The Mosaics of the Baptistery of Florence PDF Download

Author: Miklós Boskovits
Publisher:
ISBN:
Category : Baptisteries
Languages : en
Pages : 682

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Author: Antonio Paolucci
Publisher: National Geographic Books
ISBN: 0807614130
Category : Antiques & Collectibles
Languages : en
Pages : 0

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Book Description
Take an amazing armchair tour of The Baptistery of San Giovanni in Florence, Italy. The Baptistery is one of the oldest buildings in the city, constructed between 1059 and 1128 in the Florentine Romanesque style. It influenced the development of architecture, and formed the basis from which Filippo Brunelleschi, and the others created Renaissance architecture. This is a lush two-volume set bound in silk cloth. Volume one is a full color photographic atlas of the entire historic structure. Volume two is detailed history of the art and architecture in English and Italian. The Baptistery is renowned for its three sets of artistically important bronze doors with relief sculptures. The south doors were done by Andrea Pisano and the north and east doors by Lorenzo Ghiberti. The east doors were dubbed by Michelangelo the Gates of Paradise. The poet Dante and many members of the Medici family, were baptized in this baptistery.

Author: Richard Offner
Publisher:
ISBN: 9788809046184
Category : Baptisteries
Languages : en
Pages : 0

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Author: Anna Maria Giusti
Publisher:
ISBN:
Category : Travel
Languages : en
Pages : 132

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Author: Joseph Archer Crowe
Publisher:
ISBN:
Category : Painting
Languages : en
Pages : 354

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Author: George Bent
Publisher: Cambridge University Press
ISBN: 1316810720
Category : Art
Languages : en
Pages : 353

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Book Description
Street corners, guild halls, government offices, and confraternity centers contained paintings that made the city of Florence a visual jewel at precisely the time of its emergence as an international cultural leader. This book considers the paintings that were made specifically for consideration by lay viewers, as well as the way they could have been interpreted by audiences who approached them with specific perspectives. Their belief in the power of images, their understanding of the persuasiveness of pictures, and their acceptance of the utterly vital role that art could play as a propagator of civic, corporate, and individual identity made lay viewers keenly aware of the paintings in their midst. Those pictures affirmed the piety of the people for whom they were made in an age of social and political upheaval, as the city experimented with an imperfect form of republicanism that often failed to adhere to its declared aspirations.

Author: Jaroslav Folda
Publisher: Cambridge University Press
ISBN: 1107010233
Category : Art
Languages : en
Pages : 445

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Jaroslav Folda traces the appropriation of the Byzantine Virgin and Child Hodegetria icon by thirteenth-century Crusader and central Italian painters and explores its transformation by the introduction of chrysography on the figure of the Virgin in the Crusader Levant and in Italy.

Author: Joseph Archer Crowe
Publisher:
ISBN:
Category : Painting
Languages : en
Pages : 458

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Book Description

Author: Stefanie Solum
Publisher: Routledge
ISBN: 1351536494
Category : Art
Languages : en
Pages : 401

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Book Description
Long obfuscated by modern definitions of historical evidence and art patronage, Lucrezia Tornabuoni de? Medici?s impact on the visual world of her time comes to light in this book, the first full-length scholarly argument for a lay woman?s contributions to the visual arts of fifteenth-century Florence. This focused investigation of the Medici family?s domestic altarpiece, Filippo Lippi?s Adoration of the Christ Child, is broad in its ramifications. Mapping out the cultural network of gender, piety, and power in which Lippi?s painting was originally embedded, author Stefanie Solum challenges the received wisdom that women played little part in actively shaping visual culture during the Florentine Quattrocento. She uses visual evidence never before brought to bear on the topic to reveal that Lucrezia Tornabuoni - shrewd power-broker, pious poetess, and mother of the 'Magnificent' Lorenzo de? Medici - also had a profound impact on the visual arts. Lucrezia emerges as a fascinating key to understanding the ways in which female lay religiosity created the visual world of Renaissance Florence. The Medici case study establishes, at long last, a robust historical basis for the assertion of women?s agency and patronage in the deeply patriarchal and artistically dynamic society of Quattrocento Florence. As such, it offers a new paradigm for the understanding, and future study, of female patronage during this period.

Author: Michael Viktor Schwarz
Publisher: Böhlau Wien
ISBN: 3205217357
Category : Art
Languages : en
Pages : 1454

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Book Description
Vol. 1: Life Giotto (1334) is the first European artist about whom it is possible to write following the schema of "life and work". The situation of the sources, however, is complicated: On Giotto's life, there are – on the one hand – biographical accounts from the mid-fourteenth century onwards that responded to various ideological requirements (patriotism, humanism, Renaissance ideology, cult of the artist); on the other, there is extensive documentary material from Giotto's lifetime, which seems to reflect less the biography of an artist than that of a bourgeois businessman resolutely climbing the social ladder. The present volume focuses on this second aspect of the Giotto figure's double life relating it to the form of existence of the pre-modern artist. Vol. 2: Works The paintings examined and contextualised in this volume are those secured for Giotto through early written sources. These sources also help to reconstruct the sequence of his works and artistic inventions as is plausible in the context of media culture in the decades around and after 1300: while Giotto was spiritually and intellectually formed in the sphere of the Florentine Dominicans, his artistic path began in Rome in the shadow of the Curia. The breakthrough to his own artistic concept came immediately before and during his work in Padua. In addition to prominent churchmen, ecclesiastical institutions, and the King of Naples, his clients were predominantly members of Italy's urban and financial elites. The adoption and further development of his inventions by other - especially Sienese - painters pressured him in his later years to try new approaches again. Vol. 3: Survival Giotto is considered by many to be the founder of modern painting. This thesis is discussed and modified in the present volume on an empirical basis. What emerges is that Giotto's impact cannot be reduced simply to the introduction of the study of nature. Rather, his art was involved in the development of pictorial idioms that were attuned to the skills and interests of their audiences. The new approaches in his painting contributed in particular to the possibility of examining and communicating psychological, narrative and allegorical content of great complexity outside the media of language and text, which not only changed the face of European art but certainly contributed to the intellectual opening of Western societies.