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The Religious Paintings of Hendrick ter Brugghen

The Religious Paintings of Hendrick ter Brugghen PDF Author: NatashaT. Seaman
Publisher: Routledge
ISBN: 1351541110
Category : Art
Languages : en
Pages : 283

Book Description
The first in-depth study of the Utrecht artist to address questions beyond connoisseurship and attribution, this book makes a significant contribution to Ter Brugghen and Northern Caravaggist studies. Focusing on the Dutch master's simultaneous use of Northern archaisms with Caravaggio's motifs and style, Natasha Seaman nuances our understanding of Ter Brugghen's appropriations from the Italian painter. Her analysis centers on four paintings, all depicting New Testament subjects. They include Ter Brugghen's largest and first known signed work (Crowning with Thorns), his most archaizing (the Crucifixion), and the two paintings most directly related to the works of Caravaggio (the Doubting Thomas and the Calling of Matthew). By examining the ways in which Ter Brugghen's paintings deliberately diverge from Caravaggio's, Seaman sheds new light on the Utrecht artist and his work. For example, she demonstrates that where Caravaggio's paintings are boldly illusionistic and mimetic, thus de-emphasizing their materiality, Ter Brugghen's works examined here create the opposite effect, connecting their content to their made form. This study not only illuminates the complex meanings of the paintings addressed here, but also offers insights into the image debates and the status of devotional art in Italy and Utrecht in the seventeenth century by examining one artist's response to them.

The Religious Paintings of Hendrick ter Brugghen

The Religious Paintings of Hendrick ter Brugghen PDF Author: NatashaT. Seaman
Publisher: Routledge
ISBN: 1351541110
Category : Art
Languages : en
Pages : 283

Book Description
The first in-depth study of the Utrecht artist to address questions beyond connoisseurship and attribution, this book makes a significant contribution to Ter Brugghen and Northern Caravaggist studies. Focusing on the Dutch master's simultaneous use of Northern archaisms with Caravaggio's motifs and style, Natasha Seaman nuances our understanding of Ter Brugghen's appropriations from the Italian painter. Her analysis centers on four paintings, all depicting New Testament subjects. They include Ter Brugghen's largest and first known signed work (Crowning with Thorns), his most archaizing (the Crucifixion), and the two paintings most directly related to the works of Caravaggio (the Doubting Thomas and the Calling of Matthew). By examining the ways in which Ter Brugghen's paintings deliberately diverge from Caravaggio's, Seaman sheds new light on the Utrecht artist and his work. For example, she demonstrates that where Caravaggio's paintings are boldly illusionistic and mimetic, thus de-emphasizing their materiality, Ter Brugghen's works examined here create the opposite effect, connecting their content to their made form. This study not only illuminates the complex meanings of the paintings addressed here, but also offers insights into the image debates and the status of devotional art in Italy and Utrecht in the seventeenth century by examining one artist's response to them.

The Religious Paintings of Hendrick Ter Brugghen

The Religious Paintings of Hendrick Ter Brugghen PDF Author: Natasht. Seaman
Publisher: Routledge
ISBN: 9781138109650
Category :
Languages : en
Pages : 194

Book Description
The first in-depth study of the Utrecht artist to address questions beyond connoisseurship and attribution, this book makes a significant contribution to Ter Brugghen and Northern Caravaggist studies. Focusing on the Dutch master's simultaneous use of Northern archaisms with Caravaggio's motifs and style, Natasha Seaman nuances our understanding of Ter Brugghen's appropriations from the Italian painter. Her analysis centers on four paintings, all depicting New Testament subjects. They include Ter Brugghen's largest and first known signed work (Crowning with Thorns), his most archaizing (the Crucifixion), and the two paintings most directly related to the works of Caravaggio (the Doubting Thomas and the Calling of Matthew). By examining the ways in which Ter Brugghen's paintings deliberately diverge from Caravaggio's, Seaman sheds new light on the Utrecht artist and his work. For example, she demonstrates that where Caravaggio's paintings are boldly illusionistic and mimetic, thus de-emphasizing their materiality, Ter Brugghen's works examined here create the opposite effect, connecting their content to their made form. This study not only illuminates the complex meanings of the paintings addressed here, but also offers insights into the image debates and the status of devotional art in Italy and Utrecht in the seventeenth century by examining one artist's response to them.

The Paintings of Hendrick Ter Brugghen, 1588-1629

The Paintings of Hendrick Ter Brugghen, 1588-1629 PDF Author: Leonard Joseph Slatkes
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 506

Book Description
The Paintings of Hendrick ter Brugghen (1588-1629), is the first major study of this important early seventeenth-century master since Benedict Nicolson's classic monograph of 1958. It comprises two chapters that explore ter Brugghen's development as an artist and the reception of his work among contemporaries, followed by a truly monumental catalogue raisonné of ter Brugghen's 89 authentic paintings, 54 pictures associated with the artist and/or his workshop, 141 rejected works, 42 lost works, and lastly, 10 drawings that have been linked to ter Brugghen directly or related to his paintings. Already celebrated during his lifetime, and avidly collected by elite cognescenti in the Dutch Republic and abroad, ter Brugghen executed a dazzling variety of paintings, ranging from Bible subjects and saints, to fascinating mythological images, as well as scenes of daily life, including musicians. Although his knowledge of paintings by Caravaggio that he had seen during his early sojourn in Rome always remained acute, these experiences were continually tempered by his awareness of older Northern European artistic traditions and conventions, with the result that ter Brugghen created pictures whose subject matter and style are fascinating, and at times, unique. Until his untimely death in August of 2003, Leonard J. Slatkes was Distinguished Professor of Art History at Queens College of the City University of New York, NY. He was an internationally renowned expert on the art of the Dutch Caravaggisti, to whom he had devoted many essays, books, and exhibition catalogues. Slatkes had begun conducting research on ter Brugghen's paintings in the 1960's, with the expectation of eventually publishing a new monograph on the artist. Wayne Franits, a former student of Slatkes's, is currently Professor of Fine Arts at Syracuse University, Syracuse, NY. He has authored numerous publications on seventeenth-century Dutch and Flemish art.

