Soviet Film PDF Download

Author: Peter Kenez
Publisher:
ISBN: 9780755604616
Category : Electronic books
Languages : en
Pages : 252

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Book Description
In this updated edition of his classic text, Kenez covers the roots of Soviet cinema in the film heritage of pre-Revolutionary Russia, tracing the changes generated by the Revolution of 1917.

Author: David Gillespie
Publisher: Wallflower Press
ISBN: 9781903364048
Category : Performing Arts
Languages : en
Pages : 126

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Book Description
This text examines the aesthetics of Soviet cinema during its golden age of the 1920s, against a background of cultural ferment and the construction of a new socialist society.

Author: Denise J. Youngblood
Publisher: University of Texas Press
ISBN: 0292761112
Category : Performing Arts
Languages : en
Pages : 352

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Book Description
The golden age of Soviet cinema, in the years following the Russian Revolution, was a time of both achievement and contradiction, as reflected in the films of Eisenstein, Pudovkin, and Kuleshov. Tensions ran high between creative freedom and institutional constraint, radical and reactionary impulses, popular and intellectual cinema, and film as social propaganda and as personal artistic expression. In less than a decade, the creative ferment ended, subjugated by the ideological forces that accompanied the rise of Joseph Stalin and the imposition of the doctrine of Socialist Realism on all the arts. Soviet Cinema in the Silent Era, 1918–1935 records this lost golden age. Denise Youngblood considers the social, economic, and industrial factors that influenced the work of both lesser-known and celebrated directors. She reviews all major and many minor films of the period, as well as contemporary film criticism from Soviet film journals and trade magazines. Above all, she captures Soviet film in a role it never regained—that of dynamic artform of the proletarian masses.

Author: Jay Leyda
Publisher:
ISBN:
Category : Motion pictures
Languages : en
Pages : 580

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Author: Marina L. Levitina
Publisher: Bloomsbury Publishing
ISBN: 0857729691
Category : History
Languages : en
Pages : 409

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Book Description
Certain aspects of American popular culture had a formative influence on early Soviet identity and aspirations. Traditionally, Soviet Russia and the United States between the 1920s and the 1940s are regarded as polar opposites on nearly every front. Yet American films and translated adventure fiction were warmly received in 1920s Russia and partly shaped ideals of the New Soviet Person into the 1940s. Cinema was crucial in propagating this new social hero. While open admiration of American film stars and heroes of literary fiction in the Soviet press was restricted from the late 1920s onwards, many positive heroes of Soviet Socialist Realist films in the 1930s and 1940s were partially a product of Soviet Americanism of the previous decade. Some of the new Soviet heroes in films of the 1930s and 1940s possessed traits noticeably evocative of the previously popular American film stars such as Douglas Fairbanks, Pearl White and Mary Pickford. Others cinematically represented the contemporary trope of the 'Russian American,' an ideal worker exemplifying the Stalinist marriage of 'Russian revolutionary sweep' with 'American efficiency. 'Russian Americans' in Soviet Film analyses the content, reception and underlying influences of over 60 Soviet and American films, the book explores new territory in Soviet cinema and Soviet-American cultural relations. It presents groundbreaking archival research encompassing Soviet audience surveys, Soviet film journals and reviews, memoirs and articles by Soviet filmmakers, and scripts, among other sources. The book reveals that values of optimism, technological skill, efficiency and self-reliance - perceived as quintessentially American - were incorporated into new Soviet ideals through channels of cross-cultural dissemination, resulting in cultural synthesis.

Author: Marina Rojavin
Publisher: Routledge
ISBN: 1315409836
Category : Social Science
Languages : en
Pages : 216

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Book Description
This book illuminates and explores the representation of women in Soviet cinema from the late 1950s, through the 1960s, and into the 1970s, a period when Soviet culture shifted away, to varying degrees, from the well-established conventions of socialist realism. Covering films about working class women, rural and urban women, and women from the intelligentsia, it probes various cinematic genres and approaches to film aesthetics, while it also highlights how Soviet cinema depicted the ambiguity of emerging gender roles, pressing social issues, and evolving relationships between men and women. It thereby casts a penetrating light on society and culture in this crucial period of the Soviet Union’s development.

Author: Sudha Rajagopalan
Publisher: Indiana University Press
ISBN: 0253220998
Category : History
Languages : en
Pages : 282

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Book Description
Understanding the Soviet public's love of Indian popular film

Author: Tatiana Egorova
Publisher: Routledge
ISBN: 1134377185
Category : Performing Arts
Languages : en
Pages : 326

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Book Description
First Published in 1998. Routledge is an imprint of Taylor & Francis, an informa company.

Author: Ian Christie
Publisher: Routledge
ISBN: 1134944330
Category : Performing Arts
Languages : en
Pages : 306

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Book Description
This is the first collection to be inspired and informed by the new films and archival material that glasnost and perestroika have revealed, and the new methodological approaches that are developing in tandem. Film critics and historians from Britain, America, France and the USSR attempt the vital task of scrutinising Soviet film, and re-examining the Cold War assumptions of traditional historiography. Whereas most books on Soviet giants have glorified the directorial giants of the `golden age' of the 1920s, Inside the Film Factory also recognises the achievements of popular cinema from the pre-Revolutionary period through to the 1930s and beyond. It also evaluates the impact of Western cinema on the early experimenters of montage, Russian science fiction's influence on film-making, and the long-suppressed history of Soviet Yiddish productions. Alongside the new perspectives and source material on the much-mythologised figures of Kuleshov and Medvedkin, the book provides the first extended accounts in English of the important but neglected careers of directors Yakov Protazanov and Boris Barnet.

Author: Andrew Horton
Publisher: Cambridge University Press
ISBN: 052143016X
Category : Literary Criticism
Languages : en
Pages : 187

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Book Description
Offering a general overview of the evolution of Soviet film satire during a seventy-year period, this volume also provides in-depth analyses of such classics as Kuleshov's The Extraordinary Adventures of Mr. West in the Land of the Bolsheviks; Volga, Volga, a popular musical of the Stalinist period; and the bitter and surrealistic Zero City, The Fountain, and Black Rose, Red Rose of the glasnost period. It also examines the effects of communism's collapse in 1991 on the tradition of satire and includes an interview with the renowned Soviet filmmaker Yuri Mamin.