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Author: Victoria Bean Publisher: Hayward Gallery Publishing ISBN: 9781853323287 Category : Art Languages : en Pages : 0
Book Description
The New Concrete is a long-overdue survey of the rise of concrete poetry in the digital age. The accessibility of digital text and image manipulation, modern print techniques and the rise of self-publishing have invigorated a movement that first emerged in an explosion of literary creativity during the 1950s and 1960s. This new volume is a highly illustrated overview of contemporary artists and poets working at the intersection of visual art and literature, producing some of the most engaging and challenging work in either medium. Edited by poets Victoria Bean and Chris McCabe, with an introductory essay by renowned poet Kenneth Goldsmith, The New Concrete is an indispensable introduction to the breadth of concrete poetry being produced today. The New Concrete features new works by poets and artists including Vito Acconci, Augusto de Campos, Henri Chopin, Paula Claire, Bob Cobbing, Ian Hamilton Finlay, John Furnival, Ilse Garnier, Pierre Garnier, Eugen Gomringer, Hansjorg Mayer, Franz Mon, Edwin Morgan and Décio Pignatari, as well as new work by Jordan Abel, Fiona Banner, Michael Basinski, Erica Baum, Caroline Bergvall, Derek Beaulieu, Jaap Blonk, Christian Bök, Sean Bonney, Pavel Büchler, Simon Cutts, Alec Finlay, John Giorno, James Hoff, Jenny Holzer, Geof Huth, Leandro Katz, John Kinsella, Anatol Knotek, Christopher Knowles, Richard Kostelanetz, Liliane Lijn, Tony Lopez, Steve McCaffery, Donato Mancini, Stuart Mills, Gustave Morin, Tom Phillips, Jörg Piringer, Colin Sackett, Sue Tompkins, Andrew Topel, Cecil Touchon, Nick Thurston, Barrie Tullett, André Vallias, Nico Vassilakis, Emmanuelle Waecklerlé, Sam Winston and others.
Author: Victoria Bean Publisher: Hayward Gallery Publishing ISBN: 9781853323287 Category : Art Languages : en Pages : 0
Book Description
The New Concrete is a long-overdue survey of the rise of concrete poetry in the digital age. The accessibility of digital text and image manipulation, modern print techniques and the rise of self-publishing have invigorated a movement that first emerged in an explosion of literary creativity during the 1950s and 1960s. This new volume is a highly illustrated overview of contemporary artists and poets working at the intersection of visual art and literature, producing some of the most engaging and challenging work in either medium. Edited by poets Victoria Bean and Chris McCabe, with an introductory essay by renowned poet Kenneth Goldsmith, The New Concrete is an indispensable introduction to the breadth of concrete poetry being produced today. The New Concrete features new works by poets and artists including Vito Acconci, Augusto de Campos, Henri Chopin, Paula Claire, Bob Cobbing, Ian Hamilton Finlay, John Furnival, Ilse Garnier, Pierre Garnier, Eugen Gomringer, Hansjorg Mayer, Franz Mon, Edwin Morgan and Décio Pignatari, as well as new work by Jordan Abel, Fiona Banner, Michael Basinski, Erica Baum, Caroline Bergvall, Derek Beaulieu, Jaap Blonk, Christian Bök, Sean Bonney, Pavel Büchler, Simon Cutts, Alec Finlay, John Giorno, James Hoff, Jenny Holzer, Geof Huth, Leandro Katz, John Kinsella, Anatol Knotek, Christopher Knowles, Richard Kostelanetz, Liliane Lijn, Tony Lopez, Steve McCaffery, Donato Mancini, Stuart Mills, Gustave Morin, Tom Phillips, Jörg Piringer, Colin Sackett, Sue Tompkins, Andrew Topel, Cecil Touchon, Nick Thurston, Barrie Tullett, André Vallias, Nico Vassilakis, Emmanuelle Waecklerlé, Sam Winston and others.
