The Age of Dystopia PDF Download

Author: Louisa MacKay Demerjian
Publisher: Cambridge Scholars Publishing
ISBN: 144388975X
Category : Dystopian films
Languages : en
Pages : 180

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Book Description
This book examines the recent popularity of the dystopian genre in literature and film, as well as connecting contemporary manifestations of dystopia to cultural trends and the implications of technological and social changes on the individual and society as a whole. Dystopia, as a genre, reflects our greatest fears of what the future might bring, based on analysis of the present. This book connects traditional dystopian works with their contexts and compares these with contemporary versions. It centers around two main questions: Why is dystopia so popular now? And, why is dystopia so popular with young adult audiences? Since dystopia reflects the fears of society as a whole, this book will have broad appeal for any reader, and will be particularly useful to teachers in a variety of settings, such as in a high school or college-level classroom to teach dystopian literature, or in a comparative literature classroom to show how the genre has appeared in multiple locales at different times. Indeed, the book’s interdisciplinary nature allows it to be of use in classes focussing on politics, bioethics, privacy issues, women’s studies, and any number of additional topics.

Author: Barbara Brodman
Publisher: Rowman & Littlefield
ISBN: 1683931688
Category : Social Science
Languages : en
Pages : 244

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Book Description
Utopia and Dystopia in the Age of Trump focuses on utopias and dystopias that either prefigure or suggest alternatives to the rise of individuals such as Donald J. Trump and the changing conditions of America we now see around us. These topical studies provide compelling reading for both the general reader and the specialist.

Author: Rick Heinz
Publisher:
ISBN: 9781952825224
Category :
Languages : en
Pages :

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Book Description
Magic has exploded back into the world-vampires, demons, ghosts, and other creatures of legend crawled out of the shadows, finally escaping their prisons-and the power previously only in the hands of secretive societies like Skull & Bones and the fascist Thule Society has been laid bare for the entire world to see.After the initial shock, businesses did the expected: found a way to turn magic into profit. The occult "gold rush" at the forefront of magically imbued politics built a world of wealth inequality, greed, and innovation.Bartender Jane Auburn was an early adopter of a new drug sponsored by Pelican Pharmaceuticals that allows her to move at the speed of vampires and match the strength of demons.Soon, she discovers the price for such powers may be more than she can pay: her life. Thrust into the front lines of toxic magic and occult corporate warfare, she will need to uncover what other skeletons these new companies are hiding. Preferably before she clocks out from an overdose or has to bite her tongue and endure her mandated corporate exploitation!At least she was not the only one in Austin, Texas to sign up for magic in a pill. After all, as it says in all their commercials, "Pelican Pharmaceuticals: they keep you going even when you're dead!" And how bad can the side effects possibly be?

Author: Rick Heinz
Publisher: Inkshares
ISBN: 1941758908
Category : Fiction
Languages : en
Pages : 448

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Book Description
Mike Auburn dangles above the city of Chicago from the beams of a half-built skyscraper. He is seconds from plummeting towards the circuit board of buildings and streetlights below, but oblivion is not what he seeks—it’s the dead. Obsessed with discovering evidence of the afterlife, Mike’s death-defying stunts have brought him closer than ever to lifting the veil of reality, always just out of reach. However, his ventures to the edge have not gone unnoticed, and a mysterious organization by the name “O’Neill” seeks to recruit him to their own cause: preparing the city for impending Ragnarok, the end of the world as they know it. Before long, a world ruled by scientific method and rational thinking is challenged by the supernatural—luring the dead, the damned, and the demons that have long awaited the return of magic, and they will stop at nothing to bring it back for good. Suddenly, Mike is at the center of a battle between the forces of reason, of good, of evil...and everything in between.

Author: S. E. Grove
Publisher: Penguin
ISBN: 0451479858
Category : Young Adult Fiction
Languages : en
Pages : 354

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Book Description
From the New York Times bestselling author of The Glass Sentence, a lightly speculative, relevant puzzle box with undertones of Never Let Me Go. The time is now. The place is San Francisco. The world is filled with adults devoid of emotion and children on the cusp of losing their feelings--of "waning"--when they reach their teens. Natalia Peña has already waned. So why does she love her little brother with such ferocity that, when he's kidnapped by a Big Brother-esque corporation, she'll do anything to get him back? From the New York Times bestselling author of The Glass Sentence comes this haunting story of one determined girl who will use her razor-sharp wits, her martial arts skills, and, ultimately, her heart to fight killers, predators, and the world's biggest company to rescue her brother--and to uncover the shocking truth about waning.

Author: Ellen Datlow
Publisher: Little, Brown Books for Young Readers
ISBN: 1423170067
Category : Juvenile Fiction
Languages : en
Pages : 370

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Book Description
Some of the biggest names in YA and adult literature explore the lives of teen protagonists raised in catastrophe''s wake—whether set soon after disaster or decades later. New York Times bestselling authors Gregory Maguire, Garth Nix, Susan Beth Pfeffer, Carrie Ryan, Beth Revis, and Jane Yolen are among the many popular and award-winning storytellers lending their talents to this original and spellbinding anthology.

