Author: Yoon Sun Lee Publisher: University of Pennsylvania Press ISBN: 1512823414 Category : Literary Criticism Languages : en Pages : 273
Book Description
Is plot a line, an arc, or a shape? None of these. Rather than thinking of plot as a sequence of events or actions put into place solely through human agency against the backdrop of setting, this book questions why we should distinguish between plot and setting—and indeed, whether we can make such a distinction. After all, plot, Yoon Sun Lee contends, cannot be disentangled from the material setting in which it takes place. In The Natural Laws of Plot, Lee connects the history of the novel and the history of science to show how plot in the realist novel is given shape by the characteristics of the physical world—and how in turn, plot serves as the avenue through which the realist novel participates in the same lines of inquiry about the world as pursued by the natural and physical sciences. Lee argues that the novel emerges and evolves in tandem with the development of scientific practices and concepts in eighteenth- and nineteenth-century Europe to investigate the idea of a unified and objective world. Drawing on readings from Defoe, Austen, Scott, and many others, Lee demonstrates how bodies, human and non-human, behave according to laws that are built into worlds by plot, and how they are subject to causes and consequences that can occur independently of individual action, social forces, or metaphysical destiny. This interest in representing and exploring how things happen sets the novel apart from other literary genres, and makes the history of science integral to the understanding of the history and theory of the novel, and of narrative. Plot, Lee shows us, is immersive and powerful, because it satisfies our wish to know how things happen in a coherent, objective, and possibly real world.
Author: Henry Albert Phillips Publisher: BEYOND BOOKS HUB ISBN: Category : Fiction Languages : en Pages : 126
Book Description
As one of the pioneers in the most wonderful art-science of the age — the motion picture industry — the writer feels doubly qualified perhaps to throw some light upon a subject equally interesting to author and producer. A few years ago to the uninitiated “moving pictures” spelt little more than pantomime, buffoonery or sensational catch-penny device. To-day, there are few who maintain this view, and they are the unenlightened; for to the vast majority of those familiar with the art and interested in its progress, the word has become symbolic of things important and far-reaching. Literature is literally the basic foundation upon which the already gigantic edifice of picturedom has risen. Ten or twelve years ago picture manuscripts were unknown — office boys, clerks, camera operators, any one with an “idea” furnished the material from which motion pictures were produced. Plot was unknown, technique did not exist, and literary and constructive quality was conspicuous by its absence. The art, however, developed rapidly. It was found possible to do more than portray outdoor scenes of moving trains and other objects, or simple pantomimes with exaggerated gesture à la Française. Methods were discovered and evolved whereby powerfully dramatic scenes could be reproduced, subtilty of expression in either serious or humorous vein could be communicated to numberless people — their emotions played upon, laughter or tears evoked at will — in other words, the Silent Drama was born. Classic and standard literature was then reproduced in photodrama. Shakespeare, Dickens, Thackeray, Scott and Hugo became known to millions of people whose previous acquaintance with their famous works was either very slight or non-existent. It was at this stage, when literature was combined with other arts allied in picture production, that the real impetus was given and the triumphant onward march of the world’s greatest educator and entertainer commenced. To-day, millions are invested in great industrial plants for the creation and manufacture of the wordless drama; thousands of people rely upon it as their sole maintenance and profession. Millions upon millions of men, women and children all over the world look upon this form of entertainment as their principal recreation and, incidentally, are being unconsciously educated to understand and appreciate the higher forms of art. Bernard Shaw says: “The great artist is he who goes a step beyond the demand and, by supplying works of a higher beauty and a higher interest than have yet been perceived, succeeds after a brief struggle in adding this extension of sense to the heritage of the race.” There is no doubt that the works of higher beauty and interest accomplished by the real artists in the motion picture profession have been widely productive of the “extension of sense” above quoted. All this brings us to the practical purpose of this discussion — the dissemination among those who write of the intelligence that a new and fruitful field is open for the works of their pens. The short-story writer who gets from one hundred to five hundred dollars for magazine stories can get a similar amount from the picture manufacturers; the authors of international fame, who make thousands in royalties, can make thousands more from picture royalties — and in every case without interfering with their magazine or book rights. In fact, the greatest advertising a novel could receive would be a preliminary exhibition all over the world in pictures. Many of the best modern authors have already gone into this field and many more will. For the day has arrived when, in addition to producing well-known plays and successful books, there is a need for big original features, especially written for pictorial presentation. The motion picture has narrowed the field of the playwright, but there is another and broader pasture awaiting both the play and fiction writer when he has mastered the technique of the “life portrayal.” It is the writer’s belief that a gripping, compelling story, hitherto unknown and unpublished, properly picturized and bearing the name of one of the best known writers of modern fiction, would be a greater success artistically and financially than a revived popular play or “best seller.” The words “properly picturized” emphasized above are significant. The motion picture manufacturer stands to the author in the position of publisher — he needs you — you need him. There are good and bad publishers. You, whose name is an asset, would not deal with a publisher of questionable methods; ergo, when seeking out a market for your work, deal with none but the highest class and best and old-established motion picture concerns. Picturedom is looked upon by many as the New Eldorado. Many misguided fools are rushing in where experienced angels fear to tread. Many theatrical concerns are now “going into the moving picture business,” and they blithely announce their intention to uplift the motion picture and show the public some real stage productions done in pictures. The few that have come to light so far have been very sad affairs, as is but natural. The average theatrical man makes about the same brand of pictures as the average picture producer made five years ago. To quote again the invaluable Shaw, “Vital art work comes always from a cross between art and life.” The art of the picture is to convey an impression of absolute realism in a manner artistic. The theatrical stage manager has been proven to be utterly useless in picture production until he has unlearned all traditions of the stage and acquired an entirely new technique. It is unfortunate that many stock-jobbing, security-selling schemes are being offered to investigators and the public under the magic “movie” name. Many royalties are being promised that will never be paid and of many of these cardboard houses great will be the fall thereof. “A word to the wise is sometimes money in pocket.” All summed up in a paragraph, the answer is, without a story motion pictures would be what they were styled at their inception — a novelty or a fad. So literature is indissolubly linked with the future and success of the greatest of the allied arts. The “life portrayal” or “thought visualized” is perhaps better than all “literature realized.” J. STUART BLACKTON. The coarse passion of the Crowd constitutes “What the public wants” in the way of productions; the refined emotion of the artist must discipline, guide and gratify it by his appealing creations...FROM THE BOOKS.
