Self deception in "Memento" (Christopher Nolan, 200) and "The Machinist" (Brad Anderson, 2004). How memory loss is shown as a product of guilt PDF Download
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Author: Eden Cook Publisher: GRIN Verlag ISBN: 3668503052 Category : Performing Arts Languages : en Pages : 7
Book Description
Essay from the year 2017 in the subject Film Science, grade: 72, University of Greenwich, course: Film Studies, language: English, abstract: Throughout this essay I explore the ways in which the memory loss of Trevor Reznik and Leonard Shelby can be seen as a symptom of guilt. Whilst it may be drawn that Trevor’s mental health is impacted by his insomnia, and Leonard’s condition is explained by the accident, the complex narratives allow various readings, through which it can be speculated that the tormented mental states of both men results in a process of self deception, of which memory loss is a key element. Throughout the films there are various “clues” in the form of flashbacks, formative techniques, and the doubling of personality which suggests their guilty conscience plays a prominent role in their amnesia. Whilst the protagonists’ lives are controlled by their inability to remember, their memory loss can be seen as a coping mechanism to shield traumatic events of their personal history from their current selves. In all, I discuss how the abnormal mental states of the protagonists can be seen as a result of psychological trauma and a guilty conscience, through which their subsequent memory loss is used in a process of deception.
Author: Eden Cook Publisher: GRIN Verlag ISBN: 3668503052 Category : Performing Arts Languages : en Pages : 7
Book Description
Essay from the year 2017 in the subject Film Science, grade: 72, University of Greenwich, course: Film Studies, language: English, abstract: Throughout this essay I explore the ways in which the memory loss of Trevor Reznik and Leonard Shelby can be seen as a symptom of guilt. Whilst it may be drawn that Trevor’s mental health is impacted by his insomnia, and Leonard’s condition is explained by the accident, the complex narratives allow various readings, through which it can be speculated that the tormented mental states of both men results in a process of self deception, of which memory loss is a key element. Throughout the films there are various “clues” in the form of flashbacks, formative techniques, and the doubling of personality which suggests their guilty conscience plays a prominent role in their amnesia. Whilst the protagonists’ lives are controlled by their inability to remember, their memory loss can be seen as a coping mechanism to shield traumatic events of their personal history from their current selves. In all, I discuss how the abnormal mental states of the protagonists can be seen as a result of psychological trauma and a guilty conscience, through which their subsequent memory loss is used in a process of deception.
Author: Lydia Gaukler Publisher: GRIN Verlag ISBN: 3640330668 Category : Languages : en Pages : 53
Book Description
Seminar paper from the year 2007 in the subject English Language and Literature Studies - Culture and Applied Geography, University of Mannheim, 17 entries in the bibliography, language: English, abstract: It is common ground that films offer a richness and an intensity that cannot be found in any other medium. The unique combination of visual and acoustic elements; the work-ing together of language, gesture, mimic and music; of images and sound, offer an im-pressive account of reality. Wedding explains: "With the best films, the viewer experi-ences a sort of dissociative state in which ordinary existence is temporarily suspended. No other art form pervades the consciousness of the individual experiencing it to the same extent and with such power." Of course one may argue that some literary works can have the same absorbing effect, still the medium film is undoubtedly a very power-ful one when it comes to captivating people's attention. Films "have become a perva-sive and omnipresent part of our society with little conscious awareness of the pro-found influence the medium may be exerting" . One extremely widespread and popular genre is the thriller and its subgenres. Ranging from spy, gangster and science-fiction films to horror films, splatters and stalkers, there is hardly any film that has not been labelled a thriller. A relatively new develop-ment within the thriller is the topic of mental illness and psychopathology. Two recent examples are The Machinist by Brad Anderson and Lucid by Sean Garrity. In both films, the directors concern themselves with trauma and its impact on the psyche of the re-spective protagonists. In his book 'The Suspense Thriller', Derry outlines a new thriller subgenre: the psy-chotraumatic thriller. I shall like to discuss whether Lucid and The Machinist may or may not be subsumed under this label. In the following, I will first outline the plots of the two films. Then I shall want to concen-trate on the acute and post-traumatic stre
Author: Robert J. Niemi Publisher: Bloomsbury Publishing USA ISBN: Category : History Languages : en Pages : 552
Book Description
This book serves as a fascinating guide to 100 war films from 1930 to the present. Readers interested in war movies will learn surprising anecdotes about these films and will have all their questions about the films' historical accuracy answered. This cinematic guide to war movies spans 800 years in its analysis of films from those set in the 13th century Scottish Wars of Independence (Braveheart) to those taking place during the 21st-century war in Afghanistan (Lone Survivor). World War II has produced the largest number of war movies and continues to spawn recently released films such as Dunkirk. This book explores those, but also examines films set during such conflicts as the Napoleonic Wars, the American Civil War, World War I, the Vietnam War, and the wars in Afghanistan and Iraq. The book is organized alphabetically by film title, making it easy to navigate. Each entry is divided into five sections: Background (a brief discussion of the film's genesis and financing); Production (information about how, where, and when the film was shot); Synopsis (a detailed plot summary); Reception (how the film did in terms of box office, awards, and reviews) and "Reel History vs. Real History" (a brief analysis of the film's historical accuracy). This book is ideal for readers looking to get a vivid behind-the-scenes look at the greatest war movies ever made.
