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Author: Dragon Zoltan Publisher: Cambridge Scholars Publishing ISBN: 1443811440 Category : Performing Arts Languages : en Pages : 123
Book Description
The Spectral Body: Aspects of the Cinematic Oeuvre of István Szabó analyses some of the films made by Academy Award winner Hungarian filmmaker István Szabó to establish an interpretative matrix disclosing the root of haunting effects in the visual and the narrative levels of the diegeses. By combining two distinct—and often incongruous—lines of psychoanalytic thought (by Nicolas Abraham and Jacques Lacan), Zoltán Dragon argues that these films are fuelled by the work of a phantom on all levels, hiding the secrets of the family history of the characters and producing uncanny visual scenarios to make the act of hiding even more effective. The book brings the reader into the realm of the “phantom text” generating the film texts and crypt screens of the oeuvre, and investigates the causes of undiscussible and painful secrets that propel some pivotal characters to reappear in subsequent films, apparently driven by a compulsion to continue their narration, failing to finish their stories—even when they appear to be successful. The Spectral Body: Aspects of the Cinematic Oeuvre of István Szabó introduces a visual reinterpretation of Abraham’s phantom theory that opens up possibilities for an alternative way of studying film. I first saw this work in the form of a full and detailed draft. I was impressed by the boldness of the ideas, the attempt to integrate and work with different theoretical positions and the quite extraordinary reading of the films of István Szabó. There was clearly a powerful and creative and original intelligence at work. A further draft accomplished one important thing that had been missing from the first one – the direct analysis of the visual material and its contribution to the overall narrative and theoretical framework. The work employs a psychoanalytic framework with some key concepts such as ‘the phantom’ drawn from the work of Torok and Abraham. This theory is fairly well known but it has not, to my knowledge, been used in any extensive way in the analysis of film texts before. Zoltan also makes reference to Freud and uses some Lacanian ideas in his analysis at the level of the visual. These multiple theoretical references are not inconsistent; they are finely judged and are most productive. Theory is never used as a grid to be imposed on the material. There is a fine balance between theory and textual analysis that is hard to achieve, but it is successful here. I think that the position that Zoltan Dragon has forged for himself and from which he writes, is a highly original and interesting one. He has been most successful in developing his framework in relation to Szabó’s oeuvre which he knows in the greatest detail. His readings of that oeuvre are rich and powerful and will provoke considerable debate in the world of film studies and also of psychoanalytical studies. Parveen Adams, Core Teaching Faculty, London Consortium
Author: Dragon Zoltan Publisher: Cambridge Scholars Publishing ISBN: 1443811440 Category : Performing Arts Languages : en Pages : 123
Book Description
The Spectral Body: Aspects of the Cinematic Oeuvre of István Szabó analyses some of the films made by Academy Award winner Hungarian filmmaker István Szabó to establish an interpretative matrix disclosing the root of haunting effects in the visual and the narrative levels of the diegeses. By combining two distinct—and often incongruous—lines of psychoanalytic thought (by Nicolas Abraham and Jacques Lacan), Zoltán Dragon argues that these films are fuelled by the work of a phantom on all levels, hiding the secrets of the family history of the characters and producing uncanny visual scenarios to make the act of hiding even more effective. The book brings the reader into the realm of the “phantom text” generating the film texts and crypt screens of the oeuvre, and investigates the causes of undiscussible and painful secrets that propel some pivotal characters to reappear in subsequent films, apparently driven by a compulsion to continue their narration, failing to finish their stories—even when they appear to be successful. The Spectral Body: Aspects of the Cinematic Oeuvre of István Szabó introduces a visual reinterpretation of Abraham’s phantom theory that opens up possibilities for an alternative way of studying film. I first saw this work in the form of a full and detailed draft. I was impressed by the boldness of the ideas, the attempt to integrate and work with different theoretical positions and the quite extraordinary reading of the films of István Szabó. There was clearly a powerful and creative and original intelligence at work. A further draft accomplished one important thing that had been missing from the first one – the direct analysis of the visual material and its contribution to the overall narrative and theoretical framework. The work employs a psychoanalytic framework with some key concepts such as ‘the phantom’ drawn from the work of Torok and Abraham. This theory is fairly well known but it has not, to my knowledge, been used in any extensive way in the analysis of film texts before. Zoltan also makes reference to Freud and uses some Lacanian ideas in his analysis at the level of the visual. These multiple theoretical references are not inconsistent; they are finely judged and are most productive. Theory is never used as a grid to be imposed on the material. There is a fine balance between theory and textual analysis that is hard to achieve, but it is successful here. I think that the position that Zoltan Dragon has forged for himself and from which he writes, is a highly original and interesting one. He has been most successful in developing his framework in relation to Szabó’s oeuvre which he knows in the greatest detail. His readings of that oeuvre are rich and powerful and will provoke considerable debate in the world of film studies and also of psychoanalytical studies. Parveen Adams, Core Teaching Faculty, London Consortium
Author: Joshua Ramey Publisher: Rowman & Littlefield ISBN: 1786601427 Category : Philosophy Languages : en Pages : 272
Book Description
This volume takes a multi-disciplinary approach to continental philosophy of religion, engaging with philosophy, theology, religious studies, anthropology, cultural studies, and new religious movements, to explore patterns of mind and mortality, existence and ecstasy, creativity and expression, political possibility and religious matrix.