Author: Robert Greene Publisher: Penguin ISBN: 0698184548 Category : Self-Help Languages : en Pages : 626
Book Description
From the #1 New York Times-bestselling author of The 48 Laws of Power comes the definitive new book on decoding the behavior of the people around you Robert Greene is a master guide for millions of readers, distilling ancient wisdom and philosophy into essential texts for seekers of power, understanding and mastery. Now he turns to the most important subject of all - understanding people's drives and motivations, even when they are unconscious of them themselves. We are social animals. Our very lives depend on our relationships with people. Knowing why people do what they do is the most important tool we can possess, without which our other talents can only take us so far. Drawing from the ideas and examples of Pericles, Queen Elizabeth I, Martin Luther King Jr, and many others, Greene teaches us how to detach ourselves from our own emotions and master self-control, how to develop the empathy that leads to insight, how to look behind people's masks, and how to resist conformity to develop your singular sense of purpose. Whether at work, in relationships, or in shaping the world around you, The Laws of Human Nature offers brilliant tactics for success, self-improvement, and self-defense.
Author: Ellen Graf Publisher: National Geographic Books ISBN: 1590308336 Category : Biography & Autobiography Languages : en Pages : 0
Book Description
Ellen is forty-six, divorced, and having no luck with personal ads when her Chinese girlfriend comes up with a plan: she has a brother in China, Zhong-hua, who’s lonely too. Maybe they’d like each other? Taking a leap of faith that most of us wouldn’t dare, Ellen travels to China to meet him. Though they speak only a few words of each other’s language, there’s an unspoken connection between them and they decide to marry. What follows is a remarkably touching and humorous story of two people from completely different worlds trying to make a marriage work. Settling in at Ellen’s ramshackle farmhouse in upstate New York, they quickly discover the cultural chasm that lies between them. Ellen and her teenage daughter decide to adopt a policy of nonjudgment as Zhong-hua lobbies to sell their refrigerator (“Just three people, no need”), serves them giant sea slugs for dinner, and brusquely nudges Ellen aside without an “excuse me” (“Family no need these kind of words”). Zhong-hua is not the type to offer his wife impromptu smiles or hugs, but in bed at night he holds her tightly like she’s “something long lost and precious that might not live until morning.” The Natural Laws of Good Luck is an unusual and exquisitely written love story—one that will resonate with anyone who has ever contemplated with wonder the spaces that exist between us and those we care about.
Author: Yoon Sun Lee Publisher: OUP USA ISBN: 0199915830 Category : Literary Criticism Languages : en Pages : 237
Book Description
Modern Minority presents a fresh examination of canonical and emergent Asian American literature's relationship to the genre of realism, particularly through its preoccupation with everyday life.
Author: Robert Greene Publisher: Penguin ISBN: 0593512294 Category : Self-Help Languages : en Pages : 481
Book Description
Commemorating its 25th anniversary, a limited, one-time printing, collector’s edition of the over 4-million copy selling, must-have book that’s guided those millions to success and happiness, from the New York Times bestselling author and foremost expert on power and strategy. A not-to-be-missed Special Power Edition of the modern classic, now beautifully packaged in a vegan leather cover with gilded edges, including short new notes to readers from Robert Greene and packager Joost Elffers. Greene distills three thousand years of the history of power into 48 essential laws by drawing from the philosophies of Machiavelli, Sun Tzu, and Carl Von Clausewitz as well as the lives of figures ranging from Henry Kissinger to P.T. Barnum. Including a hidden special effect that features portraits of Machiavelli and Greene appearing as the pages are turned, this invaluable guide takes readers through our greatest thinkers, past to present. This multi-million-copy New York Times bestseller is the definitive manual for anyone interested in gaining, observing, or defending against ultimate control.
Author: Gillian Beer Publisher: Cambridge University Press ISBN: 1139473786 Category : Literary Criticism Languages : en Pages :
Book Description
Gillian Beer's classic Darwin's Plots, one of the most influential works of literary criticism and cultural history of the last quarter century, is here reissued in an updated edition to coincide with the anniversary of Darwin's birth and of the publication of The Origin of Species. Its focus on how writers, including George Eliot, Charles Kingsley and Thomas Hardy, responded to Darwin's discoveries and to his innovations in scientific language continues to open up new approaches to Darwin's thought and to its effects in the culture of his contemporaries. This third edition includes an important new essay that investigates Darwin's concern with consciousness across all forms of organic life. It demonstrates how this fascination persisted throughout his career and affected his methods and discoveries. With an updated bibliography reflecting recent work in the field, this book will retain its place at the heart of Victorian studies.
Author: Yoon Sun Lee
Author: YOON SUN. LEE
Author: Henry Albert Phillips
Author: Robert Greene
Author: Ellen Graf
Author: Justus Freiherr von Liebig
Author: Yoon Sun Lee
Author: Robert Greene
Author: Emer de Vattel
Author: Gillian Beer