Author: Heiner KlemmePublisher: A&C Black
ISBN: 1855068990
Category : Aesthetics, British
Languages : de
Pages : 2175
Book Description
The reception of British aesthetics in Germany
Author: Heiner KlemmePublisher: A&C Black
ISBN: 1855068990
Category : Aesthetics, British
Languages : de
Pages : 2175
Book Description
Reception Of British Aesthetics In Germany
Author: Heiner F. KlemmePublisher: Bloomsbury Publishing
ISBN: 1847142176
Category : Philosophy
Languages : en
Pages : 2100
Book Description
The transfer of intellectual ideas between European countries during the period known as the Enlightenment was largely dependent upon the abilities of translators and philosophers, who had to convey and make comprehensible, complex and new ideas expressed in one language to those who thought and wrote in another. Often, they had to invent or conceive a completely new terminology to express what the British authors intended to say. That many of the terms they introduced are now part of common German is a sign of their abilities. It was through endeavours of men like Spalding, Mylius and Resewitz that Shaftesbury, Hutcheson, Hogarth, Hume, Burke and Gerard's aesthetic ideas found followers and critics away from home. With the new introductions these texts, which are often even rarer than the original English editions, will further our understanding of the dissemination of aesthetics and philosophy within the German tradition of the European Enlightenment. Sulzer, Lessing, Mendelssohn, Kant, Herder, Goethe und Schiller, for instance, cannot be understood without the pioneering work of these translators. Furthermore, since they had a significant influence on the aesthetic vocabulary of eighteenth and nineteenth-century German aesthetics in general, they are also important for the further development of that discipline in Germany.
The reception of British aesthetics in Germany
Author: David HumePublisher:
ISBN: 9781350246492
Category : Aesthetics
Languages : de
Pages : 0
Book Description
"The transfer of intellectual ideas between European countries during the period known as the Enlightenment was largely dependent upon the abilities of translators and philosophers, who had to convey and make comprehensible, complex and new ideas expressed in one language to those who thought and wrote another. Often, they had to invent or conceive a completely new terminology to express what the British authors intended to say. That many of the terms they introduced are now part of common German is a sign of their abilities. It was through endeavours of man like Spalding, Mylius and Reseqitz that Shaftesbury, Hutchson, Hogarth, Hume, Burke and Gerard's aesthetic ideas found followers and critics away from home. With new introductions these texts, which are often even rarer than the original English editions, should further understanding of the dissemination of aesthetics and philosophy within the German tradition of the European Enlightenment. Sulzer, Lessing, Mendelssohn, Kant, Herder, Goethe and Schilller, for instance, cannot be understood without the pioneering work of these translators. Furthermore, since they had a significant influence on the aesthetic vocabulary of 18th and 19th century German aesthetics in general, they are also important for the further development of that discipline in Germany"--Abstract
The reception of British aesthetics in Germany
Author: William HogarthPublisher:
ISBN: 9781350246478
Category : Aesthetics
Languages : de
Pages : 0
Book Description
"The transfer of intellectual ideas between European countries during the period known as the Enlightenment was largely dependent upon the abilities of translators and philosophers, who had to convey and make comprehensible, complex and new ideas expressed in one language to those who thought and wrote another. Often, they had to invent or conceive a completely new terminology to express what the British authors intended to say. That many of the terms they introduced are now part of common German is a sign of their abilities. It was through endeavours of man like Spalding, Mylius and Reseqitz that Shaftesbury, Hutchson, Hogarth, Hume, Burke and Gerard's aesthetic ideas found followers and critics away from home. With new introductions these texts, which are often even rarer than the original English editions, should further understanding of the dissemination of aesthetics and philosophy within the German tradition of the European Enlightenment. Sulzer, Lessing, Mendelssohn, Kant, Herder, Goethe and Schilller, for instance, cannot be understood without the pioneering work of these translators. Furthermore, since they had a significant influence on the aesthetic vocabulary of 18th and 19th century German aesthetics in general, they are also important for the further development of that discipline in Germany"--Abstract
The reception of British aesthetics in Germany
Author: Alexander GerardPublisher:
ISBN: 9781350246515
Category : Aesthetics
Languages : de
Pages : 0
Book Description
