RUSKIN'S VENICE PDF Download

Author: SARAH. QUILL
Publisher:
ISBN: 9781138634213
Category :
Languages : en
Pages :

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Author: John Ruskin
Publisher:
ISBN:
Category : Architecture, Gothic
Languages : en
Pages : 96

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Author: John Ruskin
Publisher:
ISBN:
Category : Architecture
Languages : en
Pages : 472

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Author: Robert Hewison
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 196

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Book Description
John Ruskin (1819-1900) was considered the greatest critic of art, culture, and society of the nineteenth century. This lavishly illustrated volume, based on an exhibition at the Ashmolean Museum, explains Ruskin's true intentions in founding the Ruskin School of Drawing at Oxford and describes his lifelong commitment to drawing and its use as a teaching school.

Author: John Ruskin
Publisher:
ISBN:
Category : Architecture
Languages : en
Pages : 356

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Author: Jennifer Scappettone
Publisher: Columbia University Press
ISBN: 0231537743
Category : Literary Criticism
Languages : en
Pages : 481

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As a city that seems to float between Europe and Asia, removed by a lagoon from the tempos of terra firma, Venice has long seduced the Western imagination. Since the 1797 fall of the Venetian Republic, fantasies about the sinking city have engendered an elaborate series of romantic clichés, provoking conflicting responses: some modern artists and intellectuals embrace the resistance to modernity manifest in Venice's labyrinthine premodern form and temporality, whereas others aspire to modernize by "killing the moonlight" of Venice, in the Futurists' notorious phrase. Spanning the history of literature, art, and architecture—from John Ruskin, Henry James, and Ezra Pound to Manfredo Tafuri, Italo Calvino, Jeanette Winterson, and Robert Coover—Killing the Moonlight tracks the pressures that modernity has placed on the legacy of romantic Venice, and the distinctive strains of aesthetic invention that resulted from the clash. In Venetian incarnations of modernism, the anachronistic urban fabric and vestigial sentiment that both the nation-state of Italy and the historical avant-garde would cast off become incompletely assimilated parts of the new. Killing the Moonlight brings Venice into the geography of modernity as a living city rather than a metaphor for death, and presents the archipelago as a crucible for those seeking to define and transgress the conceptual limits of modernism. In strategic detours from the capitals of modernity, the book redrafts the confines of modernist culture in both geographical and historical terms.

Author: John Ruskin
Publisher: Legare Street Press
ISBN: 9781021605641
Category :
Languages : en
Pages : 0

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A masterpiece of architectural criticism, this groundbreaking work by renowned art critic and social thinker John Ruskin explores the history and aesthetics of the monuments, sculpture, and architecture of Venice. Thought-provoking and illuminating, this book is a must-read for those interested in the history of art and architecture. This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

Author: Dial Parrott
Publisher: Rizzoli Publications
ISBN: 0847840530
Category : History
Languages : en
Pages : 433

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An ideal volume for lovers of Venice and architecture aficionados, combining in-depth history of this singular city with more than 100 color photographs and maps. Of Venice’s many majestic spaces, none is as evocative and significant as the Piazza San Marco. An authoritative account of the development of the entire piazza complex, through which unfolds the history of the Republic in general, The Genius of Venice celebrates the city’s oldest and most important architectural site. Dial Parrott’s view of Venice is a heroic one. From their lagoon, the bold and calculating Venetians forged a city that stands today not merely as an attraction for millions, but as a testament to architectural genius: the epitome of what we now call New Urbanism and a shining example of Western communal art. Enhanced by more than 100 illustrations, The Genius of Venice presents the magnificent edifices of the piazza as, in the words of John Ruskin, the "living books of history" of this iconic urban environment.

Author: Mimma Balia
Publisher: Artisan Publishers
ISBN: 9781579651374
Category : Authors, English
Languages : en
Pages : 0

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A Venetian love story unfolds as readers follow the true story of historian and author John Ruskin and his journey of healing in the city of Venice in 1876. Recovering from the death of his clandestine love, Ruskin rediscovers art through the paintings of 15th-century artist Vittore Carpaccio. 60 color photos and illustrations.

Author: John Ruskin
Publisher: DAP Artbooks Editions
ISBN: 9788831790000
Category : Art
Languages : en
Pages : 176

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Book Description
For Ruskin, some dates represented turning points in his personal and working life: 23rd September 1845 is one such date. In letters written from Venice to his father that autumn he writes of being overwhelmed by the power of Tintoretto, and of feeling called to safeguard his paintings together with the fate of the city itself. Ruskin's discovery of Tintoretto's work plays a central role in his aesthetics, and was to inspire some of his best writing. Through 'Modern Painters and The Stones of Venice', works that were to be deeply influential throughout mid 19th-century Europe, Ruskin contributed to the establishment of Tintoretto's international fame and his insights still inform our ways of looking at his painting. The collection of writings published here appears for the first time in a well-organised and easily consultable form, a form that Ruskin himself had planned for English visitors. It takes us to paintings in churches throughout the city, though it is the Church and Scuola di San Rocco which stand out as having been the focus of extended and concentrated attention on Ruskin?s part. Neglected by Ruskin scholars, his "Venetian Index", in particular, meticulously records the state of conservation of Tintoretto's canvases at a time of neglect and conflict, while surveying the artist's oeuvre as a whole and minutely examining individual paintings.0Quintessentially Ruskinian in its investigation of the language of sacred iconography and the origins of landscape painting, this guide to Tintoretto's painting generates interpretations which art historians will find stimulating, but will also prove illuminating for non-expert readers wishing to explore a great painter through the sensibility of the critic who first introduced him to the English.