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Author: Ali Ahmad Hussein Publisher: Otto Harrassowitz Verlag ISBN: 9783447059022 Category : Arabic poetry Languages : ar Pages : 320
Book Description
In Old Arabic poetry from the pre-Islamic and early Islamic periods to the end of the orthodox Caliphate, one theme is the lightning-scene. In this the protagonist asserts that he could not sleep because he saw lightning flashing far away in the sky. The book explores the various functions of this scene, and its relationship with other parts of the poem. This study achieves two main goals. The first sheds light on two important terms connected with Old Arabic poetry: the function and the narration. We see how a certain element can function differently from text to text, and how these different functions influence the narration of a poem and consequently make it - to some degree - idiosyncratic; i.e., a text that differs from other poems that include the same element. The second purpose is to make a comprehensive study of the components, namely the motifs included in the lightning-scenes. Here, the author reaches conclusions regarding whether these components differ significantly from text to text, or whether they are merely repetitions. In other words, this study examines whether the lightning-scenes in themselves are idiosyncratic or - on the contrary - are fossilized and conventional follow long-established poetic traditions.
Author: Ali Ahmad Hussein Publisher: Otto Harrassowitz Verlag ISBN: 9783447059022 Category : Arabic poetry Languages : ar Pages : 320
Book Description
In Old Arabic poetry from the pre-Islamic and early Islamic periods to the end of the orthodox Caliphate, one theme is the lightning-scene. In this the protagonist asserts that he could not sleep because he saw lightning flashing far away in the sky. The book explores the various functions of this scene, and its relationship with other parts of the poem. This study achieves two main goals. The first sheds light on two important terms connected with Old Arabic poetry: the function and the narration. We see how a certain element can function differently from text to text, and how these different functions influence the narration of a poem and consequently make it - to some degree - idiosyncratic; i.e., a text that differs from other poems that include the same element. The second purpose is to make a comprehensive study of the components, namely the motifs included in the lightning-scenes. Here, the author reaches conclusions regarding whether these components differ significantly from text to text, or whether they are merely repetitions. In other words, this study examines whether the lightning-scenes in themselves are idiosyncratic or - on the contrary - are fossilized and conventional follow long-established poetic traditions.
Author: Marilyn Booth Publisher: Edinburgh University Press ISBN: 0748694870 Category : Biography & Autobiography Languages : en Pages : 472
Book Description
Zaynab Fawwaz (c.1860-1914) was a forceful voice in support of women's rights to education and work choices in colonial-era Egypt. This book explores the writing and influence of her landmark piece al-Durr al-manthur fi tabaqat rabbat al-khudur the first Arabic-language global biographical dictionary of women.
Author: Luo Jun Publisher: Scientific Research Publishing, Inc. USA ISBN: 1649971540 Category : Antiques & Collectibles Languages : en Pages : 1368
Book Description
For a very long time, I have been preoccupied with the exploration of the academic blind spots that have cropped up in the organic combination of poetic studies and narrative studies that is inclined to give a lot of perceptive and cognitive inspiration to the systematic and strategic con-struction of the theoretical frameworks and theoretical systems of poetic narratology to provide more perceptive and cognitive convenience for the vast majority of readers and scholars to give a much more profound and perspicacious interpretation and illustration of the ideological and epistemological values implied in the diverse and distinctive narration of most poetic narrative texts in an unnoticeable fashion and in an untraceable fashion.
Author: Ranjan Ghosh Publisher: Taylor & Francis ISBN: 1317576683 Category : Literary Criticism Languages : en Pages : 196
Book Description
Critiquing the politics and dynamics of the transcultural poetics of reading literature, this book demonstrates an ambitious understanding of the concept of the poet across a wide range of traditions – Anglo-American, German, French, Arabic, Chinese, Sanskrit, Bengali, Urdu – and philosophies of creativity that are rarely studied side by side. Ghosh carves out unexplored spaces of negotiation and intersections between literature, aesthetics and philosophy. The book demonstrates an original method of ‘global comparison’ that displaces the relatively staid and historicist categories that have underpinned comparative literature approaches so far, since they rarely dare stray beyond issues of influence and schools, or new 'world literature' approaches that affirm cosmopolitanism and transnationalism as overarching themes. Going beyond comparatism and reformulating the chronological patterns of reading, this bold book introduces new methodologies of reading literature to configure the concept of the poet from Philip Sidney to T. S Eliot, reading the notion of the poet through completely new theoretical and epistemic triggers. Commonly known texts and sometimes well-circulated ideas are subjected to refreshing reading in what the author calls the ‘transcultural now’ and (in)fusionised transpoetical matrices. By moving between theories of poetry and literature that come from widely separated times, contexts, and cultures, this book shows the relevance of canonical texts to a theory of the future as marked by post-global concerns.
