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Author: Aaron Sequeira Publisher: Smart Audio IL Mexico SAS de CV ISBN: 6075957375 Category : Music Languages : en Pages : 305
Book Description
We will focus on the most outstanding technologies for modern electronic music production. Therefore, as in the previous book in which sections made the presentation of the instruments, this volume is made up of five of them for reasons of analytical practicality: 1. Audio recording and playback 2. Speakers 3. Communication protocols between electronic instruments 4. Modern electronic music production 5. DJing The first point will clarify how the ability to record sound in an analog mechanism was acquired just a moment ago if we compare that time with human existence. Therefore, since electronic music is intrinsically linked to the technique of sound recording and its playback, it is necessary to know about the technologies that have allowed this process since the 19th century. Subsequently, it will be explained what the speakers are and how their role and development in electronic music have been fundamental. As has already been elucidated throughout this series, it would be practically impossible for electronic music to exist without speakers. After that, we’ll see the two main protocols of communication between electronic instruments: MIDI and OSC, in addition to expressing my point of view about their transcendence because never, in the history of music in its entirety, the instruments had managed to sync through messages and time automation codes, under the master/ slave concept. Understanding the above, we will review all those technologies that facilitate modern electronic music production, such as a DAW, sound effects, sample manipulation, etc. Finally, we will explain the tools that the DJ uses to play, such as turntables, CD players, controllers, etc. Since each invention of these five points has its own story, I will limit myself to mentioning merely basic details so that the reader can investigate more for his account, topic by topic. As in the case of this series’ first and second volumes, the purpose is to establish a conceptual axis in which one can have a reference, not a detailed encyclopedia of each specific device.
Author: Aaron Sequeira Publisher: Smart Audio IL Mexico SAS de CV ISBN: 6075957375 Category : Music Languages : en Pages : 305
Book Description
We will focus on the most outstanding technologies for modern electronic music production. Therefore, as in the previous book in which sections made the presentation of the instruments, this volume is made up of five of them for reasons of analytical practicality: 1. Audio recording and playback 2. Speakers 3. Communication protocols between electronic instruments 4. Modern electronic music production 5. DJing The first point will clarify how the ability to record sound in an analog mechanism was acquired just a moment ago if we compare that time with human existence. Therefore, since electronic music is intrinsically linked to the technique of sound recording and its playback, it is necessary to know about the technologies that have allowed this process since the 19th century. Subsequently, it will be explained what the speakers are and how their role and development in electronic music have been fundamental. As has already been elucidated throughout this series, it would be practically impossible for electronic music to exist without speakers. After that, we’ll see the two main protocols of communication between electronic instruments: MIDI and OSC, in addition to expressing my point of view about their transcendence because never, in the history of music in its entirety, the instruments had managed to sync through messages and time automation codes, under the master/ slave concept. Understanding the above, we will review all those technologies that facilitate modern electronic music production, such as a DAW, sound effects, sample manipulation, etc. Finally, we will explain the tools that the DJ uses to play, such as turntables, CD players, controllers, etc. Since each invention of these five points has its own story, I will limit myself to mentioning merely basic details so that the reader can investigate more for his account, topic by topic. As in the case of this series’ first and second volumes, the purpose is to establish a conceptual axis in which one can have a reference, not a detailed encyclopedia of each specific device.
Author: Thomas Brett Publisher: CRC Press ISBN: 1000405427 Category : Computers Languages : en Pages : 291
Book Description
The Creative Electronic Music Producer examines the creative processes of electronic music production, from idea discovery and perception to the power of improvising, editing, effects processing, and sound design. Featuring case studies from across the globe on musical systems and workflows used in the production process, this book highlights how to pursue creative breakthroughs through exploration, trial and error tinkering, recombination, and transformation. The Creative Electronic Music Producer maps production's enchanting pathways in a way that will fascinate and inspire students of electronic music production, professionals already working in the industry, and hobbyists.