The Religious Paintings of Hendrick ter Brugghen

The Religious Paintings of Hendrick ter Brugghen PDF Author: NatashaT. Seaman
Publisher: Routledge
ISBN: 1351541129
Category : Art
Languages : en
Pages : 198

Book Description
The first in-depth study of the Utrecht artist to address questions beyond connoisseurship and attribution, this book makes a significant contribution to Ter Brugghen and Northern Caravaggist studies. Focusing on the Dutch master's simultaneous use of Northern archaisms with Caravaggio's motifs and style, Natasha Seaman nuances our understanding of Ter Brugghen's appropriations from the Italian painter. Her analysis centers on four paintings, all depicting New Testament subjects. They include Ter Brugghen's largest and first known signed work (Crowning with Thorns), his most archaizing (the Crucifixion), and the two paintings most directly related to the works of Caravaggio (the Doubting Thomas and the Calling of Matthew). By examining the ways in which Ter Brugghen's paintings deliberately diverge from Caravaggio's, Seaman sheds new light on the Utrecht artist and his work. For example, she demonstrates that where Caravaggio's paintings are boldly illusionistic and mimetic, thus de-emphasizing their materiality, Ter Brugghen's works examined here create the opposite effect, connecting their content to their made form. This study not only illuminates the complex meanings of the paintings addressed here, but also offers insights into the image debates and the status of devotional art in Italy and Utrecht in the seventeenth century by examining one artist's response to them.

A Newly Discovered Painting by Hendrick Ter Brugghen

A Newly Discovered Painting by Hendrick Ter Brugghen PDF Author: Albert Blankert
Publisher:
ISBN:
Category : Painting, Dutch
Languages : en
Pages : 64

Book Description


Roman Charity

Roman Charity PDF Author: Jutta Gisela Sperling
Publisher: transcript Verlag
ISBN: 3839432847
Category : Art
Languages : en
Pages : 431

Book Description
»Roman Charity« investigates the iconography of the breastfeeding daughter from the perspective of queer sexuality and erotic maternity. The volume explores the popularity of a topic that appealed to early modern observers for its eroticizing shock value, its ironic take on the concept of Catholic »charity«, and its implied critique of patriarchal power structures. It analyses why early modern viewers found an incestuous, adult breastfeeding scene »good to think with« and aims at expanding and queering our notions of early modern sexuality. Jutta Gisela Sperling discusses the different visual contexts in which »Roman Charity« flourished and reconstructs contemporary horizons of expectation by reference to literary sources, medical practice, and legal culture.

Stories in Gilded Frames

Stories in Gilded Frames PDF Author: Lyckle de Vries
Publisher:
ISBN: 9789462981478
Category : Art
Languages : en
Pages : 0

Book Description
"Paintings from the Dutch Golden Age have been praised for many years, but it took a long time before such praise was extended to history paintings. Today, these paintings by Rembrandt, Goltzius, Lastman, Ter Brugghen and De Lairesse are truly considered part of the seventeenth-century canon. The works showing biblical and mythological images are regarded as highly as their contemporary still lives, landscapes and genre scenes. Stories in Gilded Frames is the first coherent overview of history paintings. History painters tell tales using paint and brush and this book highlights one hundred paintings by the most important representatives of the genre. The emphasis is placed on the way the painters bring their topics out into the open. The reader is invited to consider the choices the artists made"--Back cover.

Masters of Light

Masters of Light PDF Author: Joaneath Ann Spicer
Publisher: Yale University Press
ISBN: 9780300073393
Category : Art
Languages : en
Pages : 480

Book Description
Provides a comprehensive treatment of the achievements of the school of the Dutch Golden Age. The volume is the catalogue for an exhibition at the Fine Arts Museum of San Francisco; the Walters Art Gallery, Baltimore; and the National Gallery, London, (May-July 1998).

Dutch Paintings of the Seventeenth Century

Dutch Paintings of the Seventeenth Century PDF Author: National Gallery of Art (U.S.)
Publisher: Oxford University Press, USA
ISBN: 9780894682117
Category : Painting
Languages : en
Pages : 0

Book Description
Heda's Banquet Piece, Frans Hals' Willem Coymans, and Rembrandt's Lucretia. Paintings by these and other masters attracted the American collectors P. A. B. Widener, his son Joseph, and Andrew W. Mellon, whose bequests form the heart of the National Gallery's distinguished and remarkably cohesive collection of ninety-one Dutch paintings.

Utrecht, Caravaggio and Europe

Utrecht, Caravaggio and Europe PDF Author: Marten Jan Bok
Publisher: Hirmer Verlag GmbH
ISBN: 9783777431338
Category : Mannerism (Art)
Languages : en
Pages : 0

Book Description
"What a shock it must have been for the Utrecht painters Hendrick ter Brugghen, Gerard van Honthorst and Dirck van Baburen when, in Rome, they first saw Caravaggio's breath-takingly unconventional paintings with their own eyes. Under the influence of this great, inspirational master and by exchanging ideas wih the many young artists who poured into the pulsating Italian metropolis around the year 1600, these three men of Utrecht developed their very own, distinctive style by propelling Caravaggio's radical realism to its culmination."--from back cover