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Author: Paul Wilson Publisher: ISBN: 9780300051117 Category : Music Languages : en Pages : 222
Book Description
Sought to discover an unvarying precompositional system that accounted for individual musical events. Wilson's approach is different in that he develops a way to explore each work within the musical contexts that the work itself creates and sustains. Wilson begins by discussing a number of fundamental musical materials that Bartok employed throughout his oeuvre. Using these materials as foundations, he then describes a series of flexible, behaviorally defined harmonic.
Author: Paul Wilson Publisher: ISBN: 9780300051117 Category : Music Languages : en Pages : 222
Book Description
Sought to discover an unvarying precompositional system that accounted for individual musical events. Wilson's approach is different in that he develops a way to explore each work within the musical contexts that the work itself creates and sustains. Wilson begins by discussing a number of fundamental musical materials that Bartok employed throughout his oeuvre. Using these materials as foundations, he then describes a series of flexible, behaviorally defined harmonic.
Author: Elliott Antokoletz Publisher: Univ of California Press ISBN: 9780520067479 Category : Biography & Autobiography Languages : en Pages : 380
Book Description
The basic principles of progression and the means by which tonality is established in Bartók's music remain problematical to many theorists. Elliott Antokoletz here demonstrates that the remarkable continuity of style in Bartók's evolution is founded upon an all-encompassing system of pitch relations in which one can draw together the diverse pitch formations in his music under one unified set of principles.
Author: László Somfai Publisher: Univ of California Press ISBN: 0520914619 Category : Biography & Autobiography Languages : en Pages : 434
Book Description
This long-awaited, authoritative account of Bartók's compositional processes stresses the composer's position as one of the masters of Western music history and avoids a purely theoretical approach or one that emphasizes him as an enthusiast for Hungarian folk music. For Bèla Bartók, composition often began with improvisation at the piano. Làszló Somfai maintains that Bartók composed without preconceived musical theories and refused to teach composition precisely for this reason. He was not an analytical composer but a musical creator for whom intuition played a central role. These conclusions are the result of Somfai's three decades of work with Bartók's oeuvre; of careful analysis of some 3,600 pages of sketches, drafts, and autograph manuscripts; and of the study of documents reflecting the development of Bartók's compositions. Included as well are corrections preserved only on recordings of Bartók's performances of his own works. Somfai also provides the first comprehensive catalog of every known work of Bartók, published and unpublished, and of all extant draft, sketch, and preparatory material. His book will be basic to all future scholarly work on Bartók and will assist performers in clarifying the problems of Bartók notation. Moreover, it will be a model for future work on other major composers.
Author: Béla Bartók Publisher: Courier Corporation ISBN: 0486241084 Category : Music Languages : en Pages : 192
Book Description
Authoritative edition of early piano works, based on the composer's corrections from his own memorabilia and original editions. Includes an Introduction, translations of folk-song text, and commentary.
Author: Judit Frigyesi Publisher: Univ of California Press ISBN: 9780520924581 Category : Biography & Autobiography Languages : en Pages : 372
Book Description
Bartók's music is greatly prized by concertgoers, yet we know little about the intellectual milieu that gave rise to his artistry. Bartók is often seen as a lonely genius emerging from a gray background of an "underdeveloped country." Now Judit Frigyesi offers a broader perspective on Bartók's art by grounding it in the social and cultural life of turn-of-the-century Hungary and the intense creativity of its modernist movement. Bartók spent most of his life in Budapest, an exceptional man living in a remarkable milieu. Frigyesi argues that Hungarian modernism in general and Bartók's aesthetic in particular should be understood in terms of a collective search for wholeness in life and art and for a definition of identity in a rapidly changing world. Is it still possible, Bartók's generation of artists asked, to create coherent art in a world that is no longer whole? Bartók and others were preoccupied with this question and developed their aesthetics in response to it. In a discussion of Bartók and of Endre Ady, the most influential Hungarian poet of the time, Frigyesi demonstrates how different branches of art and different personalities responded to the same set of problems, creating oeuvres that appear as reflections of one another. She also examines Bartók's Bluebeard's Castle, exploring philosophical and poetic ideas of Hungarian modernism and linking Bartók's stylistic innovations to these concepts.
