Reports on the Philadelphia International Exhibition of 1876 PDF Download

Author:
Publisher:
ISBN:
Category : Exhibitions
Languages : en
Pages : 514

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Author: Great Britain
Publisher:
ISBN:
Category : Centennial Exhibition
Languages : en
Pages : 522

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Author: Charles Henry Gordon-Lennox Richmond
Publisher: Sagwan Press
ISBN: 9781376614343
Category :
Languages : en
Pages : 450

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This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

Author:
Publisher:
ISBN:
Category : Centennial Exhibition
Languages : en
Pages : 438

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Author: Great Britain. Education Department. Executive Commissioners to Direct the British Section at the International Exhibition at Philadelphia
Publisher:
ISBN:
Category : Centennial Exhibition
Languages : en
Pages :

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Author: United States Centennial Commission
Publisher:
ISBN:
Category : Centennial Exhibition
Languages : en
Pages : 808

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Author: Great Britain. Parliament. House of Commons
Publisher:
ISBN: 9780716515432
Category : Awards
Languages : en
Pages : 7

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EXHIBITIONS The Philadelphia Centennial Exposition of 1876 commemorated the signing of the Declaration of Independence in that city one hundred years before. This exhibition was conceived on a far grander scale than that of New York in 1853. These three vo1umes of parliamentary papers are devoted to the Philadelphia Exhibition. The reports themselves are technically detailed, in some cases with considerable illustration, and are not simply confined to the exhibition itself. -- Publisher's catalogue.

Author: United States Centennial Commission
Publisher:
ISBN:
Category : Centennial Exhibition
Languages : en
Pages : 458

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Author: Linda P. Gross
Publisher: Arcadia Publishing
ISBN: 9780738538884
Category : History
Languages : en
Pages : 132

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Held in Philadelphia from May 10 through October 10, the 1876 Centennial Exhibition celebrated the 100th anniversary of American independence. Philadelphia hosted 37 nations in five main buildings and 250 additional structures on 285 acres of land. The celebration looked backward to commemorate the progress made over the 100-year period, and it announced to the world that American invention and innovation was on a par with that of our foreign counterparts. Patriotism abounded, as did messages of industrial and commercial prowess that promised a brighter future for all. Over nine million people attended this awesome consumer spectacle, an event that set the tone for a long series of world's fairs yet to come.

Author: Bruno Giberti
Publisher: University Press of Kentucky
ISBN: 0813181488
Category : Architecture
Languages : en
Pages : 427

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The 1876 United States Centennial Exhibition in Philadelphia was not only the United States' first important world's fair, it signaled significant changes in the very shape of knowledge. Quarrels between participants in the exhibition represented a greater conflict as the world transitioned between two different kinds of modernity—the Enlightenment of the seventeenth and eighteenth centuries to the High Modern period of the nineteenth and twentieth centuries. At the center of this movement was a shift in the perceived relationship between seeing and knowing and in the perception of what makes an object valuable—its usefulness as a subject of study and learning versus its ability to be bought and sold on the market. Arguments over design of the Centennial reflected these opposing viewpoints. Initial plans were rigidly structured, dividing the exhibits by country and type. But as some exhibitors became more interested in the preferences of their audience, they adopted a more modern stance. Objects traditionally displayed in isolated glass boxes were placed in fictive context—the necklace draped over a mannequin, the vase set on a table in a model room. As a result, the audience could more easily perceive these items as commodities suitable for their own environments and the fair as a place to find ideas for a material lifestyle. Designing the Centennial is a vital first look at the design process and the nature of the display. Bruno Giberti uses official reports of the U.S. Centennial Commission and photographs of the Centennial Photographic Company, as well as the ephemera of the exhibition and literary accounts in books, magazines, and newspapers to illuminate how the 1876 fair revealed changes to come: in future world's fairs, museums, department stores, and in the nature of display itself.