Author: Thom Holmes Publisher: Routledge ISBN: 131741022X Category : Music Languages : en Pages : 1080
Book Description
Electronic and Experimental Music: Technology, Music, and Culture provides a comprehensive history of electronic music, covering key composers, genres, and techniques used in analog and digital synthesis. This textbook has been extensively revised with the needs of students and instructors in mind. The reader-friendly style, logical organization, and pedagogical features of the fifth edition allow easy access to key ideas, milestones, and concepts. New to this edition: • A companion website, featuring key examples of electronic music, both historical and contemporary. • Listening Guides providing a moment-by-moment annotated exploration of key works of electronic music. • A new chapter—Contemporary Practices in Composing Electronic Music. • Updated presentation of classic electronic music in the United Kingdom, Italy, Latin America, and Asia, covering the history of electronic music globally. • An expanded discussion of early experiments with jazz and electronic music, and the roots of electronic rock. • Additional accounts of the vastly under-reported contributions of women composers in the field. • More photos, scores, and illustrations throughout. The companion website features a number of student and instructor resources, such as additional Listening Guides, links to streaming audio examples and online video resources, PowerPoint slides, and interactive quizzes.
Author: Daniel Walzer Publisher: CRC Press ISBN: 1000962563 Category : Education Languages : en Pages : 147
Book Description
Leadership in Music Technology Education examines the pedagogical, sociocultural, and philosophical issues that affect curriculum, research, and decision-making in music technology in higher education. This book considers a range of cutting-edge topics, including the impact of the COVID-19 pandemic, professional development concepts, partnerships between higher education and the creative and cultural industries, and the effects technology has on sustainability. Drawing on Leadership theories, including Transformational, Situational, Servant, and Social Change Model Theory, the book puts forward a new model, Creative Industry Leadership, which considers the sociocultural aspects of Music Technology Education, and interrogates biased ideologies that limit opportunities for a broad range of learners and practitioners in education and beyond. Additionally, Leadership in Music Technology Education examines educators’ informal leadership capacities during the COVID-19 pandemic and how inclusive pedagogy expands the creative boundaries of teaching, learning, and music-making for all. Leadership in Music Technology Education is crucial reading for instructors teaching audio engineering and music technology, as well as researchers in education, music pedagogy and related fields. This is also a valuable read for anyone with an interest in music technology and its many potentialities.
Author: Jason Timothy Publisher: Independently Published ISBN: 9781983207334 Category : Languages : en Pages : 238
Book Description
Music Production can be an elusive art form for many, and the challenges that face someone who is new to this can easily create overwhelm and lead to complete paralysis. The goal of this book, is to cover music production from many different angles in a way that will change your thinking on the subject and build your confidence.Music making is a very mental and psychological game, and more often than not, all the technical stuff can hold you back from achieving your goals if you don't have the right creative habits in place first.With all the information available with a simple Google search, I wanted to really get to the heart of things that aren't being discussed nearly enough. I want to clear out all the garbage you may have been told and replace it with the essentials you can put to immediate use. Many people new to music may dive into forums and mindlessly watch video tutorials attempting to gather more and more information until they think they have enough to get going (hint: you never feel like you know enough).That would be like reading a whole encyclopedia and then being asked to recall only the important things that will get you from point A to point B. Even worse, much of the information you get will contradict the last thing you read. It's like finding a needle in a haystack only to be told it's the wrong needle. There is a much better approach. It's an approach that doesn't require you to know a lot to get started. You only need to know enough to get to the next step in your process.There is truly nothing stopping you from becoming a music producer. The ones who are successful now are the ones who started from nothing and chipped away at it until they found a way to express their unique voice. There are no gatekeepers making decisions on who is worthy and who isn't. The determining factor is you, your habits and your confidence in yourself.This book can be read from start to finish, or as a "choose your own adventure", going directly to what you think can help you most right now. Don't get caught up thinking you have to devour everything before getting started. That isn't necessary, and isn't the point of the book.The core concepts in the book will come up time & time again which should help you retain them & be able to recall them when the need arrives. By exploring these concepts from several angles you should gain a broad view of their many uses.My hope is that this book is used as a toolbox. You simply find the right tool that moves you forward and get back to work. So few people, who have more than enough information in their heads, ever start. Of those who do start, even fewer finish what they started and are satisfied with the results. I want you to be in that small group of finishers.Let's get started.