Author: Bäla Bart¢k Publisher: U of Nebraska Press ISBN: 9780803242470 Category : Music Languages : en Pages : 328
Book Description
Composer, folklorist, and performer Béla Bartók (1881–1945) is internationally renowned as one of the most important and influential musicians of the twentieth century. Throughout his life he wrote lectures and essays that dealt with virtually every aspect of East European folk music. Many of those essays, previously scattered in specialist journals in four different languages, are collected here for the first time. All are concerned with that branch of musicology within which Bartók was most influential, and for which he is best known: research into folk music, or ethnomusicology. The volume includes a preface by editor Benjamin Suchoff, a leading expert on Bartók’s music and writings. Suchoff examines Bartók’s developing views on the folk-music traditions of Hungary, Romania, Slovakia, and the Arab world.
Author: David Cooper Publisher: Yale University Press ISBN: 0300148771 Category : Biography & Autobiography Languages : en Pages : 451
Book Description
The definitive account of the life and music of Hungary's greatest twentieth-century composer This deeply researched biography of Béla Bartók (1881-1945) provides a more comprehensive view of the innovative Hungarian musician than ever before. David Cooper traces Bartók's international career as an ardent ethno-musicologist and composer, teacher, and pianist, while also providing a detailed discussion of most of his works. Further, the author explores how Europe's political and cultural tumult affected Bartók's work, travel, and reluctant emigration to the safety of America in his final years. Cooper illuminates Bartók's personal life and relationships, while also expanding what is known about the influence of other musicians--Richard Strauss, Zoltán Kodály, and Yehudi Menuhin, among many others. The author also looks closely at some of the composer's actions and behaviors which may have been manifestations of Asperger syndrome. The book, in short, is a consummate biography of an internationally admired musician.
Author: Danielle Fosler-Lussier Publisher: Univ of California Press ISBN: 0520933397 Category : Music Languages : en Pages : 252
Book Description
Music Divided explores how political pressures affected musical life on both sides of the iron curtain during the early years of the cold war. In this groundbreaking study, Danielle Fosler-Lussier illuminates the pervasive political anxieties of the day through particular attention to artistic, music-theoretical, and propagandistic responses to the music of Hungary’s most renowned twentieth-century composer, Béla Bartók. She shows how a tense period of political transition plagued Bartók’s music and imperiled those who took a stand on its aesthetic value in the emerging socialist state. Her fascinating investigation of Bartók’s reception outside of Hungary demonstrates that Western composers, too, formulated their ideas about musical style under the influence of ever-escalating cold war tensions. Music Divided surveys Bartók’s role in provoking negative reactions to "accessible" music from Pierre Boulez, Hermann Scherchen, and Theodor Adorno. It considers Bartók’s influence on the youthful compositions and thinking of Bruno Maderna and Karlheinz Stockhausen, and it outlines Bartók’s legacy in the music of the Hungarian composers András Mihály, Ferenc Szabó, and Endre Szervánszky. These details reveal the impact of local and international politics on the selection of music for concert and radio programs, on composers’ choices about musical style, on government radio propaganda about music, on the development of socialist realism, and on the use of modernism as an instrument of political action.
Author: Peter Laki Publisher: Princeton University Press ISBN: 9780691006338 Category : Biography & Autobiography Languages : en Pages : 332
Book Description
Béla Bartók, who died in New York fifty years ago this September, is one of the most frequently performed twentieth-century composers. He is also the subject of a rapidly growing critical and analytical literature. Bartók was born in Hungary and made his home there for all but his last five years, when he resided in the United States. As a result, many aspects of his life and work have been accessible only to readers of Hungarian. The main goal of this volume is to provide English-speaking audiences with new insights into the life and reception of this musician, especially in Hungary. Part I begins with an essay by Leon Botstein that places Bartók in a large historical and cultural context. László Somfai reports on the catalog of Bartók's works that is currently in progress. Peter Laki shows the extremes of the composer's reception in Hungary, while Tibor Tallián surveys the often mixed reviews from the American years. The essays of Carl Leafstedt and Vera Lampert deal with his librettists Béla Balázs and Melchior Lengyel respectively. David Schneider addresses the artistic relationship between Bartók and Stravinsky. Most of the letters and interviews in Part II concern Bartók's travels and emigration as they reflected on his personal life and artistic evolution. Part III presents early critical assessments of Bartók's work as well as literary and poetic responses to his music and personality.
Author: Paul Wilson
Author: Paul Wilson
Author: Elliott Antokoletz
Author: Halsey Stevens
Author: László Somfai
Author: Béla Bartók
Author: Judit Frigyesi
Author: Bäla Bart¢k
Author: David Cooper
Author: Danielle Fosler-Lussier
Author: Peter Laki