The Philosophy of Literary Form PDF Download

Author: Kenneth Burke
Publisher: New York : Vintage Books
ISBN:
Category : Criticism
Languages : en
Pages : 492

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Author: Kenneth Burke
Publisher: Univ of California Press
ISBN: 9780520024830
Category : Literary Criticism
Languages : en
Pages : 502

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Probes the nature of linguistic or symbolic action as it relates to specific novels, plays, and poems.

Author: Kenneth Burke
Publisher:
ISBN:
Category : Criticism
Languages : en
Pages : 486

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No isolated quotations can do justice to Mr. Burke's subtlety and good sense, and no doubts that one may entertain about the soundess of his critical position can obscure the fact that he is unquestionably the most brilliant and suggestive critic now writing in America. --W.H. Auden.

Author: Aaron W. Hughes
Publisher: Indiana University Press
ISBN: 0253042550
Category : Philosophy
Languages : en
Pages : 374

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Too often the study of philosophical texts is carried out in ways that do not pay significant attention to how the ideas contained within them are presented, articulated, and developed. This was not always the case. The contributors to this collected work consider Jewish philosophy in the medieval period, when new genres and forms of written expression were flourishing in the wake of renewed interest in ancient philosophy. Many medieval Jewish philosophers were highly accomplished poets, for example, and made conscious efforts to write in a poetic style. This volume turns attention to the connections that medieval Jewish thinkers made between the literary, the exegetical, the philosophical, and the mystical to shed light on the creativity and diversity of medieval thought. As they broaden the scope of what counts as medieval Jewish philosophy, the essays collected here consider questions about how an argument is formed, how text is put into the service of philosophy, and the social and intellectual environment in which philosophical texts were produced.

Author: Peter Lamarque
Publisher: John Wiley & Sons
ISBN: 140512198X
Category : Philosophy
Languages : en
Pages : 359

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By exploring central issues in the philosophy of literature, illustrated by a wide range of novels, poems, and plays, Philosophy of Literature gets to the heart of why literature matters to us and sheds new light on the nature and interpretation of literary works. Provides a comprehensive study, along with original insights, into the philosophy of literature Develops a unique point of view - from one of the field's leading exponents Offers examples of key issues using excerpts from well-known novels, poems, and plays from different historical periods

Author: Kenneth Burke
Publisher: Parlor Press LLC
ISBN: 1602353859
Category : Literary Criticism
Languages : en
Pages : 650

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Equipment for Living: The Literary Reviews of Kenneth Burke is the largest collection of Burke's book reviews, most of them reprinted here for the first time. In these reviews, as he engages famous works of poetry, fiction, criticism, and social science from the early 20th century, Burke demonstrates the prominent methods and interests of his influential career.

Author:
Publisher: BRILL
ISBN: 900429970X
Category : Literary Criticism
Languages : en
Pages : 363

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In Literary Forms of Argument in Early China, Gentz and Meyer explore a new analytical approach to the study of written thinking by focusing on the argumentative function of literary patterns in early Chinese texts.

Author: Kenneth Burke
Publisher: Univ of California Press
ISBN: 0520340663
Category : Literary Criticism
Languages : en
Pages : 531

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From the Preface:The title for this collection was the title of a course in literary criticism that I gave for many years at Bennington College. And much of the material presented here was used in that course. The title should serve well to convey the gist of these various pieces. For all of them are explicitly concerned with the attempt to define and track down the implications of the term "symbolic action," and to show how the marvels of literature and language look when considered form that point of view.

Author: Jill Gordon
Publisher: Penn State Press
ISBN: 9780271039770
Category : Philosophy
Languages : en
Pages : 196

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Acknowledging the powerful impact that Plato's dialogues have had on readers, Jill Gordon shows how the literary techniques Plato used function philosophically to engage readers in doing philosophy and attracting them toward the philosophical life. The picture of philosophical activity emerging from the dialogues, as thus interpreted, is a complex process involving vision, insight, and emotion basic to the human condition rather than a resort to pure reason as an escape from it. Since the literary features of Plato's writing are what draw the reader into philosophy, the book becomes an argument for the union of philosophy and literature--and against their disciplinary bifurcation--in the dialogues. Gordon construes the relationship of Plato's text to its audience as an analogue of Socrates' relationship with his interlocutors in the dialogues, seeing both as fundamentally dialectic. On this insight she builds her detailed analysis of specific literary devices in chapters on dramatic form, character development, irony, and image-making (which includes myth, metaphor, and analogy). In this way Gordon views Plato as not at all the enemy of the poets and image-makers that previous interpreters have depicted. Rather, Gordon concludes that Plato understands the power of words and images quite well. Since they, and not logico-deductive argumentation, are the appropriate means for engaging human beings, he uses them to great effect and with a sensitive understanding of human psychology, wary of their possible corrupting influences but ultimately willing to harness their power for philosophical ends.

Author: Kathryn Lynch
Publisher: Stanford University Press
ISBN: 080476641X
Category : Literary Criticism
Languages : en
Pages : 280

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In the High Middle Ages, the dream narrative was an enormously popular and influential form. Along with the romance, it was perhaps the genre of the age. It has come down to us in such classics twelfth to fourteenth-century classics as The Divine Comedy, the Romance of the Rose, Piers Plowman, Chaucer's early poetry, and the works of Guillaume de Machaut. This book redefines the dream vision by attending to its role in philosophical debate of the time, a conservative role in defense of the high medieval synthesis of reason and revelation. Lynch shows how the epistemological basis of this synthesis and the theories of visions that emerged from it drew on Arabic commentaries of Aristotle. These theories informed poetic visions modeled on Boethius's Consolation of Philosophy, a work she discusses in detail before turning to Alain de Lille, Jean de Meun, and Dante. A final section, on John Gower's Confessio Amantis shows how fourteenth and fifteenth-century writers extended and finally moved beyond the conventional form of the dream vision.