Author: A. Roberts Publisher: Springer ISBN: 0230554652 Category : Fiction Languages : en Pages : 368
Book Description
The History of Science Fiction traces the origin and development of science fiction from Ancient Greece up to the present day. The author is both an academic literary critic and acclaimed creative writer of the genre. Written in lively, accessible prose it is specifically designed to bridge the worlds of academic criticism and SF fandom.
Author: Reginald Rose Publisher: Penguin ISBN: 9780143104407 Category : Drama Languages : en Pages : 100
Book Description
A landmark American drama that inspired a classic film and a Broadway revival—featuring an introduction by David Mamet A blistering character study and an examination of the American melting pot and the judicial system that keeps it in check, Twelve Angry Men holds at its core a deeply patriotic faith in the U.S. legal system. The play centers on Juror Eight, who is at first the sole holdout in an 11-1 guilty vote. Eight sets his sights not on proving the other jurors wrong but rather on getting them to look at the situation in a clear-eyed way not affected by their personal prejudices or biases. Reginald Rose deliberately and carefully peels away the layers of artifice from the men and allows a fuller picture to form of them—and of America, at its best and worst. After the critically acclaimed teleplay aired in 1954, this landmark American drama went on to become a cinematic masterpiece in 1957 starring Henry Fonda, for which Rose wrote the adaptation. More recently, Twelve Angry Men had a successful, and award-winning, run on Broadway. For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,700 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.
Author: Paul McDonald Publisher: Wiley-Blackwell ISBN: 9781405133883 Category : Performing Arts Languages : en Pages : 344
Book Description
The Contemporary Hollywood Film Industry is a collection of essays by leading scholars that examines the state of the U.S. film industry, from the l980s to present day. Includes important discussions of the industry’s labour and star systems, as well as intellectual property and state relations Considers the role of independent producers, the global marketplace for Hollywood product, corporate changes, and various new media windows, including video, DVD to cable, satellite, and online channels of delivery Brings together an international team of leading film scholars Offers a balanced and fresh approach to this important contemporary period in Hollywood
Author: S. T. Joshi Publisher: Greenwood Publishing Group ISBN: Category : Horror films Languages : en Pages : 432
Book Description
Offers entries on 24 of the significant archetypes of horror and the supernatural, from the classical epics of Homer to the novels of Stephen King.
Author: Alberto Mira Publisher: Rowman & Littlefield Publishers ISBN: 1538122685 Category : Performing Arts Languages : en Pages : 603
Book Description
Historical Dictionary of Spanish Cinema covers Spanish cinema, its treasures its constant attempts to break through internationally, reaching out towards universal themes and conventions, and the specific obstacles and opportunities that have shaped the careers of filmmakers and stars. This book contains a chronology, an introduction, an appendix and an extensive bibliography. The dictionary section has over 200 cross-referenced entries on titles, movements, filmmakers and performers, and genres (such as homosexuality, nuevo cine español or horror). This book is an excellent resource for students, researchers, and anyone wanting to know more about Spanish cinema.
Author: Eden Cook
Author: Eden Cook
Author: Lydia Gaukler
Author: Robert J. Niemi
Author: A. Roberts
Author: Anne Stibbs
Author: Reginald Rose
Author: Lloyd Michaels
Author: Paul McDonald
Author: S. T. Joshi
Author: Alberto Mira