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Author: Cyrus Ali Zargar Publisher: Univ of South Carolina Press ISBN: 1611171830 Category : Religion Languages : en Pages : 248
Book Description
Sufi Aesthetics argues that the interpretive keys to erotic Sufi poems and their medieval commentaries lie in understanding a unique perceptual experience. Using careful analysis of primary texts, Cyrus Ali Zargar explores the theoretical and poetic pronouncements of two major Muslim mystics, Muhyi al-Din ibn al-'Arabi (d. 1240) and Fakhr al-Din 'Iraqi (d. 1289), under the premise that behind any literary tradition exist organic aesthetic values. The complex assertions of these Sufis appear not as abstract theory, but as a way of seeing all things, including the sensory world. In this study Zargar responds to a long-standing debate in the study of Sufi poetics over the use of erotic language to describe the divine. He argues that such language results from an altered perception of Muslim mystics in which divine beauty and human beauty are seen as one reality. The Sufi masters, Zargar asserts, shared an aesthetic vision quite different from those who have often studied them. Sufism's foremost theoretician, Ibn 'Arabi, is presented from a neglected perspective as a poet, aesthete, and lover of the human form. Ibn 'Arabi in fact proclaimed a view of human beauty markedly similar to that of many mystics from a Persian contemplative school of thought, the "School of Passionate Love," which would later find its epitome in 'Iraqi, one of Persian literature's most celebrated poet-saints. Many in this school advocated the controversial practice of gazing at beautiful human faces, a topic Zargar also discusses. The examination of central Sufi texts in Persian and Arabic establishes that the profundity attributed to mystical encounters with the sensory and supersensory has far-reaching extensions in evaluations of that which is seen, that which is deemed beautiful, and that which is expressed as a result. Through this aesthetic approach, this comparative study overturns assumptions made not only about Sufism and classical Arabic and Persian poetry, but also other uses of erotic imagery in Muslim approaches to sexuality, the human body, and the paradise of the afterlife described in the Qur'an.
Author: Cyrus Ali Zargar Publisher: Univ of South Carolina Press ISBN: 1611171830 Category : Religion Languages : en Pages : 248
Book Description
Sufi Aesthetics argues that the interpretive keys to erotic Sufi poems and their medieval commentaries lie in understanding a unique perceptual experience. Using careful analysis of primary texts, Cyrus Ali Zargar explores the theoretical and poetic pronouncements of two major Muslim mystics, Muhyi al-Din ibn al-'Arabi (d. 1240) and Fakhr al-Din 'Iraqi (d. 1289), under the premise that behind any literary tradition exist organic aesthetic values. The complex assertions of these Sufis appear not as abstract theory, but as a way of seeing all things, including the sensory world. In this study Zargar responds to a long-standing debate in the study of Sufi poetics over the use of erotic language to describe the divine. He argues that such language results from an altered perception of Muslim mystics in which divine beauty and human beauty are seen as one reality. The Sufi masters, Zargar asserts, shared an aesthetic vision quite different from those who have often studied them. Sufism's foremost theoretician, Ibn 'Arabi, is presented from a neglected perspective as a poet, aesthete, and lover of the human form. Ibn 'Arabi in fact proclaimed a view of human beauty markedly similar to that of many mystics from a Persian contemplative school of thought, the "School of Passionate Love," which would later find its epitome in 'Iraqi, one of Persian literature's most celebrated poet-saints. Many in this school advocated the controversial practice of gazing at beautiful human faces, a topic Zargar also discusses. The examination of central Sufi texts in Persian and Arabic establishes that the profundity attributed to mystical encounters with the sensory and supersensory has far-reaching extensions in evaluations of that which is seen, that which is deemed beautiful, and that which is expressed as a result. Through this aesthetic approach, this comparative study overturns assumptions made not only about Sufism and classical Arabic and Persian poetry, but also other uses of erotic imagery in Muslim approaches to sexuality, the human body, and the paradise of the afterlife described in the Qur'an.
Author: Yudit Kornberg Greenberg Publisher: Bloomsbury Publishing USA ISBN: 1851099816 Category : Religion Languages : en Pages : 793
Book Description
This is the first comprehensive resource on the subject of love in the teachings of the world's major religions, cultures, and philosophies. Encyclopedia of Love in World Religions is the first reference work to offer a comprehensive portrait of love in the context of the classic and contemporary literature of Judaism, Christianity, Islam, Buddhism, and Hinduism, as well as other cultures and philosophies. Like no volume published to date, it reveals the full richness of religious teachings on love in all its many forms, exploring an extensive range of topics that offer philosophical, psychological, and religious perspectives to guide the quest for the meaning of love. Encyclopedia of Love in World Religions features approximately 300 subject entries, as well as insightful biographic sketches of preeminent thinkers, all written by a multidisciplinary team of some of the foremost scholars on the subject. Entries examine both general and culture-specific interpretations of love: not just the dichotomy of spiritual and physical love, but the full emotional spectrum of love in relationships and practices. Collectively, they encompass love's integral—and sometimes conflicting—role in shaping beliefs and behavior in a vastly diverse world.
Author: James White Publisher: Bloomsbury Publishing ISBN: 0755644573 Category : Poetry Languages : en Pages : 273
Book Description
A wealth of scholarship has highlighted how commercial, political and religious networks expanded across the Arabian Sea during the seventeenth century, as merchants from South Asia traded goods in the ports of Yemen, noblemen from Safavid Iran established themselves in the courts of the Mughal Empire, and scholars from across the region came together to debate the Islamic sciences in the Arabian Peninsula's holy cities of Mecca and Medina. This book demonstrates that the globalising tendency of migration created worldly literary systems which linked Iran, India and the Arabian Peninsula through the production and circulation of classicizing Arabic and Persian poetry. By close reading over seventy unstudied manuscripts of seventeenth-century Arabic and Persian poetry that have remained hidden on the shelves of libraries in India, Iran, Turkey and Europe, the book examines how migrant poets adapted shared poetic forms, imagery and rhetoric to engage with their interlocutors and create communities in the cities where they settled. The book begins by reconstructing overarching patterns in the movement of over a thousand authors, and the economic basis for their migration, before focusing on six case studies of literary communities, which each represent a different location in the circulatory system of the Arabian Sea. In so doing, the book demonstrates the plurality of seventeenth-century aesthetic movements, a diversity which later nationalisms purposefully simplified and misread.
Author: Peter Wien Publisher: Routledge ISBN: 1134204795 Category : History Languages : en Pages : 166
Book Description
Peter Wien presents a provocative discussion on the history of Iraq and the growth of nationalism during the 1930s and early 1940s. He deconstructs the established view that a large proportion of the nationalist movement in Iraq during this period was heavily influenced by Nazi Germany, arguing that the admiration for Germany was highly nuanced, and only rarely translated into admiration for Nazism. National unity and patriotism were important, but models of leadership were overwhelmingly based on Iraqis and not Hitler. Analyzing the activities of the Iraqi youth and Jewish Iraqis, Iraqi Arab Nationalism gives an understanding of Iraqis from diverse backgrounds. It incorporates source material not previously used in discussions of Iraq and nationalism and contains autobiographical and biographical material from officers, intellectuals and politicians, along with contemporary journalistic writings, which sheds new light on Iraqi nationalism.
Author: Marilyn Booth Publisher: Duke University Press ISBN: 0822348691 Category : Health & Fitness Languages : en Pages : 425
Book Description
An interdisciplinary collection of essays exploring the harem as it was imagined, represented, and experienced in Middle Eastern and North African societies, and by visitors to those societies.
Author: Cyrus Ali Zargar
Author: Cyrus Ali Zargar
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