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Author: Abhijit Gupta Publisher: Cambridge University Press ISBN: 1108985327 Category : Language Arts & Disciplines Languages : en Pages : 149
Book Description
This study focuses on the spread of print in colonial India towards the middle and end of the nineteenth century. Till the first half of the century, much of the print production in the subcontinent emanated from presidency cities such as Calcutta, Bombay and Madras, along with centres of missionary production such as Serampore. But with the growing socialization of print and the entry of local entrepreneurs into the field, print began to spread from the metropole to the provinces, from large cities to mofussil towns. This Element will look at this phenomenon in eastern India, and survey how printing spread from Calcutta to centres such as Hooghly-Chinsurah, Murshidabad, Burdwan, Rangpur etc. The study will particularly consider the rise of periodicals and newspapers in the mofussil, and asses their contribution to a nascent public sphere.
Author: Abhijit Gupta Publisher: Cambridge University Press ISBN: 1108985327 Category : Language Arts & Disciplines Languages : en Pages : 149
Book Description
This study focuses on the spread of print in colonial India towards the middle and end of the nineteenth century. Till the first half of the century, much of the print production in the subcontinent emanated from presidency cities such as Calcutta, Bombay and Madras, along with centres of missionary production such as Serampore. But with the growing socialization of print and the entry of local entrepreneurs into the field, print began to spread from the metropole to the provinces, from large cities to mofussil towns. This Element will look at this phenomenon in eastern India, and survey how printing spread from Calcutta to centres such as Hooghly-Chinsurah, Murshidabad, Burdwan, Rangpur etc. The study will particularly consider the rise of periodicals and newspapers in the mofussil, and asses their contribution to a nascent public sphere.
Author: Megan Eaton Robb Publisher: Oxford University Press ISBN: 0190089393 Category : History Languages : en Pages : 224
Book Description
In early twentieth century British India, prior to the arrival of digital medias and after the rise of nationalist political movements, a small-town paper from the margins of society became a key player in Urdu journalism. Published in the isolated market town of Bijnor, Madinah grew to hold influence across North India and the Punjab while navigating complex issues of religious and political identity. In Print and the Urdu Public, Megan Robb uses the previously unexamined perspective of the Madinah to consider Urdu print publics and urban life in South Asia. Through a discursive and material analysis of Madinah, the book explores how Muslims who had settled in ancestral qasbahs, or small towns, used newspapers to facilitate a new public consciousness. The book demonstrates how Madinah connected the Urdu newspaper conversation both explicitly and implicitly with Muslim identity and delineated the boundaries of a Muslim public conversation in a way that emphasized rootedness to local politics and small urban spaces. The case study of this influential but understudied newspaper reveals how a network of journalists with substantial ties to qasbahs produced a discourse self-consciously alternative to the Western-influenced, secularized cities. Megan Robb augments the analysis with evidence from contemporary Urdu, English, and Hindi papers, government records, private diaries, private library holdings, ethnographic interviews, and training materials for newspaper printers. This thoroughly researched volume recovers the erasure of qasbah voices and proclaims the importance of space and time in definitions of the public sphere in South Asia. Print and the Urdu Public demonstrates how an Urdu newspaper published from the margins became central to the Muslim public constituted in the first half of the twentieth century.
Author: Tapti Roy Publisher: Taylor & Francis ISBN: 0429673515 Category : History Languages : en Pages : 265
Book Description
This book reconstructs the history of print and publishing in colonial Bengal by tracing the unexpected journey of Bharat Chandra’s Bidyasundar, the first book published by a Bengali entrepreneur. The introduction of printing technology by the British in Bengal expanded the scope of publication and consumption of books significantly. This book looks at the developments and the parallel publishing initiatives of that time. It examines local enterprises in colonial Bengal engaged in producing and selling books and explores the ways in which they charted out a cultural space in the 19th century. The work sheds fresh light on book production and the culture of print, and narrates the processes behind the printing of books to understand the multi-layered literary practices they sustained. A valuable addition to the history of publishing in India, this book will be useful to scholars and researchers of South Asian and Indian history, Bengali literature, media and cultural studies, and print and publishing studies. It will also appeal to those interested in the history of Bengal and the Bengali diaspora.
