The Recording and Reproduction of Sound PDF Download

Author: Oliver Read
Publisher: Indianapolis : H.W. Sams
ISBN:
Category : Electro-acoustics
Languages : en
Pages : 830

View

Book Description

Author: Jay Kadis
Publisher: Taylor & Francis
ISBN: 1136125973
Category : Technology & Engineering
Languages : en
Pages : 251

View

Book Description
The Science of Sound Recording will provide you with more than just an introduction to sound and recording, it will allow you to dive right into some of the technical areas that often appear overwhelming to anyone without an electrical engineering or physics background. The Science of Sound Recording helps you build a basic foundation of scientific principles, explaining how recording really works. Packed with valuable must know information, illustrations and examples of 'worked through' equations this book introduces the theory behind sound recording practices in a logical and practical way while placing an emphasis on the concepts of measurement as they relate to sound recording, physical principles of mechanics and acoustics, biophysics of hearing, introduction to electronics, analog and digital recording theory and how science determines mixing techniques.

Author: Floyd E. Toole
Publisher: Routledge
ISBN: 1317415094
Category : Technology & Engineering
Languages : en
Pages : 956

View

Book Description
Sound Reproduction: The Acoustics and Psychoacoustics of Loudspeakers and Rooms, Third Edition explains the physical and perceptual processes that are involved in sound reproduction and demonstrates how to use the processes to create high-quality listening experiences in stereo and multichannel formats. Understanding the principles of sound production is necessary to achieve the goals of sound reproduction in spaces ranging from recording control rooms and home listening rooms to large cinemas. This revision brings new science-based perspectives on the performance of loudspeakers, room acoustics, measurements and equalization, all of which need to be appropriately used to ensure the accurate delivery of music and movie sound tracks from creators to listeners. The robust website (www.routledge.com/cw/toole) is the perfect companion to this necessary resource.

Author: E. G. M. Alkin
Publisher:
ISBN: 9780240514673
Category : Sound
Languages : en
Pages : 0

View

Book Description
Sound Recording and Reproduction is a comprehensive practical guide for newcomers to the industry who want to improve their technique and gain a better understanding of the recording medium and sound quality in general. The book follows the processes involved in producing a recording, from the acoustic environment and production techniques to the various methods of sound recording and reproduction. Areas covered include: *The nature of sound * Acoustics * Microphones * Sound mixing * Noise reduction * Loudspeakers Sadly now deceased, Glyn Alkin was a freelance audio consultant, and was for many years concerned with the selection, training and career development of many senior level studio staff in the BBC and overseas. His other book for Focal Press 'Sound Techniques for Video and TV' is also in the Media Manuals series.

Author: Jonathan Sterne
Publisher: Duke University Press
ISBN: 9780822330134
Category : Business & Economics
Languages : en
Pages : 478

View

Book Description
Table of contents

Author: Philip Newell
Publisher: Routledge
ISBN: 1351371207
Category : Technology & Engineering
Languages : en
Pages : 521

View

Book Description
Loudspeakers: For Music Recording and Reproduction, Second Edition is a comprehensive guide, offering the tools and understanding needed to cut out the guesswork from loudspeaker choice and set-up. Philip Newell and Keith Holland, with the assistance of Sergio Castro and Julius Newell, combine their years of experience in the design, application, and use of loudspeakers to cover a range of topics from drivers, cabinets, and crossovers, to amplifiers, cables, and surround sound. Whether using loudspeakers in a recording studio, mastering facility, broadcasting studio, film post-production facility, home, or musician’s studio, or if you simply aspire to improve your music-production system this book will help you make the right decisions. This new edition provides significant updates on the topics of digital control, calibration, and cinema loudspeaker systems.

Author: Julian Ashbourn
Publisher: Springer Nature
ISBN: 3030624293
Category : Technology & Engineering
Languages : en
Pages : 142

View

Book Description
This book provides a true A to Z of recorded sound, from its inception to the present day, outlining how technologies, techniques, and social attitudes have changed things, noting what is good and what is less good. The author starts by discussing the physics of sound generation and propagation. He then moves on to outline the history of recorded sound and early techniques and technologies, such as the rise of multi-channel tape recorders and their impact on recorded sound. He goes on to debate live sound versus recorded sound and why there is a difference, particularly with classical music. Other topics covered are the sound of real instruments and how that sound is produced and how to record it; microphone techniques and true stereo sound; digital workstations, sampling, and digital media; and music reproduction in the home and how it has changed. The author wraps up the book by discussing where we should be headed for both popular and classical music recording and reproduction, the role of the Audio Engineer in the 21st century, and a brief look at technology today and where it is headed. This book is ideal for anyone interested in recorded sound. “[Julian Ashbourn] strives for perfection and reaches it through his recordings... His deep knowledge of both technology and music is extensive and it is with great pleasure that I see he is passing this on for the benefit of others. I have no doubt that this book will be highly valued by many in the music industry, as it will be by me.” -- Claudio Di Meo, Composer, Pianist and Principal Conductor of The Kensington Philharmonic Orchestra, The Hemel Symphony Orchestra and The Lumina Choir

Author: John Watkinson
Publisher: Taylor & Francis
ISBN: 1136118535
Category : Technology & Engineering
Languages : en
Pages : 575

View

Book Description
Designed to make life a little easier by providing all the theoretical background necessary to understand sound reproduction, backed up with practical examples. Specialist terms - both musical and physical - are defined as they occur and plain English is used throughout. Analog and digital audio are considered as alternatives, and the advantages of both are stressed. Audio is only as good as the transducers employed, and consequently microphone and loudspeaker technology also feature heavily - making this the most comprehensive, up-to-date text currently available on all aspects of sound reproduction.

Author: Francis Rumsey
Publisher: Routledge
ISBN: 1000399354
Category : Music
Languages : en
Pages : 868

View

Book Description
Providing vital reading for audio students and trainee engineers, Sound and Recording is the essential guide for anyone who wants a solid grounding in both theory and industry practices in audio, sound, and recording. This updated and comprehensively restructured edition includes new content on DAW configuration, effects processing, 3D/immersive audio systems, object-based audio, and VR audio technology. This bestselling book introduces you to the principles of sound, perception, audio technology, and systems. Sound and Recording is the ideal audio engineering text for students, an accessible reference for professionals, and a comprehensive introduction for hobbyists.

Author: David Novak
Publisher: Duke University Press
ISBN: 0822375494
Category : Music
Languages : en
Pages : 226

View

Book Description
In twenty essays on subjects such as noise, acoustics, music, and silence, Keywords in Sound presents a definitive resource for sound studies, and a compelling argument for why studying sound matters. Each contributor details their keyword's intellectual history, outlines its role in cultural, social and political discourses, and suggests possibilities for further research. Keywords in Sound charts the philosophical debates and core problems in defining, classifying and conceptualizing sound, and sets new challenges for the development of sound studies. Contributors. Andrew Eisenberg, Veit Erlmann, Patrick Feaster, Steven Feld, Daniel Fisher, Stefan Helmreich, Charles Hirschkind, Deborah Kapchan, Mara Mills, John Mowitt, David Novak, Ana Maria Ochoa Gautier, Thomas Porcello, Tom Rice, Tara Rodgers, Matt Sakakeeny, David Samuels, Mark M. Smith, Benjamin Steege, Jonathan Sterne, Amanda Weidman