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The Cambridge Companion to the Clarinet

The Cambridge Companion to the Clarinet PDF Author: Colin James Lawson
Publisher: Cambridge University Press
ISBN: 9780521476683
Category : Music
Languages : en
Pages : 264

Book Description
Written for students, performers, and music lovers.

The Cambridge Companion to the Clarinet

The Cambridge Companion to the Clarinet PDF Author: Colin James Lawson
Publisher: Cambridge University Press
ISBN: 9780521476683
Category : Music
Languages : en
Pages : 264

Book Description
Written for students, performers, and music lovers.

The Cambridge Companion to the Organ

The Cambridge Companion to the Organ PDF Author: Nicholas Thistlethwaite
Publisher: Cambridge University Press
ISBN: 1107494036
Category : Music
Languages : en
Pages : 354

Book Description
This Companion is an essential guide to all aspects of the organ and its music. It examines in turn the instrument, the player and the repertoire. The early chapters tell of the instrument's history and construction, identify the scientific basis of its sounds and the development of its pitch and tuning, examine the history of the organ case, and consider the current trends and conflicts within the world of organ building. Central chapters investigate the practical art of learning and playing the organ, introduce the complex area of performance practice, and outline the relationship between organ playing and the liturgy of the church. The final section explores the vast repertoire of organ music, focusing on a selection of the most important traditions.

The Cambridge Companion to the Orchestra

The Cambridge Companion to the Orchestra PDF Author: Colin James Lawson
Publisher: Cambridge University Press
ISBN: 9780521001328
Category : Music
Languages : en
Pages : 316

Book Description
This guide to the orchestra and orchestral life is unique in its breadth of coverage. It combinesorchestral history and repertory with a practical bias offering critical thought about the past, present and future of the orchestra. Including topics such as the art of orchestration, scorereading, conducting, international orchestras, recording, as well as consideration of what it means to be an orchestral musician, an educator, or an informed listener, it will be of interest to a wideranging readership of music historians and professional or amateur performers.

The Clarinet

The Clarinet PDF Author: Eric Hoeprich
Publisher: Yale University Press
ISBN: 9780300102826
Category : Music
Languages : en
Pages : 426

Book Description
The clarinet has a long and rich history as a solo, orchestral, and chamber musical instrument. In this broad-ranging account Eric Hoeprich, a performer, teacher, and expert on historical clarinets, explores its development, repertoire, and performance history. Looking at the antecedents of the clarinet, as well as such related instruments as the chalumeau, basset horn, alto clarinet, and bass clarinet, Hoeprich explains the use and development of the instrument in the Baroque age. The period from the late 1700s to Beethoven's early years is shown to have fostered ever wider distribution and use of the instrument, and a repertoire of increasing richness. The first half of the nineteenth century, a golden age for the clarinet, brought innovation in construction and great virtuosity in performance, while the following century and a half produced a surge in new works from many composers. The author also devotes a chapter to the role of the clarinet in bands, folk music, and jazz.

The Cambridge Companion to the Concerto

The Cambridge Companion to the Concerto PDF Author: Simon P. Keefe
Publisher: Cambridge University Press
ISBN: 113982726X
Category : Music
Languages : en
Pages :

Book Description
No musical genre has had a more chequered critical history than the concerto and yet simultaneously retained as consistently prominent a place in the affections of the concert-going public. This volume, one of very few to deal with the genre in its entirety, assumes a broad remit, setting the concerto in its musical and non-musical contexts, examining the concertos that have made important contributions to musical culture, and looking at performance-related topics. A picture emerges of a genre in a continual state of change, re-inventing itself in the process of growth and development and regularly challenging its performers and listeners to broaden the horizons of their musical experience.

The Early Clarinet

The Early Clarinet PDF Author: Colin Lawson
Publisher: Cambridge University Press
ISBN: 9780521624664
Category : Music
Languages : en
Pages : 148

Book Description
This practical guide is intended for all clarinettists with a desire to investigate music of earlier periods. It contains practical help on both the aquisition and playing of historical clarinets, while players of modern instruments will find much advice on style, approach and techniques which combine to make up a well-grounded, period interpretation. The book presents and interprets evidence from primary sources and offers suggestions for further reading and investigation. Most importantly, a series of case studies which include the music of Handel, Mozart and Brahms helps recreate performances which will be as close as possible to the composer's original intention. As the early clarinet becomes increasingly popular worldwide, this guide, written by one of the foremost interpreters of early clarinet music, will ensure that players at all levels - professional, students or amateurs - are fully aware of historical considerations in their performance.

The Cambridge Companion to Mozart

The Cambridge Companion to Mozart PDF Author: Simon P. Keefe
Publisher: Cambridge University Press
ISBN: 9780521001922
Category : Music
Languages : en
Pages : 324

Book Description
Table of contents

The Cambridge Companion to Bruckner

The Cambridge Companion to Bruckner PDF Author: John Williamson
Publisher: Cambridge University Press
ISBN: 9780521008785
Category : Biography & Autobiography
Languages : en
Pages : 340

Book Description
This Companion provides an overview of the composer Anton Bruckner (1824-1896). Sixteen chapters by leading scholars investigate aspects of his life and works and consider the manner in which critical appreciation has changed in the twentieth century. The first section deals with Bruckner's Austrian background, investigating the historical circumstances in which he worked, his upbringing in Upper Austria, and his career in Vienna. A number of misunderstandings are dealt with in the light of recent research. The remainder of the book covers Bruckner's career as church musician and symphonist, with a chapter on the neglected secular vocal music. Religious, aesthetic, formal, harmonic, and instrumental aspects are considered, while one chapter confronts the problem of the editions of the symphonies. Two concluding chapters discuss the symphonies in performance, and the history of Bruckner-reception with particular reference to German Nationalism, the Third Reich and the appropriation of Bruckner by the Nazis.

The Cambridge Companion to the String Quartet

The Cambridge Companion to the String Quartet PDF Author: Robin Stowell
Publisher: Cambridge University Press
ISBN: 9780521000420
Category : Music
Languages : en
Pages : 394

Book Description
Table of contents

The Cambridge Companion to Shostakovich

The Cambridge Companion to Shostakovich PDF Author: Pauline Fairclough
Publisher: Cambridge University Press
ISBN: 9781139827386
Category : Music
Languages : en
Pages :

Book Description
As the Soviet Union's foremost composer, Shostakovich's status in the West has always been problematic. Regarded by some as a collaborator, and by others as a symbol of moral resistance, both he and his music met with approval and condemnation in equal measure. The demise of the Communist state has, if anything, been accompanied by a bolstering of his reputation, but critical engagement with his multi-faceted achievements has been patchy. This Companion offers a starting point and a guide for readers who seek a fuller understanding of Shostakovich's place in the history of music. Bringing together an international team of scholars, the book brings research to bear on the full range of Shostakovich's musical output, addressing scholars, students and all those interested in this complex, iconic figure.