Author: Savannah Shange
Publisher: Duke University Press
ISBN: 1478007400
Category : Social Science
Languages : en
Pages : 126

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Book Description
San Francisco is the endgame of gentrification, where racialized displacement means that the Black population of the city hovers at just over 3 percent. The Robeson Justice Academy opened to serve the few remaining low-income neighborhoods of the city, with the mission of offering liberatory, social justice--themed education to youth of color. While it features a progressive curriculum including Frantz Fanon and Audre Lorde, the majority Latinx school also has the district's highest suspension rates for Black students. In Progressive Dystopia Savannah Shange explores the potential for reconciling the school's marginalization of Black students with its sincere pursuit of multiracial uplift and solidarity. Drawing on ethnographic fieldwork and six years of experience teaching at the school, Shange outlines how the school fails its students and the community because it operates within a space predicated on antiblackness. Seeing San Francisco as a social laboratory for how Black communities survive the end of their worlds, Shange argues for abolition over revolution or progressive reform as the needed path toward Black freedom.

Author: Balaka Basu
Publisher: Routledge
ISBN: 1136194754
Category : Literary Criticism
Languages : en
Pages : 225

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Book Description
Winner of the Children’s Literature Association Edited Book Award From the jaded, wired teenagers of M.T. Anderson's Feed to the spirited young rebels of Suzanne Collins’ The Hunger Games trilogy, the protagonists of Young Adult dystopias are introducing a new generation of readers to the pleasures and challenges of dystopian imaginings. As the dark universes of YA dystopias continue to flood the market,Contemporary Dystopian Fiction for Young Adults: Brave New Teenagers offers a critical evaluation of the literary and political potentials of this widespread publishing phenomenon. With its capacity to frighten and warn, dystopian writing powerfully engages with our pressing global concerns: liberty and self-determination, environmental destruction and looming catastrophe, questions of identity and justice, and the increasingly fragile boundaries between technology and the self. When directed at young readers, these dystopian warnings are distilled into exciting adventures with gripping plots and accessible messages that may have the potential to motivate a generation on the cusp of adulthood. This collection enacts a lively debate about the goals and efficacy of YA dystopias, with three major areas of contention: do these texts reinscribe an old didacticism or offer an exciting new frontier in children's literature? Do their political critiques represent conservative or radical ideologies? And finally, are these novels high-minded attempts to educate the young or simply bids to cash in on a formula for commercial success? This collection represents a prismatic and evolving understanding of the genre, illuminating its relevance to children's literature and our wider culture.

Author: Gregory Scott Katsoulis
Publisher: Harlequin
ISBN: 1488015473
Category : Young Adult Fiction
Languages : en
Pages : 304

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Book Description
In a world where every word and gesture is copyrighted, patented or trademarked, one girl elects to remain silent rather than pay to speak, and her defiant and unexpected silence threatens to unravel the very fabric of society. Speth Jime is anxious to deliver her Last Day speech and celebrate her transition into adulthood. The moment she turns fifteen, Speth must pay for every word she speaks (“Sorry” is a flat ten dollars and a legal admission of guilt), for every nod ($0.99/sec), for every scream ($0.99/sec) and even every gesture of affection. She’s been raised to know the consequences of falling into debt, and can’t begin to imagine the pain of having her eyes shocked for speaking words that she’s unable to afford. But when Speth’s friend Beecher commits suicide rather than work off his family’s crippling debt, she can’t express her shock and dismay without breaking her Last Day contract and sending her family into Collection. Backed into a corner, Speth finds a loophole: rather than read her speech—rather than say anything at all—she closes her mouth and vows never to speak again. Speth’s unexpected defiance of tradition sparks a media frenzy, inspiring others to follow in her footsteps, and threatens to destroy her, her family and the entire city around them.

Author: Kate Brown
Publisher: University of Chicago Press
ISBN: 022624282X
Category : History
Languages : en
Pages : 205

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Book Description
“Why are Kazakhstan and Montana the same place?” asks one chapter of Kate Brown’s surprising and unusual journey into the histories of places on the margins, overlooked or erased. It turns out that a ruined mining town in Kazakhstan and Butte, Montana—America’s largest environmental Superfund site—have much more in common than one would think thanks to similarities in climate, hucksterism, and the perseverance of their few hardy inhabitants. Taking readers to these and other unlikely locales, Dispatches from Dystopia delves into the very human and sometimes very fraught ways we come to understand a particular place, its people, and its history. In Dispatches from Dystopia, Brown wanders the Chernobyl Zone of Alienation, first on the Internet and then in person, to figure out which version—the real or the virtual—is the actual forgery. She also takes us to the basement of a hotel in Seattle to examine the personal possessions left in storage by Japanese-Americans on their way to internment camps in 1942. In Uman, Ukraine, we hide with Brown in a tree in order to witness the annual male-only Rosh Hashanah celebration of Hasidic Jews. In the Russian southern Urals, she speaks with the citizens of the small city of Kyshtym, where invisible radioactive pollutants have mysteriously blighted lives. Finally, Brown returns home to Elgin, Illinois, in the midwestern industrial rust belt to investigate the rise of “rustalgia” and the ways her formative experiences have inspired her obsession with modernist wastelands. Dispatches from Dystopia powerfully and movingly narrates the histories of locales that have been silenced, broken, or contaminated. In telling these previously unknown stories, Brown examines the making and unmaking of place, and the lives of the people who remain in the fragile landscapes that are left behind.