Author: F. Roozeboom Publisher: Springer Science & Business Media ISBN: 9780792340119 Category : Science Languages : en Pages : 592
Book Description
Rapid thermal and integrated processing is an emerging single-wafer technology in ULSI semiconductor manufacturing, electrical engineering, applied physics and materials science. Here, the physics and engineering of this technology are discussed at the graduate level. Three interrelated areas are covered. First, the thermophysics of photon-induced annealing of semiconductor and related materials, including fundamental pyrometry and emissivity issues, the modelling of reactor designs and processes, and their relation to temperature uniformity. Second, process integration, treating the advances in basic equipment design, scale-up, integrated cluster-tool equipment, including wafer cleaning and integrated processing. Third, the deposition and processing of thin epitaxial, dielectric and metal films, covering selective deposition and epitaxy, integrated processing of layer stacks, and new areas of potential application, such as the processing of III-V semiconductor structures and thin- film head processing for high-density magnetic data storage.
Author: Dennis Patrick Slattery Publisher: iUniverse ISBN: 0595384528 Category : Literary Collections Languages : en Pages : 380
Book Description
As Dennis Patrick Slattery's writing shows, the very stuff of the great traditions is life itself, and the hurly-burly of current culture is the ground in which tradition thrives. Slattery's analyses are keen and thoughtful, often scholarly, and always deeply spiritual. But they are better for being a bit pugnacious and intimate and virile. They give evidence of a life lived in earnest, one in which nothing is walled off into a category but all enters into the whole that is the mysterious grounding of the person. Foreword by Louise Cowan, Author of The Fugitive Group Series Editor: The Terrain of Comedy, The Epic Cosmos, And The Tragic Abyss. Founder: Institute of Philosophic Studies, The University of Dallas; the Teachers' Academy at the Dallas Institute of Humanities and Culture
Author: T Nikki Cesare Schotzko Publisher: Routledge ISBN: 131763358X Category : Performing Arts Languages : en Pages : 228
Book Description
Beginning with Richard Drew’s controversial photograph of a man falling from the North Tower of the World Trade Center on September 11, Learning How to Fall investigates the changing relationship between world events and their subsequent documentation, asking: Does the mediatization of the event overwhelm the fact of the event itself? How does the mode by which information is disseminated alter the way in which we perceive such information? How does this impact upon our memory of an event? T. Nikki Cesare Schotzko posits contemporary art and performance as not only a stylized re-envisioning of daily life but, inversely, as a viable means by which one might experience and process real-world political and social events. This approach combines two concurrent and contradictory trends in aesthetics, narrative, and dramaturgy: the dramatization of real-world events so as to broaden the commercial appeal of those events in both mainstream and alternative media, and the establishment of a more holistic relationship between politically and aesthetically motivated modes of disseminating and processing information. By presenting engaging and diverse case studies from both the art world and popular culture – including Aliza Shvarts’s censored senior thesis at Yale University, Kerry Skarbakka’s provocative photographs of falling, Didier Morelli’s crawl through Toronto, and Aaron Sorkin’s The Newsroom – Learning How to Fall creates a new understanding of the relationship between the event and its documentation, where even the truth of an event might be called into question.
