The Thomas Hart Benton Murals in the Missouri State Capitol PDF Download

Author: Nancy Edelman
Publisher:
ISBN:
Category : Jefferson City (Mo.)
Languages : en
Pages : 68

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Author: Ernest A. Irvine
Publisher:
ISBN:
Category : Mural painting and decoration, American
Languages : en
Pages : 10

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Author: Bob Priddy
Publisher:
ISBN:
Category : Religion
Languages : en
Pages : 298

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Book Description

Author: Bob Priddy
Publisher: University of Missouri
ISBN: 9780826219213
Category : Art
Languages : en
Pages : 399

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Book Description
After fire destroyed Missouri's capitol in 1911, voters approved a bond issue to construct a new statehouse. The tax to pay the bonds produced a one-million-dollar surplus, leaving a vast amount of money to decorate the new building. A special commission of art-minded Missourians employed some of the nation's leading painters and sculptors to create powerful and often huge pieces of art to adorn Missouri's most important new structure. The art of the Missouri capitol was considered among the finest to adorn any state capitol. But the passage of time has lessened recognition of the pieces and their creators. Most people--even those daily wandering the marble halls--have little knowledge of the significance of the art and the history it portrays. Bob Priddy and Jeffrey Ball return the capitol's decorations to prominence in The Art of the Missouri Capitol: History in Canvas, Bronze, and Stone. The book tells the many stories behind the art: the rigors of its creation, the political roadblocks that endangered the decoration program, and the triumph of the commissioners who devoted more than ten years to the project. The Art of the Missouri Capitol presents the art in 270 images, many by Lloyd Grotjan, mostly of the building's many compelling paintings, murals, and sculptures. Priddy, a journalist who has covered the Missouri legislature for more than three decades, and Ball, an art historian, use a wealth of historical materials to connect the grand design of the capitol decorations with accounts of sometimes temperamental artists and meddling politicians. The authors provide historical and artistic context to explain the many surprising, controversial choices the artists made, and they use Missouri history to explain the tales depicted in the artwork, revealing the events--and inaccuracies--that the paintings bring to life. The authors honor the Missouri capitol's artistic excellence in a way that will appeal to art enthusiasts and history buffs as well as to general readers. The Art of the Missouri Capitol: History in Canvas, Bronze, and Stone is the definitive account of the art's creation, of the men who produced it, and of the Missourians who lived the history that inspired it.

Author: Matthew Baigell
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 248

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Author: Thomas Hart Benton
Publisher: New American Library
ISBN:
Category : Art
Languages : en
Pages : 172

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Book Description

Author: Lauren Kroiz
Publisher: Univ of California Press
ISBN: 0520286561
Category : Art
Languages : en
Pages : 310

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Book Description
"Cultivating Citizens rethinks the aesthetics and politics of regionalism in the United States during the 1930s and 1940s. During this period, painters Grant Wood, Thomas Hart Benton, and John Steuart Curry formed a loose alliance as American Regionalists. Some lauded their depictions of the rural landscape and hardworking inhabitants of America's midwestern heartland. Others deemed Regionalist painting dangerous, regarding its easily understood realism as a vehicle for jingoism, chauvinism, and even fascism. Cultivating Citizens shifts the terms of this ongoing debate over subject matter and style by considering heretofore neglected Regionalist programs of art education and concepts of artistic labor."--Provided by publisher.

Author: Stacy I. Morgan
Publisher: University of Texas Press
ISBN: 1477312102
Category : History
Languages : en
Pages : 272

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Originating in a homicide in St. Louis in 1899, the ballad of "Frankie and Johnny" became one of America's most familiar songs during the first half of the twentieth century. It crossed lines of race, class, and artistic genres, taking form in such varied expressions as a folk song performed by Huddie Ledbetter (Lead Belly); a ballet choreographed by Ruth Page and Bentley Stone under New Deal sponsorship; a mural in the Missouri State Capitol by Thomas Hart Benton; a play by John Huston; a motion picture, She Done Him Wrong, that made Mae West a national celebrity; and an anti-lynching poem by Sterling Brown. In this innovative book, Stacy I. Morgan explores why African American folklore—and "Frankie and Johnny" in particular—became prized source material for artists of diverse political and aesthetic sensibilities. He looks at a confluence of factors, including the Harlem Renaissance, the Great Depression, and resurgent nationalism, that led those creators to engage with this ubiquitous song. Morgan's research uncovers the wide range of work that artists called upon African American folklore to perform in the 1930s, as it alternately reinforced and challenged norms of race, gender, and appropriate subjects for artistic expression. He demonstrates that the folklorists and creative artists of that generation forged a new national culture in which African American folk songs featured centrally not only in folk and popular culture but in the fine arts as well.

Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 72

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Book Description
LIFE Magazine is the treasured photographic magazine that chronicled the 20th Century. It now lives on at LIFE.com, the largest, most amazing collection of professional photography on the internet. Users can browse, search and view photos of today’s people and events. They have free access to share, print and post images for personal use.

Author: Alan R. Havig
Publisher: University of Missouri Press
ISBN: 9780826211699
Category : History
Languages : en
Pages : 308

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Book Description
Havig addresses such key topics as the growth of the society's collections; the reference library; the Western Historical Manuscript Collection; and an extensive assortment of visual art, including a famed collection of works by Thomas Hart Benton and George Caleb Bingham. Havig also examines the society's collaboration with the University of Missouri in obtaining physical space for its operations; its work with local groups in promoting special events such as Missouri's centennial in 1920-1921; the society's outstanding publications program; its role in the placement of historic markers along Missouri highways; its sponsorship of History Day; and numerous other endeavors made by the society to preserve and disseminate Missouri's rich heritage to the state's citizens. A Centennial History of the State Historical Society of Missouri, 1898-1998 will be of special value to professionals working in Missouri history and in the field of state and local history.