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Author: Natalie Edwards Publisher: Cambridge Scholars Publishing ISBN: 1443851213 Category : Literary Criticism Languages : en Pages : 205
Book Description
The Contemporary Francophone African Intellectual examines the issues with which the contemporary African intellectual engages, the fields s/he occupies, her/his residence and perspective, and her/his relations with the State and the people. In an increasingly economically deprived Africa, in which some states are ruled by dictators, what chances do people have of becoming intellectuals, using their critical faculties to challenge hegemony, enacting the transformative power of ideas in a public forum? Do intellectuals who remain in Africa run the risk of being swallowed into a vortex of hagiography? What is the responsibility of the intellectual in the face of an event such as the Rwandan genocide? What influence does religion have upon the contemporary intellectual’s work? Is migration one of the only paths available for African intellectuals, a number of whom have been critiquing their continent from within Europe? This volume focuses on the intellectual’s engagement across literature, philosophy, journalism and cultural criticism. It contains studies of established writers and philosophers as well as new voices. An African writer and public intellectual describes her own experience in and out of Africa in one chapter; a Philosophy Professor discusses his intellectual trajectory in another. Overall, this timely volume, which includes analysis of the work of intellectuals from North, East, West and Central Africa, problematizes our current understandings of the intellectual legacy of Africa and opens up new avenues into this understudied area.
Author: Natalie Edwards Publisher: Cambridge Scholars Publishing ISBN: 1443851213 Category : Literary Criticism Languages : en Pages : 205
Book Description
The Contemporary Francophone African Intellectual examines the issues with which the contemporary African intellectual engages, the fields s/he occupies, her/his residence and perspective, and her/his relations with the State and the people. In an increasingly economically deprived Africa, in which some states are ruled by dictators, what chances do people have of becoming intellectuals, using their critical faculties to challenge hegemony, enacting the transformative power of ideas in a public forum? Do intellectuals who remain in Africa run the risk of being swallowed into a vortex of hagiography? What is the responsibility of the intellectual in the face of an event such as the Rwandan genocide? What influence does religion have upon the contemporary intellectual’s work? Is migration one of the only paths available for African intellectuals, a number of whom have been critiquing their continent from within Europe? This volume focuses on the intellectual’s engagement across literature, philosophy, journalism and cultural criticism. It contains studies of established writers and philosophers as well as new voices. An African writer and public intellectual describes her own experience in and out of Africa in one chapter; a Philosophy Professor discusses his intellectual trajectory in another. Overall, this timely volume, which includes analysis of the work of intellectuals from North, East, West and Central Africa, problematizes our current understandings of the intellectual legacy of Africa and opens up new avenues into this understudied area.
Author: Odile Cazenave Publisher: University of Virginia Press ISBN: 0813931150 Category : Literary Criticism Languages : en Pages : 256
Book Description
By looking at engagée literature from the recent past, when the francophone African writer was implicitly seen as imparted with a mission, to the present, when such authors usually aspire to be acknowledged primarily for their work as writers, Contemporary Francophone African Writers and the Burden of Commitment addresses the currrent processes of canonization in contemporary francophone African literature. Odile Cazenave and Patricia Célérier argue that aesthetic as well as political issues are now at the forefront of debates about the African literary canon, as writers and critics increasingly acknowledge the ideology of form. Working across genres but focusing on the novel, the authors take up the question of renewed forms of commitment in this literature. Their selected writers range from Mongo Beti, Ousmane Sembène, and Aminata Sow Fall to Boubacar Boris Diop, Véronique Tadjo, Alain Mabanckou, and Léonora Miano, among others.
Author: Tony Chafer Publisher: Manchester University Press ISBN: 1526102943 Category : History Languages : en Pages : 281
Book Description
France’s presence on the African continent has often been presented as ‘cooperation’ and part of French cultural policy by policy-makers in Paris – and quite as often been denounced as ‘the longest scandal of the republic’ by French academics and African intellectuals. Between the last years of French colonialism and France’s sustained interventions in former African colonies such as Chad or Côte d’Ivoire during the 2000s, the legacy of French colonialism has shaped the historical trajectory of more than a dozen countries and societies in Africa. The complexities of this story are now, for the first time, addressed in a comprehensive series of essays, based on new research by a group of specialists in French colonial history. The book addresses the needs of both academic specialists and those of students of history and neighbouring disciplines looking for structural analysis of key themes in France’s and Africa’s shared history.