"The transfer of intellectual ideas between European countries during the period known as the Enlightenment was largely dependent upon the abilities of translators and philosophers, who had to convey and make comprehensible, complex and new ideas expressed in one language to those who thought and wrote another. Often, they had to invent or conceive a completely new terminology to express what the British authors intended to say. That many of the terms they introduced are now part of common German is a sign of their abilities. It was through endeavours of man like Spalding, Mylius and Reseqitz that Shaftesbury, Hutchson, Hogarth, Hume, Burke and Gerard's aesthetic ideas found followers and critics away from home. With new introductions these texts, which are often even rarer than the original English editions, should further understanding of the dissemination of aesthetics and philosophy within the German tradition of the European Enlightenment. Sulzer, Lessing, Mendelssohn, Kant, Herder, Goethe and Schilller, for instance, cannot be understood without the pioneering work of these translators. Furthermore, since they had a significant influence on the aesthetic vocabulary of 18th and 19th century German aesthetics in general, they are also important for the further development of that discipline in Germany"--Abstract
The reception of British aesthetics in Germany
Author: Alexander GerardPublisher:
ISBN: 9781350246539
Category : Aesthetics, British
Languages : de
Pages : 0
Book Description
"The transfer of intellectual ideas between European countries during the period known as the Enlightenment was largely dependent upon the abilities of translators and philosophers, who had to convey and make comprehensible, complex and new ideas expressed in one language to those who thought and wrote another. Often, they had to invent or conceive a completely new terminology to express what the British authors intended to say. That many of the terms they introduced are now part of common German is a sign of their abilities. It was through endeavours of man like Spalding, Mylius and Reseqitz that Shaftesbury, Hutchson, Hogarth, Hume, Burke and Gerard's aesthetic ideas found followers and critics away from home. With new introductions these texts, which are often even rarer than the original English editions, should further understanding of the dissemination of aesthetics and philosophy within the German tradition of the European Enlightenment. Sulzer, Lessing, Mendelssohn, Kant, Herder, Goethe and Schilller, for instance, cannot be understood without the pioneering work of these translators. Furthermore, since they had a significant influence on the aesthetic vocabulary of 18th and 19th century German aesthetics in general, they are also important for the further development of that discipline in Germany"--Abstract
Schelling’s Reception in Nineteenth-Century British Literature
Author: Giles WhiteleyPublisher: Springer
ISBN: 3319959069
Category : Philosophy
Languages : en
Pages : 324
Book Description
This book examines the various ways in which the German philosopher Friedrich Schelling was read and responded to by British readers and writers during the nineteenth century. Challenging the idea that Schelling’s reception was limited to the Romantics, this book shows the ways in which his thought continued to be engaged with across the whole period. It follows Schelling’s reception both chronologically and conceptually as it developed in a number of different disciplines in British aesthetics, literature, philosophy, science and theology. What emerges is a vibrant new history of the period, showing the important role played by reading and responding to Schelling, either directly or more diffusely, and taking in a vast array of major thinkers during the period. This book, which will be of interest not only to historians of philosophy and the history of ideas, but to all those dealing with Anglo-German reception during the nineteenth century, reveals Schelling to be a kind of uncanny presence underwriting British thought.
The reception of British aesthetics in Germany
Author: Heiner KlemmePublisher: Thoemmes Pr
ISBN:
Category : Aesthetics, British
Languages : de
Pages : 2100
Book Description
The Human Vocation in German Philosophy
Author: Anne PollokPublisher: Bloomsbury Publishing
ISBN: 135016609X
Category : Philosophy
Languages : en
Pages : 356
Book Description
In 18th-century Germany philosophers were occupied with questions of who we are and what we should be. Can the individual fulfill its vocation or is this possible only for humanity as a whole? Is significant progress towards perfection in any way possible for me or just for me as part of humanity? By following the origin and nature of these debates, this collection sheds light on the vocation of humanity in early German philosophy. Featuring translations of Spalding's Contemplation on the Vocation of the Human Being in its first version from 1748 and an extended translation of Abbt's and Mendelssohn's epistolary discussion around the Doubts and the Oracle from 1767, newly-commissioned chapters cover Johann Gottfried Herder's inherently cultural concept of the human being, Immanuel Kant's transformative interplay of moral and natural aspects, and the notion of metempsychosis in Fichte's work inspired by two neglected philosophers, Gotthold Ephraim Lessing and Johann Georg Schlosser. Opening further lines of inquiry, contributors address questions about the adaptations of Spalding's work that focus on the vocation of women as wife, mother or citizen. Exploring the multitude of ways 18th-century German thinkers understand our position in the world, this volume captures major changes in metaphysics and anthropology and enriches current debates within modern philosophy.
The reception of British aesthetics in Germany
Author: Heiner KlemmePublisher:
ISBN:
Category : Aesthetics, British
Languages : de
Pages : 2100
Book Description