Stars of 21st Century Dance Pop and EDM PDF Download

Author: James Arena
Publisher: McFarland
ISBN: 1476670226
Category : Music
Languages : en
Pages : 253

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Book Description
Dance music has seen an unprecedented explosion in the 21st century as a stampede of subgenres, such as dance pop and EDM (electronic dance music), have come to define the pop music scene worldwide. In this collection of original interviews, 33 hitmakers from 11 countries discuss their lives and careers in this still-unfolding new age--including Alcazar's Andreas Lundstedt, Dave Aude, Bart & Baker, Bimbo Jones, Chris Cox, Darude, Inaya Day, Deepend, Freemasons, D.O.N.S./Warp Brothers' Oliver Goedicke, Xenia Ghali, Gryffin, Harrison, In-Grid, Kimberley Locke, Paul Oakenfold, Suzanne Palmer, Ralphi Rosario, Sak Noel, Richard Vission and more. Special commentary provided by Moto Blanco's Danny Harrison and clubland queen Martha Wash.

Author: James Arena
Publisher: McFarland
ISBN: 1476630143
Category : Music
Languages : en
Pages : 241

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Book Description
Beginning early in the 1980s, a dance music revolution swept across Europe and Britain, merging rock, new wave, disco and worldbeat sounds. The resulting explosion of high-energy, increasingly electronic dance-pop caused a sensation worldwide. In this book of original interviews, 32 of the era's most celebrated artists, producers and industry professionals discuss their lives and careers: Thomas Anders (Modern Talking's "You're My Heart, You're My Soul"), Pete Burns (Dead or Alive's "You Spin Me Round (Like a Record)"), Desireless ("Voyage Voyage"), Phil Harding (PWL Mixmaster), Junior ("Mama Used to Say"), Leee John (Imagination's "Just an Illusion"), Liz Mitchell (Boney M.'s 1988 "Megamix"), Fab Morvan (Milli Vanilli's "Girl You Know It's True"), Taco ("Putting On the Ritz"), Jennifer Rush ("The Power of Love"), Sabrina ("Boys"), Spagna ("Call Me"), Amii Stewart ("Knock on Wood"), Yazz ("The Only Way Is Up") and many more. Includes special commentary by Academy Award winner Mel Brooks and Audrey Landers, star of Dallas.

Author: Julie K. Godard
Publisher: Mason Crest Publishers
ISBN: 9781422243718
Category : Electronic Dance Music
Languages : en
Pages : 0

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Book Description
Electronic dance music (EDM) has grown from a small niche genre limited to small clubs to a billion-dollar industry popular worldwide. EDM artists use software and digital instruments to create the widely varied dance music that is popular today. This book provides information on the origins of EDM, the genre's biggest stars and most elaborate international festivals, and the techniques and equipment that are commonly used to entrance audiences. The Mason Crest series Evolution and Cultural Influences of Music in Society examines the history and development of popular musical genres. Books in this series provide young readers with a greater understanding of each musical genre, and how it has contributed to and shaped American popular culture over the past half-century.

Author: James Arena
Publisher: McFarland
ISBN: 1476626618
Category : Music
Languages : en
Pages : 251

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Book Description
The 1990s produced some of the greatest artists and hits in dance music history. And the decade was among the genre's most successful in terms of energy, sales and global popularity. In this retrospective, 29 singers, songwriters, producers, DJs and industry professionals who enjoyed stardom on the club circuit and on pop radio candidly discuss their careers. Interviewed artists include Richard and Fred Fairbrass of Right Said Fred ("I'm Too Sexy"), Nicki French ("Total Eclipse of the Heart"), Haddaway ("What Is Love"), Lane McCray of La Bouche ("Be My Lover"), Martha Wash, vocalist of C+C Music Factory ("Gonna Make You Sweat [Everybody Dance Now]"), Robin S ("Show Me Love"), Frank Peterson, formerly of Enigma ("Sadeness, Part I"), CeCe Peniston ("Finally"), Dr. Alban ("It's My Life"), Thea Austin, formerly of Snap! ("Rhythm Is a Dancer") and many more. Commentaries are provided by former Billboard dance music editor Larry Flick, renowned producers/songwriters The Berman Brothers (Real McCoy's "Another Night") and acclaimed DJ Susan Morabito.

Author: James Arena
Publisher: McFarland
ISBN: 1476603324
Category : Music
Languages : en
Pages : 268

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Book Description
The female vocalists who pioneered the disco genre in the ’70s and early ’80s were an extraordinarily talented group who dazzled the world with an exciting blend of elegance, soulful passion and gutsy fire. In this book of original interviews, 32 of these women tell their stories, explaining how they view their music, careers, connection to gay audiences, and their places in dance music history. Interviewed artists include: The Andrea True Connection; Claudja Barry; Pattie Brooks; Miquel Brown; Linda Clifford; Carol Douglas; Yvonne Elliman; Rochelle Fleming (First Choice); Gloria Gaynor; Debbie Jacobs-Rock; Madleen Kane; Evelyn “Champagne” King; Audrey Landers; Suzi Lane; Cynthia Manley (Boys Town Gang); Kelly Marie; Maxine Nightingale; Scherrie Payne; Wardell Piper; The Ritchie Family, 1975–1978: Gwendolyn Wesley, Cassandra Wooten and Cheryl Mason-Dorman; The Ritchie Family, 1978–1982: Theodosia “Dodie” Draher; Barbara Roy (Ecstasy Passion & Pain); Pamala Stanley; Evelyn Thomas; Jeanie Tracy; Anita Ward; Martha Wash; Carol Williams; Jessica Williams and Norma Jean Wright.

