ewegen
Author: Olga Kekis