Author: Bob Raczka Publisher: Roaring Brook Press ISBN: 1626727163 Category : Juvenile Nonfiction Languages : en Pages : 48
Book Description
Who says words need to be concrete? This collection shapes poems in surprising and delightful ways. Concrete poetry is a perennially popular poetic form because they are fun to look at. But by using the arrangement of the words on the page to convey the meaning of the poem, concrete or shape poems are also easy to write! From the author of the incredibly inventive Lemonade: And Other Poems Squeezed from a Single Word comes another clever collection that shows kids how to look at words and poetry in a whole new way.
Author: Peter Collins Publisher: McGill-Queen's Press - MQUP ISBN: 9780773525641 Category : Architecture Languages : en Pages : 518
Book Description
Collins provides a thorough history of the new nineteenth century material and goes on to examine the theories on its architectural expression, focussing on determining role of the reinforced concrete frame. He argues that Perret provides the first rational and effective expression of classical principles in modern construction. Published in 1959 and out of print since 1975, this new edition of Concrete includes a foreword by Kenneth Frampton, a scholarly introduction by Réjean Legault, and several additional essays on Perret by Peter Collins. From the Foreword by Kenneth Frampton: "Concrete remains a valuable historical text that in many respects has never been given its due. It is an unmatched pioneering history of the development of reinforced concrete up to 1914. It records and analyses the densely articulated, if provincial, English debate with respect to the aesthetic challenge posed by the increasing popularity of concrete from around 1870 onwards. Finally, until very recently it was the only readily available monograph on Auguste Perret in English. In this regard it is particularly valuable as a thorough and perceptive assessment of Perret's life and career, one that still stands as a point of departure for all current attempts to situate this seminal architect within the wider trajectory of twentieth-century culture."
Author: Mark Pasnik Publisher: The Monacelli Press, LLC ISBN: 1580934242 Category : Architecture Languages : en Pages : 337
Book Description
Often problematically labeled as “Brutalist” architecture, the concrete buildings that transformed Boston during 1960s and 1970s were conceived with progressive-minded intentions by some of the world’s most influential designers, including Marcel Breuer, Le Corbusier, I. M. Pei, Henry Cobb, Araldo Cossutta, Gerhard Kallmann and Michael McKinnell, Paul Rudolph, Josep Lluís Sert, and The Architects Collaborative. As a worldwide phenomenon, building with concrete represents one of the major architectural movements of the postwar years, but in Boston it was deployed in more numerous and diverse civic, cultural, and academic projects than in any other major U.S. city. After decades of stagnation and corrupt leadership, public investment in Boston in the 1960s catalyzed enormous growth, resulting in a generation of bold buildings that shared a vocabulary of concrete modernism. The period from the 1960 arrival of Edward J. Logue as the powerful and often controversial director of the Boston Redevelopment Authority to the reopening of Quincy Market in 1976 saw Boston as an urban laboratory for the exploration of concrete’s structural and sculptural qualities. What emerged was a vision for the city’s widespread revitalization often referred to as the “New Boston.” Today, when concrete buildings across the nation are in danger of insensitive renovation or demolition, Heroic presents the concrete structures that defined Boston during this remarkable period—from the well-known (Boston City Hall, New England Aquarium, and cornerstones of the Massachusetts Institute of Technology and Harvard University) to the already lost (Mary Otis Stevens and Thomas F. McNulty’s concrete Lincoln House and Studio; Sert, Jackson & Associates’ Martin Luther King Jr. Elementary School)—with hundreds of images; essays by architectural historians Joan Ockman, Lizabeth Cohen, Keith N. Morgan, and Douglass Shand-Tucci; and interviews with a number of the architects themselves. The product of 8 years of research and advocacy, Heroic surveys the intentions and aspirations of this period and considers anew its legacies—both troubled and inspired.
Author: Matthew Gandy Publisher: MIT Press ISBN: 9780262572163 Category : Architecture Languages : en Pages : 364
Book Description
An interdisciplinary account of the environmental history and changing landscape of New York City. In this innovative account of the urbanization of nature in New York City, Matthew Gandy explores how the raw materials of nature have been reworked to produce a "metropolitan nature" distinct from the forms of nature experienced by early settlers. The book traces five broad developments: the expansion and redefinition of public space, the construction of landscaped highways, the creation of a modern water supply system, the radical environmental politics of the barrio in the late 1960s and early 1970s, and the contemporary politics of the environmental justice movement. Drawing on political economy, environmental studies, social theory, cultural theory, and architecture, Gandy shows how New York's environmental history is bound up not only with the upstate landscapes that stretch beyond the city's political boundaries but also with more distant places that reflect the nation's colonial and imperial legacies. Using the shifting meaning of nature under urbanization as a framework, he looks at how modern nature has been produced through interrelated transformations ranging from new water technologies to changing fashions in landscape design. Throughout, he considers the economic and ideological forces that underlie phenomena as diverse as the location of parks and the social stigma of dirty neighborhoods.
