The Generic Sublime PDF Download

Author: Ciro Najle
Publisher: Actar
ISBN: 9781940291758
Category : Architecture
Languages : en
Pages : 397

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Author: Ciro Najle
Publisher: Actar D, Inc.
ISBN: 1945150319
Category : Architecture
Languages : en
Pages : 405

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Book Description
The Generic Sublime is the outcome of an investigation on extra-extra-large developmental typologies carried out at the Harvard University Graduate School of Design, Departments of Architecture, Urban Design and Planning, and Landscape Architecture, between the years 2010 and 2013. The book assembles this investigation and structures its materials, methods and outcomes along three parts. The first part includes a series of writings by the author and invited theoreticians and practitioners toward debating, substantiating or challenging the theory of the Generic Sublime, as presented by the book. The second part proposes three operative taxonomies, understood as the consecutive steps in a procedure going from the actual to the prospective by means of a process of abstraction and integration: a first one portraying a series of case studies that exemplify developmental phenomena currently at work around the globe; a second one presenting a set of organizational models and introducing an open manual of processes and techniques for breeding the contemporary sublime out of the ordinary; and a third part displaying propositions that singularize the investigation across a series of projects. The book ends with a third and final part, which includes a series of concluding open-ended texts: a public conversation on the sublime, a personal interview on methods, a dialogue-glossary of concepts, a technical-theoretical report, and a conclusive set of principles.

Author: Ricardo Devesa
Publisher: Actar D, Inc.
ISBN: 1638408351
Category : Architecture
Languages : en
Pages : 124

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A collection of installments compiling the works of the students of the Master in Integrated Architectural Design during the academic year 2020/21. The course is organized in 5 logics: environmental, social, digital, tectonic and cultural through which the students explore how architectural design can adapt to the context in which they operate. This collection of installments compiles the works of the students of the Master in Integrated Architectural Design during the academic year 2020/21. The program objectives are to promote innovative architectural design integrated with the wide range of skills on technical and cultural knowledge that contemporary architecture demands. The course is organized in 5 logics: environmental, social, digital, tectonic and cultural through which the students explore how architectural design can adapt to the context in which they operate. Their systems of methods and principles are expanded to face challenges such as climate change, technological disruptions, economic and geopolitical collapses, and demographic movements, among other major global changes. With Contributions of Kiel Moe, Interboro, Ciro Najle, bosch.capdeferro, Marina Otero, T.J. Demos, Ferran Vizoso, Javier García-Germán, Alex Ivancic, Pau Bajet, María Langarita, Carles Baiges, Cristina Gamboa, Anna Font, Edouard Cabay, David Tàpies, Francisco Cifuentes, Arturo Franco, Ivan Blasi, Ricardo Devesa, Irma Arribas, Roger Paez, Pedro García, Sultan Ahmed, Asmita Banyal, Marta Bugés, Luis de Felipe, Dima Fadel, Arina Semenova, Domenica García and Halwest Mustafa

Author: Mariana Ibanez
Publisher: ACTAR Publishers
ISBN: 8415391285
Category : Architecture
Languages : en
Pages : 353

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Book Description
Platform 5 considers the expanded boundaries of the Harvard University Graduate School of Design. It features not only the selections of the work produced at the GSD during the 2011-2012 academic year, but also the potential of that work to address broader questions and inform global initiatives.

Author: Mary Anne Schimmelpenninck
Publisher:
ISBN:
Category : Aesthetics
Languages : en
Pages : 550

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Author: Robert S. Corrington
Publisher: Rowman & Littlefield
ISBN: 0739182137
Category : Philosophy
Languages : en
Pages : 231

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Book Description
Nature's Sublime uses a radical new form of phenomenology to probe into the deepest traits of the human process in its individual, social, religious, and aesthetic dimensions. Starting with the selving process the essay describes the role of signs and symbols in intra and interpersonal communication. At the heart of the human use of signs is a creative tension between religions symbols and the novel symbols created in the various arts. A contrast is made between natural communities, which flatten out and reject novel forms of semiosis, and communities of interpretation, which welcomes creative and enriched signs and symbols. The normative claim is made that religious sign/symbol systems have a tendency toward tribalism and violence, while the various spheres of the aesthetic are comparatively non-tribal, or even deliberatively anti-tribal. The concept/experience of beauty and the sublime is meant to replace that of religious revelation. The sublime is not merely an internal mode of attunement, contra Kant, but comes from the very depths of nature in the potencies of nature naturing.