Author: Katherine Hennessey Publisher: Berghahn Books ISBN: 1789202604 Category : Literary Criticism Languages : en Pages : 282
Book Description
Offering a variety of perspectives on the history and role of Arab Shakespeare translation, production, adaptation and criticism, this volume explores both international and locally focused Arab/ic appropriations of Shakespeare’s plays and sonnets. In addition to Egyptian and Palestinian theatre, the contributors to this collection examine everything from an Omani performance in Qatar and an Upper Egyptian television series to the origin of the sonnets to an English-language novel about the Lebanese civil war. Addressing materials produced in several languages from literary Arabic (fuṣḥā) and Egyptian colloquial Arabic (‘ammiyya) to Swedish and French, these scholars and translators vary in discipline and origin, and together exhibit the diversity and vibrancy of this field.
Author: Marilyn Booth Publisher: Edinburgh University Press ISBN: 1474403417 Category : Social Science Languages : en Pages : 472
Book Description
Zaynab Fawwaz (c.1860-1914) was as a forceful voice in support of women's rights to education and work choices in colonial-era Egypt. Her volume of 453 women's lives, al-Durr al-manthur fi tabaqat rabbat al-khudur (Pearls scattered in times and places: Classes of ladies of cloistered spaces, 1893-6) featuring Boudicca, Catherine the Great, Zaynab (the granddaughter of the Prophet Muhammad), Victoria Woodhull, the Turkish poet Sirri Hanim and many others built on the Arabic-Islamic biographical tradition to produce a work for women in the modern era, grafting European, Turkish, Arab, and Indian life narratives, amongst others onto Arabic literary patternsIn Classes of Ladies of Cloistered Spaces Marilyn Booth argues that Fawwazs work was less exemplary biography than feminist history, in its exploration of achievement but also of patriarchal trauma in the lives of women across times and places. She traces Fawwazs creative use of her sources, her presentation of biographical narratives in the context of the political essays she wrote in the Arabic press, her publicised dialogue with the President of the Board of Lady Managers of the 1893 World Columbian Exposition where she attempted to send the volume and how her inscription of a feminine ancient history diverged from that of men writing history in 1890s Egypt.
Author: Georgia-Nepheli Papoutsakis Publisher: Otto Harrassowitz Verlag ISBN: 9783447061124 Category : Arabic poetry Languages : en Pages : 184
Book Description
Boasting about one's travels through the desert was a very common topic of self-praise in early Arabic poetry (ca. 500-750). Desert crossing would attest to a man's character, providing evidence of his valour, stamina, industriousness and ambition. The book focuses on desert travel as a self-praise theme in early Arabic poetry and especially in the work of the Umayyad poet Dur-Rumma (ca. 695-735), one of the last great exponents of the Bedouin poetic tradition. It discusses the various motifs associated with desert travel in Dur-Rumma and traces their antecedents in the work of earlier poets. By analyzing the diachronic development of the travel theme and evaluating its place within the poem as a whole, it challenges the widespread view of the Arabic ode (qasida) as a tripartite composition and contributes to a better understanding of early Arabic poetics. For despite the fact that desert travel was a central theme of early poetry, it has never been studied in detail and its purport as a theme of self-praise has not been generally recognized.
Author: Publisher: BRILL ISBN: 900448518X Category : Social Science Languages : en Pages : 246
Book Description
In Islam the fascination for “the word” is as vigorous as in Judaism and in Christianity, but an extra dimension is, that the revealed text, the Koran, is considered to be verbatim the word of the Almighty Himself, thereby providing the Arabic language with just an extra quality. No wonder that throughout Islamic history the study of the word, the Koran, the prophet’s utterances and the interpretation of both, has become the main axis of knowledge and education. As a consequence the intellectuals – and also the poets in Islamic culture - were thoroughly familiar with religious terms and the phraseology of a language which was highly estimated because of the divine origin with which it was associated. No wonder therefore, that allusions to religious texts can be found throughout Arabic literature, both classical and modern. The subject of this volume is the representation of the divine in Arabic poetry, be it the experience of the divine as expressed by poets or the use of imagery coined by religion.
Author: Mohamed Metwalli Publisher: University of Arkansas Press ISBN: 9781557287434 Category : Poetry Languages : en Pages : 150
Book Description
A new movement is emerging in Egyptian literature--urban in its energies; cosmopolitan in its national, Arabic, and western influences; and independent and rowdy in its voice. For centuries, Arabic literature mandated traditional, unchanging, highly structured language and forms. In the 1960s and 1970s, writers rebelled to write in a variety of vernaculars. Now, young Egyptian poets are inventing new ways of writing. Rejecting both traditional Arabic formalism and the vernacular rebellion--and, contradictorily, drawing equally on these traditions and others--they radically combine and recombine influences and bring new experiences into their poetry. They embrace experimentation. Rejected at first by the literary establishment, these poets founded their own magazines, one of which appropriated a derisive term that had been used to dismiss them: Locusts. Now one of Egypt's most honored translators and writers has joined with one of those Locusts to gather a selection of this postmodern writing in one place for the first time. With its edginess and play of styles, this collection showcases a dynamic, emergent scene.
Author: Ali Ahmad Hussein
Author: Ali Ahmad Hussein
Author: Marilyn Booth
Author: Luo Jun
Author: Ranjan Ghosh
Author: Katherine Hennessey
Author: Marilyn Booth
Author: Georgia-Nepheli Papoutsakis
Author: 
Author: 
Author: Mohamed Metwalli