The Radif of Persian Music PDF Download

Author: Bruno Nettl
Publisher:
ISBN:
Category : Improvisation (Music)
Languages : en
Pages : 290

View

Book Description

Author: Mohammad Reza Azadehfar
Publisher: Azadehfar
ISBN: 964621892X
Category : Music
Languages : en
Pages : 386

View

Book Description

Author: Freydoon Arbabi
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 140

View

Book Description

Author: Bruno Nettl
Publisher:
ISBN:
Category : Improvisation (Music)
Languages : en
Pages : 232

View

Book Description

Author: Ann E. Lucas
Publisher: University of California Press
ISBN: 0520300807
Category : History
Languages : en
Pages : 286

View

Book Description
A free open access ebook is available upon publication. Learn more at www.luminosoa.org. Iran’s particular system of traditional Persian art music has been long treated as the product of an ever-evolving, ancient Persian culture. In Music of a Thousand Years, Ann E. Lucas argues that this music is a modern phenomenon indelibly tied to changing notions of Iran’s national history. Rather than considering a single Persian music history, Lucas demonstrates cultural dissimilarity and discontinuity over time, bringing to light two different notions of music-making in relation to premodern and modern musical norms. An important corrective to the history of Persian music, Music of a Thousand Years is the first work to align understandings of Middle Eastern music history with current understandings of the region’s political history.

Author: Hormoz Farhat
Publisher: Cambridge University Press
ISBN: 9780521542067
Category : Music
Languages : en
Pages : 220

View

Book Description
In this book Hormoz Farhat has unravelled the art of the dastgah by analysing their intervallic structure, melodic patterns, modulations, and improvisations, and by examining the composed pieces which have become a part of the classical repertoire in recent times.

Author: Laudan Nooshin
Publisher: Routledge
ISBN: 1351926233
Category : Music
Languages : en
Pages : 300

View

Book Description
Questions of creativity, and particularly the processes which underlie creative performance or ’improvisation’, form some of the central areas of interest in current musicology. Yet the predominant discourses on which musicological thought in this area are based have rarely been challenged. In this book Laudan Nooshin interrogates musicological discourses of creativity from the perspective of critical theory and postcolonial studies, examining their ideological underpinnings, the relationships of alterity which they sustain, and the profound implications for our understanding of creative processes in music. The repertoire which forms the book’s main focus is Iranian classical music, a tradition in which the performer plays a central creative role. Addressing a number of issues regarding the nature of musical creativity, the author explores both the discourses through which ideas about creativity are constructed, exchanged and negotiated within this tradition, and the practice by which new music comes into being. For the latter she compares a number of performances by musicians playing a range of instruments and spanning a period of more than 30 years, focusing on one particular section of repertoire, dastgāh Segāh, and providing transcriptions of the performances as the basis for analytical exploration of the music’s underlying compositional principles. This book is about understanding musical creativity as a meaningful social practice. It is the first to examine the ways in which ideas about tradition, authenticity, innovation and modernity in Iranian classical music form part of a wider social discourse on creativity, and in particular how they inform debates regarding national and cultural identity.

Author: Mounir Sanhaji
Publisher: Saurabh Chandra, Socrates Scholarly Research Journal
ISBN:
Category : Literary Criticism
Languages : en
Pages : 133

View

Book Description
SOCRATES is an international, multi-disciplinary, refereed and indexed scholarly journal. This journal appears quarterly in English. Disciplines Covered: English literature; Philosophy; Politics, Law and Governance/Public Administration. About this issue: This issue of Socrates has been divided into three sections. The first section is English Language & Literature. The paper authored by Mounir Sanhaji discusses the construction of ‘otherness’ in media discourse that is meant to legitimize and naturalize the reproduction of the ideology of opposition that widens the gap between the identification of “Self” and “Other”. The second section of this issue is Philosophy. The Paper authored by Nadia Maftouni has conceptualized “Scientart” and has discussed the interaction between the worlds of art and science. The Paper authored by Dabbagh Hossein has intended to propose a critical leap in Persian music which leads to the creation of three different paradigms in Persian music. The Paper authored by Hareesh Alikkal Gopalakrishnan and Upendra C sketches out the intractable nature of species through a historical account of the species problem. Through this paper, they have tried to decipher a ‘common thread’ that, perhaps, binds all our ideas of species together. The Paper authored by Tang Man-to aims at explaining the ambiguous meaning of forgetting in Meno, Phaedo, Theaetetus and Philebus. It concludes by drawing attention to Paul Ricoeur’s critical examination of Plato’s philosophy of forgetting that he fails to provide an effective resolution to the ordinary forgetting as an attack on the reliability of memory. The Paper authored by Viviana Yaccuzzi Polisena concluded that the Being cannot be localized, it is infinite and continuous; the Being bears the cosmic code. Therefore, existence basically shares the same cosmic information because everything was thought for its flutter to eternity. The Paper authored by Alexandros Schismenos illuminates the importance of time for philosophical thought and, more generally, for human social and psychical life, in the context of the ontology of Cornelius Castoriadis. Castoriadis, who asserted that “being is time – and not in the horizon of time”, correlated history to society and being to temporality within the social-historical stratum, the ontological plane created by human existence, where “existence is signification”. The Paper authored by Miquel Ricart is primarily in Spanish with it’s abstract in English and Spanish. This paper aims to interpret and comment on some of Fernando Vallejo's thoughts contained in his novel El Desbarrancadero. It says that the Colombian author's text includes deep reflections on essential issues of human existence and their fundamental circumstances. Throughout the pages of El Desbarrancadero, ideas about life are exposed in their most critical aspect, masterfully described by Vallejo. The third section of this issue is Political Science. The Paper authored by Manas Roy enquires into the challenges in front of the Government in India for the successful implementation of E-governance services. It also tends to find out the potential opportunities available.

Author: Owen Wright
Publisher: Routledge
ISBN: 135153890X
Category : Music
Languages : en
Pages : 148

View

Book Description
In this book Owen Wright analyses a single recording of classical Persian music made by Touraj Kiaras, a distinguished singer, accompanied by four noted instrumentalists. The format of the recording is typical of a public concert performance, and thus includes instrumental compositions as well as a central exploration of vocal repertoire and technique. The analysis identifies salient structural features, whether of the individual components or of the whole, in a way accessible to the western reader, but it also takes account of the analytical metalanguage used in Persian scholarship, and includes consideration of the relationship between music and poetry. It is important to note that it is also guided by the perceptions of the performer, whose input and responses to questions have significantly influenced the enterprise. To avoid the dryly impersonal, the analysis is also framed by an introduction which combines a biographical sketch of Touraj Kiaras with a survey of the twentieth-century evolution of Persian classical music and of the position of the vocal repertoire within it, and by an epilogue which examines further the ideological basis of prevalent attitudes to music, and seeks to explore the validity of the analytical enterprise within this context.

Author: Garland Encyclopedia of World Music,
Publisher: Routledge
ISBN: 1136096027
Category : Music
Languages : en
Pages : 672

View

Book Description
The Concise Garland Encyclopedia of World Music comprises two volumes, and can only be purchased as the two-volume set. To purchase the set please go to: http://www.routledge.com/9780415972932