Author: Kim Cooper
Publisher:
ISBN: 9780922915699
Category : MUSIC
Languages : en
Pages : 340

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Book Description
Essays look at the characteristics, development, and artists of the bubblegum pop music genre, from the Archies and the Cowsills in the 1960s to Tiffany in the 1980s and Britney Spears in the 1990s.

Author: Tracey Thorn
Publisher: Virago
ISBN: 1405513985
Category : Biography & Autobiography
Languages : en
Pages : 320

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Book Description
I was only sixteen when I bought an electric guitar and joined a band. A year later, I formed an all-girl band called the Marine Girls and played gigs, and signed to an indie label, and started releasing records. Then, for eighteen years, between 1982 and 2000, I was one half of the group Everything But the Girl. In that time, we released nine albums and sold nine million records. We went on countless tours, had hit singles and flop singles, were reviewed and interviewed to within an inch of our lives. I've been in the charts, out of them, back in. I've seen myself described as an indie darling, a middle-of-the-road nobody and a disco diva. I haven't always fitted in, you see, and that's made me face up to the realities of a pop career - there are thrills and wonders to be experienced, yes, but also moments of doubt, mistakes, violent lifestyle changes from luxury to squalor and back again, sometimes within minutes.

Author: Slime Green Beats
Publisher: Slime Green Beats
ISBN: 0578817853
Category : Juvenile Nonfiction
Languages : en
Pages : 40

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Book Description
Unleash your creative potential and start producing hip hop music today. This beginner’s guide breaks down the basics of music production and gives you the tools to start creating. Beat making isn’t a linear process, and there’s no exact science or method. Slime Green Beats provides a complete overview of the equipment, strategy, and mentality that you need to produce mind-blowing music, all without stifling your creativity. Whether you’re looking to produce your own music or start a career in music production, this handbook is a must-have. Learn beat making rules for different genres and musical styles, including hip hop, trap, R&B, and rap. You’ll learn: Setup - How to set up your home beat making studio - Tips for sound selection and melody creation - What drum layers make up a hip-hop beat - The stylistic difference between 808s and basslines Finishing - An introduction to mixing instrumentals - How to create vibrant, clean beats without over-compressing - Music theory rules for arranging - How to find and implement reliable feedback Sharing - Online marketing strategies for self-promotion - Email marketing tips to build industry connections - How to license, lease, and sell your beats - What to expect when selling exclusive beats, including track outs …And more! How to Make Beats explains music theory and technical software in easy-to-understand terms. The language of music production often feels elite, but Slime Green Beats breaks down barriers for new creators. Learn the lingo with an extensive terminology section in the back of the handbook and links to suggested resources. About the authors Slime Green Beats is led by 3E Wave and Stunna, two highly acclaimed music producers with an extensive fanbase on YouTube. With nearly a decade of beat making experience between them, their technical tips and recommendations are proven to work in the real world.

Author: Mark Jonathan Butler
Publisher: Indiana University Press
ISBN: 9780253346629
Category : Music
Languages : en
Pages : 364

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Book Description
The first music-driven analysis of electronic dance music.

Author: Kelefa Sanneh
Publisher: Penguin
ISBN: 0525559604
Category : Music
Languages : en
Pages : 497

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Book Description
One of Oprah Daily's 20 Favorite Books of 2021 • Selected as one of Pitchfork's Best Music Books of the Year “One of the best books of its kind in decades.” —The Wall Street Journal An epic achievement and a huge delight, the entire history of popular music over the past fifty years refracted through the big genres that have defined and dominated it: rock, R&B, country, punk, hip-hop, dance music, and pop Kelefa Sanneh, one of the essential voices of our time on music and culture, has made a deep study of how popular music unites and divides us, charting the way genres become communities. In Major Labels, Sanneh distills a career’s worth of knowledge about music and musicians into a brilliant and omnivorous reckoning with popular music—as an art form (actually, a bunch of art forms), as a cultural and economic force, and as a tool that we use to build our identities. He explains the history of slow jams, the genius of Shania Twain, and why rappers are always getting in trouble. Sanneh shows how these genres have been defined by the tension between mainstream and outsider, between authenticity and phoniness, between good and bad, right and wrong. Throughout, race is a powerful touchstone: just as there have always been Black audiences and white audiences, with more or less overlap depending on the moment, there has been Black music and white music, constantly mixing and separating. Sanneh debunks cherished myths, reappraises beloved heroes, and upends familiar ideas of musical greatness, arguing that sometimes, the best popular music isn’t transcendent. Songs express our grudges as well as our hopes, and they are motivated by greed as well as idealism; music is a powerful tool for human connection, but also for human antagonism. This is a book about the music everyone loves, the music everyone hates, and the decades-long argument over which is which. The opposite of a modest proposal, Major Labels pays in full.