Author: Erik Gunderson
Publisher: Oxford University Press
ISBN: 0192898116
Category : Literary Criticism
Languages : en
Pages : 420

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'The Art of Complicity in Martial and Statius' examines the relationship between politics and aesthetics in two poets from the reign of Domitian. Gunderson argues that power and politics are intimately involved in Latin praise poetry.

Author: Angela Wright
Publisher: Bloomsbury Publishing
ISBN: 1350309370
Category : Literary Criticism
Languages : en
Pages : 273

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Book Description
What is the Gothic? Few literary genres have attracted so much praise and critical disdain simultaneously. This Guide returns to the Gothic novel's first wave of popularity, between 1764 and 1820, to explore and analyse the full range of contradictory responses that the Gothic evoked. Angela Wright appraises the key criticism surrounding the Gothic fiction of this period, from 18th century accounts to present-day commentaries. Adopting an easy-to-follow thematic approach, the Guide examines: - Contemporary criticism of the Gothic - The aesthetics of terror and horror - The influence of the French Revolution - Religion, nationalism and the Gothic - The relationship between psychoanalysis and the Gothic - The relationship between gender and the Gothic. Concise and authoritative, this indispensable Guide provides an overview of Gothic criticism and covers the work of a variety of well-known Gothic writers, such as Horace Walpole, Ann Radcliffe, Matthew Lewis and many others.

Author: Dominik Bartmanski
Publisher: Routledge
ISBN: 1000550583
Category : Social Science
Languages : en
Pages : 250

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Book Description
Symbols matter, and especially those present in public spaces, but how do they exert influence and maintain a hold over us? Why do such materialities count even in the intensely digitalized culture? This book considers the importance of urban symbols to political revolutions, examining manifold reasons for which social movements necessitate the affirmation or destruction of various material icons and public monuments. What explains variability of life cycles of certain classes of symbols? Why do some of them seem more potent than others? Why do people exhibit nostalgic attachments to some symbols of the controversial past and vehemently oppose others? What nourishes and threatens the social life of icons? Through comparative analyses of major iconic processes following the epochal revolution of 1989 in Berlin and Warsaw, the book argues that revolutionary action needs objects and sites which concretize the transformative redrawing of the symbolic boundaries between the "sacred" and "profane," good and evil, before and after, and "progressive" and "reactionary"—the symbolic shifts that every revolution implies in theory and formalizes in practice. Public symbols ensconced within actual urban spaces provide indispensable visibility to human values and social changes. As affective topographies that externalize collective feelings, their very presence and durability is meaningful, and so are the revolutionary rituals of preservation and destruction directed at those spaces. Far from being mere gestures or token signifiers, they have their own gravity with profound cultural ramifications. This volume will appeal to sociologists, anthropologists, geographers, and social theorists with interests in urban studies, public heritage, material culture, political revolution, and social movements.

Author: Paul Guyer
Publisher: Cambridge University Press
ISBN: 9780521568333
Category : Philosophy
Languages : en
Pages : 476

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Book Description
This collection of essays by one of the preeminent Kant scholars of our time transforms our understanding of both Kant's aesthetics and his ethics. Guyer shows that at the very core of Kant's aesthetic theory, disinterestedness of taste becomes an experience of freedom and thus an essential accompaniment to morality itself. At the same time he reveals how Kant's moral theory includes a distinctive place for the cultivation of both general moral sentiments and particular attachments on the basis of the most rigorous principle of duty. Kant's thought is placed in a rich historical context including such figures as Shaftesbury, Hutcheson, Hume, Burke, Kames, as well as Baumgarten, Mendelssohn, Schiller, and Hegel. Other topics treated are the sublime, natural versus artistic beauty, genius and art history, and duty and inclination. These essays extend and enrich the account of Kant's aesthetics in the author's earlier book, Kant and the Claims of Taste (1979).