Author: Will Kuhn Publisher: Oxford University Press ISBN: 0190076666 Category : Music Languages : en Pages : 321
Book Description
Electronic Music School: A Contemporary Approach to Teaching Musical Creativity is a practical blueprint for teachers wanting to begin teaching music technology to secondary age students. Will Kuhn and Ethan Hein inspire classroom music teachers to expand beyond traditional ensemble-based music education offerings to create a culture of unique creativity and inclusivity at their schools. Part One offers an overview of the philosophical and institutional aspects of starting a music technology program, with a particular focus on the culture of electronic music surrounding digital music creation tools. Part Two dives deep into curricula for music lab classes, including several lesson examples and techniques. This section also includes abbreviated project plans for teachers who have fewer contact hours with their students. Part Three discusses how music technology courses can grow into a larger media creation program, how such a program can contribute to the broader school culture, and how project-based music learning effectively prepares students for careers in media. Electronic Music School also includes narratives from music technology students themselves, who often have an intuitive understanding of the future directions music technology programs can take.
Author: Simon Emmerson Publisher: Routledge ISBN: 1317043596 Category : Music Languages : en Pages : 504
Book Description
The theme of this Research Companion is 'connectivity and the global reach of electroacoustic music and sonic arts made with technology'. The possible scope of such a companion in the field of electronic music has changed radically over the last 30 years. The definitions of the field itself are now broader - there is no clear boundary between 'electronic music' and 'sound art'. Also, what was previously an apparently simple divide between 'art' and 'popular' practices is now not easy or helpful to make, and there is a rich cluster of streams of practice with many histories, including world music traditions. This leads in turn to a steady undermining of a primarily Euro-American enterprise in the second half of the twentieth century. Telecommunications technology, most importantly the development of the internet in the final years of the century, has made materials, practices and experiences ubiquitous and apparently universally available - though some contributions to this volume reassert the influence and importance of local cultural practice. Research in this field is now increasingly multi-disciplinary. Technological developments are embedded in practices which may be musical, social, individual and collective. The contributors to this companion embrace technological, scientific, aesthetic, historical and social approaches and a host of hybrids – but, most importantly, they try to show how these join up. Thus the intention has been to allow a wide variety of new practices to have voice – unified through ideas of 'reaching out' and 'connecting together' – and in effect showing that there is emerging a different kind of 'global music'.
Author: Tim Canfer Publisher: CRC Press ISBN: 1003803903 Category : Technology & Engineering Languages : en Pages : 253
Book Description
Music Technology in Live Performance explores techniques to augment live musical performance and represents a comprehensive guide to best practices in music technology for live performance. This book presents a practical and accessible introduction to the theories of liveness and an array of live performance technologies and techniques. Areas covered include analogue and digital audio, live sound, the recording studio, and electronic music, revealing best professional practices and expert tips, alongside an exploration of approaches to increasing the exchange of energy in live performance. Music Technology in Live Performance is an ideal introduction for students of music performance, music production, and music technology, and a vital resource for professional musicians, producers, and technology developers.
Author: Aaron Sequeira
Author: Aaron Sequeira
Author: Thomas Brett
Author: Thom Holmes
Author: Nicolas Collins
Author: Daniel Walzer
Author: Jason Timothy
Author: Will Kuhn
Author: Simon Emmerson
Author: Dennis DeSantis
Author: Tim Canfer