Author: Toyin Falola Publisher: University Rochester Press ISBN: 9781580461498 Category : History Languages : en Pages : 398
Book Description
An examination of the attempt by Western-educated African intellectuals to create a 'better Africa' through connecting nationalism to knowledge, from the anti-colonial movement to the present-day. This book is about how African intellectuals, influenced primarily by nationalism, have addressed the inter-related issues of power, identity politics, self-assertion and autonomy for themselves and their continent, from the mid-nineteenth century onward. Their major goal was to create a 'better Africa' by connecting nationalism to knowledge. The results have been mixed, from the glorious euphoria of the success of anti-colonial movements to the depressingcircumstances of the African condition as we enter a new millennium. As the intellectual elite is a creation of the Western formal school system, the ideas it generated are also connected to the larger world of scholarship.This world is, in turn, shaped by European contacts with Africa from the fifteenth century onward, the politics of the Cold War, and the subsequent collapse of the Soviet Union. In essence, Africa and its elite cannot be fully understood without also considering the West and changing global politics. Neither can the academic and media contributions by non-Africans be ignored, as these also affect the ways that Africans think about themselves and their continent. Nationalism and African Intellectuals examines intellectuals' ambivalent relationships with the colonial apparatus and subsequent nation-state formations; the contradictions manifested within pan-Africanism and nationalism; and the relation of academic institutions and intellectual production to the state during the nationalism period and beyond. Toyin Falola is the Jacob and Frances Sanger Mossiker Chair in the Humanities and University Distinguished Teaching Professor at the University of Texas at Austin.
Author: M. Eze Publisher: Springer ISBN: 0230109691 Category : History Languages : en Pages : 220
Book Description
In examining the intellectual history in contemporary South Africa, Eze engages with the emergence of ubuntu as one discourse that has become a mirror and aftermath of South Africa s overall historical narrative. This book interrogates a triple socio-political representation of ubuntu as a displacement narrative for South Africa s colonial consciousness; as offering a new national imaginary through its inclusive consciousness, in which different, competing, and often antagonistic memories and histories are accommodated; and as offering a historicity in which the past is transformed as a symbol of hope for the present and the future. This book offers a model for African intellectual history indignant to polemics but constitutive of creative historicism and healthy humanism.
Author: Fetson A Kalua Publisher: Routledge ISBN: 1000699722 Category : Philosophy Languages : en Pages : 136
Book Description
This book examines the role of African intellectuals in the years since the end of colonialism, studying the contribution that has been made by such individuals, both to political causes and to development within Africa. Studying the concept of the "intellectual" within an African context, this book explores the responses of such individuals to crucial issues, such as cultural identity and knowledge production. The author argues that since the end of colonialism in Africa, various, often intertwining, factors, such as nationalism and co-option, have been used by black politicians or the political elites to muddle the roles and functions of black African intellectuals. Focusing on these confused roles and functions, the book posits that, over the years, most intellectuals in Africa have found the practice of "cheerleading" for a political cause more productive than making valuable contributions towards dynamic and progressive leadership in their countries. This book will be of interest to students and scholars of African studies, politics, and development studies.
Author: Amy L. Hubbell Publisher: U of Nebraska Press ISBN: 0803269889 Category : Literary Criticism Languages : en Pages : 336
Book Description
Colonized by the French in 1830, Algeria was an important French settler colony that, unlike its neighbors, endured a lengthy and brutal war for independence from 1954 to 1962. The nearly one million Pieds-Noirs (literally "black-feet") were former French citizens of Algeria who suffered a traumatic departure from their homes and discrimination upon arrival in France. In response, the once heterogeneous group unified as a community as it struggled to maintain an identity and keep the memory of colonial Algeria alive. Remembering French Algeria examines the written and visual re-creation of Algeria by the former French citizens of Algeria from 1962 to the present. By detailing the preservation and transmission of memory prompted by this traumatic experience, Amy L. Hubbell demonstrates how colonial identity is encountered, reworked, and sustained in Pied-Noir literature and film, with the device of repetition functioning in these literary and visual texts to create a unified and nostalgic version of the past. At the same time, however, the Pieds-Noirs' compulsion to return compromises these efforts. Taking Albert Camus's Le Mythe de Sisyphe and his subsequent essays on ruins as a metaphor for Pied-Noir identity, this book studies autobiographical accounts by Marie Cardinal, Jacques Derrida, H�l�ne Cixous, and Le�la Sebbar, as well as lesser-known Algerian-born French citizens, to analyze movement as a destabilizing and productive approach to the past.