Author: Rex Welshon Publisher: Routledge ISBN: 1315478765 Category : Philosophy Languages : en Pages : 398
Book Description
Explaining consciousness is one of the last great unanswered scientific and philosophical problems. Immediately known, familiar and obvious, consciousness is also baffling, opaque and strange. This introduction to the problems posed by consciousness discusses the most important work of cognitive science, neurophysiology and philosophy of mind of the past thirty years and presents an up to date assessment of the issues and debates. The reader is first introduced to the way that consciousness has been thought about in the history of philosophy and psychology. The author then presents an informal and largely non-technical account of the properties of consciousness that are thought to be the most paradigmatic and problematic. Recent scientific work on consciousness, from neurophysiological studies of the brain and evolutionary studies of the development of consciousness to computational theories of the mind are then examined and the philosophical problems that these accounts raise are systematically introduced. The final chapters of the book consider more practical matters by addressing self-deception, neuroses, the unconscious and notions of the self, before concluding with an assessment of the future for psychology and the philosophy of mind.
Author: Dru Jeffries Publisher: Indiana University Press ISBN: 0253044936 Category : Performing Arts Languages : en Pages : 215
Book Description
The millions of fans who watch World Wrestling Entertainment (WWE) programs each year are well aware of their role in building the narrative of the sport. #WWE: Professional Wrestling in the Digital Age explores the intersections between media, technology, and fandom in WWE's contemporary programming and business practices. In the Reality Era of WWE (2011 to the present), wrestling narratives have increasingly drawn on real-life personalities and events that stretch beyond the story-world created and maintained by WWE. At the same time, the internet and fandom have a greater influence on the company than ever before. By examining various sites of struggle and negotiation between WWE executives and in-ring performers, between the product and its fans, and between the company and the rest of the wrestling industry, the contributors to this volume highlight the role of various media platforms in shaping and disseminating WWE narratives. Treating the company and its product not merely as sports entertainment, but also as a brand, an employer, a company, a content producer, and an object of fandom, #WWE conceptualizes the evolution of professional wrestling's most successful company in the digital era.
Author: Guillermo Rodríguez-Romaguera Publisher: Bloomsbury Publishing USA ISBN: Category : Performing Arts Languages : en Pages : 296
Book Description
Can cinema reveal its audience's most subversive thinking? Do films have the potential to project their viewers' innermost thoughts making them apparent on the screen? This book argues that cinema has precisely this power, to unveil to the spectator their own hidden thoughts. It examines case studies from various cultures in conversation with Spain, a country whose enduring masterpieces in self-reflexive or meta-art provide insight into the special dynamic between viewer and screen. Framed around critical readings of Miguel de Cervantes' Don Quixote, Diego Velázquez' Las meninas and Luis Buñuel's Un chien andalou, this book examines contemporary films by Víctor Erice, Carlos Saura, Bigas Luna, Alejandro Amenábar, Lucrecia Martel, Krzysztof Kieslowski, David Lynch, Pedro Almodóvar, Spike Jonze, Andrzej Zulawski, Fernando Pérez, Alfred Hitchcock, Wes Craven and David Cronenberg to illustrate how self-reflexivity in film unbridles the mental repression of film spectators. It proposes cinema as an uncanny duplication of the workings of the brain – a doppelgänger to human thought.
Author: Anne Woolley Publisher: Manchester University Press ISBN: 1526143860 Category : Literary Criticism Languages : en Pages : 312
Book Description
A ground breaking new book that considers all Siddal poems with reference to female and primarily male counterparts, adding substantially to knowledge of her work as a writer, and their shared contemporary concerns. Dante Rossetti, Swinburne, Tennyson, Ruskin and Keats were either known to her or a source of influence on the Pre-Raphaelite Brotherhood with which she was associated, and certain of their texts are compared with hers to discuss interplay between erotic and spiritual love, the ballad tradition, nineteenth-century feminism, and the Romantic concept of the conjoined physical and spectral body. Siddal’s artwork is used to introduce each chapter, while other Pre-Raphaelite paintings illuminate the texts and further the inter-disciplinary philosophy of the Brotherhood. This important and stimulating book focuses on the intrinsic merit of Siddal’s poetics whilst advocating a research method that could have multiple applications elsewhere.
Author: Dragon Zoltan
Author: Dragon Zoltan
Author: Joshua Ramey
Author: F. Roozeboom
Author: Dennis Patrick Slattery
Author: T Nikki Cesare Schotzko
Author: Kate Lawson
Author: Rex Welshon
Author: Dru Jeffries
Author: Guillermo Rodríguez-Romaguera
Author: Anne Woolley