Author: P. Bartos Publisher: Elsevier ISBN: 1483290840 Category : Technology & Engineering Languages : en Pages : 305
Book Description
Fresh concrete is generally featured in publications on concrete technology where the focus is often on fundamental rheology or diverse research methods, or the standards describe the tests but do not provide practical advice on interpretation of the results. This book aims to fill the gap between highly scientific and fundamental works and the many fragmented test specifications. It summarises the existing knowledge on the properties of fresh concrete in a form accessible to practicing engineers and concrete technologists. It includes a manual of practical tests which cover both the standard tests in major countries and new tests specifically applicable to site testing. The testing equipment required and the procedures are described in sufficient detail for the tests to be carried out, with references to selected national standards when compliance with specific conditions applicable in those countries is required. Particular attention is paid to properties of special fresh concrete mixes which are increasingly used in practical construction. The work will be of interest to engineers and others involved in the research, development, design and execution of concrete construction, including those working in EEC countries.
Author: Fu-Tung Cheng Publisher: Taunton Press ISBN: 9781561586806 Category : Architecture Languages : en Pages : 212
Book Description
From designing and forming to coloring, troweling, and curing, this comprehensive guide explores one of the newest trends in home design--concrete countertops. 350 color photos. Illustrations.
Author: Abigail McEwen Publisher: David Zwirner Books ISBN: 9781941701331 Category : Art Languages : en Pages : 192
Book Description
Radical political shifts that raged throughout Cuba in the 1950s coincided with the development of Cuban geometric abstraction and, notably, the formation of Los Diez Pintores Concretos (Ten Concrete Painters). The decade was marked by widespread turmoil and corruption following the 1952 military coup and by rising nationalist sentiments. At the same time, Havana was undergoing rapid urbanization and quickly becoming an international city. Against this vibrant backdrop, artists sought a new visual language in which art, specifically abstract art, could function as political and social practice. Concrete Cuba marks one of the first major presentations outside of Cuba to focus exclusively on the origins of concretism in the country. It includes important works from the late 1940s through the early 1960s by the twelve artists who were at different times associated with the short-lived group: Pedro Álvarez, Wifredo Arcay, Mario Carreño, Salvador Corratgé, Sandú Darié, Luis Martínez Pedro, Alberto Menocal, José M. Mijares, Pedro de Oraá, José Ángel Rosabal, Loló Soldevilla, and Rafael Soriano. Many of the group’s members had traveled widely in the preceding years and corresponded with those at the forefront of European and South American abstract movements. Produced on the occasion of the major exhibition at David Zwirner, Concrete Cuba is the first in-depth catalogue on the subject to be published in English; the show offered a “wonderful taste of a very complicated history,” according to Roberta Smith of The New York Times. With an extensive plate section, which includes works from the exhibition and a selection of important pieces from the permanent collection of Museo Nacional de Bellas Artes, Havana, this volume provides readers with a rich visual experience of this crucial period in modernism’s history. The catalogue also features an extensively researched illustrated chronology, compiled by Susanna Temkin, which tracks the development of the period artistically and politically from 1939 through 1964. New scholarship by Abigail McEwen offers an interpretative framework for this group of artists, and a deeper understanding of the forces behind the development of this movement. Also included is a conversation between Lucas Zwirner and Pedro de Oraá, one of the central members of Los Diez.
Author: Victoria Bean
Author: Victoria Bean
Author: Mario Collepardi
Author: Bob Raczka
Author: Peter Collins
Author: Mark Pasnik
Author: Treval Clifford Powers
Author: Matthew Gandy
Author: P. Bartos
Author: Fu-Tung Cheng
Author: Abigail McEwen