Author: Michael Syrotinski Publisher: University of Virginia Press ISBN: 9780813921457 Category : Literary Criticism Languages : en Pages : 236
Book Description
Francophone African writing is often concerned with questions of subjectivity and narrative agency, and it is this focus Michael Syrotinski takes as his point of departure in Singular Performances. Using the work of V. Y. Mudimbe as a major theoretical reference, Syrotinski sets up a number of original dialogues between francophone African literature, African philosophy, literary theory, postcolonial studies, cinema, cultural studies, and history to arrive at the notion of a "performative reinscription of subjectivity." Singular Performances covers a wide range of francophone African writers, each of whom is read within a broader theoretical context related to African subjectivity: Mudimbe and the philosophical subject, Aoua Kéita and autobiography, Bernard Dadié and ethnographic irony, Ousmane Sembene and Tierno Monénembo and the cinematic imagination, Véronique Tadjo and Werewere Liking and the female writing subject, and Sony Labou Tansi and the "spectral" subject. In this skillful interdisciplinary weaving together of contemporary theory and literature, the focus on the francophone African subject allows for a richer appreciation of the texture and rhetoric of the language of the texts themselves. What emerges from this study is the subject understood not as a single homogenized entity but as a plural celebration of singular francophone African subjectivities.
Author: Eric Martone Publisher: Cambridge Scholars Publishing ISBN: 1443831220 Category : Social Science Languages : en Pages : 260
Book Description
Alexandre Dumas, author of The Three Musketeers, The Count of Monte Cristo, and The Man in the Iron Mask, is the most famous French writer of the nineteenth century. In 2002, his remains were transferred to the Panthéon, a mausoleum reserved for the greatest French citizens, amidst much national hype during his bicentennial. Contemporary France, struggling with the legacies of colonialism and growing diversity, has transformed Dumas, grandson of a slave from St. Domingue (now Haiti), into a symbol of the colonies and the larger francophone world in an attempt to integrate its immigrants and migrants from its former Caribbean, African, and Asian colonies to improve race relations and to promote French globality. Such a reconception of Dumas has made him a major figure in debates on French identity and colonial history. Ten tears after Dumas’s interment in the Panthéon, the time is ripe to re-evaluate Dumas within this context of being a representative of la Francophonie. The French re-evaluation of Dumas, therefore, invites a reassessment of his life, works, legacy, and previous scholarship. This interdisciplinary collection is the first major work to take up this task. It is unique for being the first scholarly work to bring Dumas into the center of debates about French identity and France’s relations with its former colonies. For the purposes of this collection, to analyze Dumas in a “francophone” context means to explore Dumas as a symbol of a “French” culture shaped by, and inclusive of, its (former) colonies and current overseas departments. The seven entries in this collection, which focus on providing new ways of interpreting The Three Musketeers, The Man in the Iron Mask, The Count of Monte Cristo, and Georges, are categorized into two broad groups. The first group focuses on Dumas’s relationship with the francophone colonial world during his lifetime, which was characterized by the slave trade, and provides a postcolonial re-examination of his work, which was impacted profoundly by his status as an individual of black colonial descent in metropolitan France. The second part of this collection, which is centered broadly around Dumas’s francophone legacy, examines the way he has been remembered in the larger French-speaking (postcolonial) world, which includes metropolitan France, in the past century to explore questions about French identity in an emerging global age.
Author: Natalie Edwards
Author: Natalie Edwards
Author: Odile Cazenave
Author: Tony Chafer
Author: Toyin Falola
Author: M. Eze
Author: Fetson A Kalua
Author: Amy L. Hubbell
Author: Michael Syrotinski
Author: Eric Martone
Author: Nicki Hitchcott