Author: Tapati Bharadwaj Publisher: Lies and Big Feet ISBN: 9789384281045 Category : Languages : en Pages : 114
Book Description
In the last two decades of the eighteenth century, a realm of print culture evolved in Calcutta serving the needs of empire. The East India Company used this realm--which printed news, gossip, Oriental scholarship, literary journals--to establish and maintain its control over the territories. Moreover, the printed scholarship of the scholar-administrators of the East India Company reveals their belief that print technology was a step into modernity, a move away from Indian scribal culture. Print culture, in Bengal pre-1800 was produced for a non-native audience, that was also located in Europe. As content determines how interpretations take place, I have argued that the white settlers read in order to create a sense of imperial identity and thus, print technology in the colonial context was never innocent. Between 1780 and 1800, many newspapers in Calcutta printed news in multiple languages side by side on the same sheet of paper. This was a moment in the history of newspapers in England and in India that had not happened before and was not replicated subsequently. Any reader of these beautiful multilingual sheets of paper would question as to why such newspapers went out of fashion in a few decades after they were printed. Not only had the new technology of print culture entered India with the Britishers but also, this technology, in the process of establishing itself within a colonial situation, underwent changes on how it was conceptualized. Is it possible that such a multilingual text could only happen in south Asia where a multilingual society exists. In some ways, and unwittingly so, the Britishers captured an aspect of Indian society within these printed texts and the sheer spirit of invention marks these newspapers. The possibilities of what could have been if newspapers had continued to be multilingual are not explored for it denotes an epistemic shift, thus answering a question: what happens when a technology that has its origins in a different social space enters a new geographical locale and how does it change?
Author: Miles Ogborn Publisher: University of Chicago Press ISBN: 0226620425 Category : Science Languages : en Pages : 343
Book Description
A commercial company established in 1600 to monopolize trade between England and the Far East, the East India Company grew to govern an Indian empire. Exploring the relationship between power and knowledge in European engagement with Asia, Indian Ink examines the Company at work and reveals how writing and print shaped authority on a global scale in the seventeenth and eighteenth centuries. Tracing the history of the Company from its first tentative trading voyages in the early seventeenth century to the foundation of an empire in Bengal in the late eighteenth century, Miles Ogborn takes readers into the scriptoria, ships, offices, print shops, coffeehouses, and palaces to investigate the forms of writing needed to exert power and extract profit in the mercantile and imperial worlds. Interpreting the making and use of a variety of forms of writing in script and print, Ogborn argues that material and political circumstances always undermined attempts at domination through the power of the written word. Navigating the juncture of imperial history and the history of the book, Indian Ink uncovers the intellectual and political legacies of early modern trade and empire and charts a new understanding of the geography of print culture.
Author: Judith E. Walsh Publisher: Rowman & Littlefield Publishers ISBN: 9780742529373 Category : History Languages : en Pages : 260
Book Description
By the 1880s, Hindu domestic life and its most intimate relationships had become contested ground. For urban, middle-class Indians, the Hindu woman was at the center of a debate over colonial modernity and traditional home and family life. This book sets this debate within the context of a nineteenth-century world where bourgeois, European ideas on the home had become part of a transnational, hegemonic domestic discourse, a 'global domesticity.' But Walsh's interest is more in hybridity than hegemony as she explores what women themselves learned when men sought to teach them through the Indian advice literature of the time. As a younger generation of Indian nationalists and reformers attempted to undercut the authority of family elders and create a 'new patriarchy' of more nuclear and exclusive relations with their wives, elderly women in extended Hindu families learned that their authority in family life (however contingent) was coming to an end.
Author: Sanjay Seth Publisher: Duke University Press ISBN: 0822390604 Category : History Languages : en Pages : 277
Book Description
Subject Lessons offers a fascinating account of how western knowledge “traveled” to India, changed that which it encountered, and was itself transformed in the process. Beginning in 1835, India’s British rulers funded schools and universities to disseminate modern, western knowledge in the expectation that it would gradually replace indigenous ways of knowing. From the start, western education was endowed with great significance in India, not only by the colonizers but also by the colonized, to the extent that today almost all “serious” knowledge about India—even within India—is based on western epistemologies. In Subject Lessons, Sanjay Seth’s investigation into how western knowledge was received by Indians under colonial rule becomes a broader inquiry into how modern, western epistemology came to be seen not merely as one way of knowing among others but as knowledge itself. Drawing on history, political science, anthropology, and philosophy, Seth interprets the debates and controversies that came to surround western education. Central among these were concerns that Indian students were acquiring western education by rote memorization—and were therefore not acquiring “true knowledge”—and that western education had plunged Indian students into a moral crisis, leaving them torn between modern, western knowledge and traditional Indian beliefs. Seth argues that these concerns, voiced by the British as well as by nationalists, reflected the anxiety that western education was failing to produce the modern subjects it presupposed. This failure suggested that western knowledge was not the universal epistemology it was thought to be. Turning to the production of collective identities, Seth illuminates the nationalists’ position vis-à-vis western education—which they both sought and criticized—through analyses of discussions about the education of Muslims and women.
Author: Partha Mitter Publisher: Cambridge University Press ISBN: 9780521443548 Category : Art Languages : en Pages : 538
Book Description
Partha Mitter's book is a pioneering study of the history of modern art on the Indian subcontinent from 1850 to 1922. The author tells the story of Indian art during the Raj, set against the interplay of colonialism and nationalism. The work addresses the tensions and contradictions that attended the advent of European naturalism in India, as part of the imperial design for the westernisation of the elite, and traces the artistic evolution from unquestioning westernisation to the construction of Hindu national identity. Through a wide range of literary and pictorial sources, Art and Nationalism in Colonial India balances the study of colonial cultural institutions and networks with the ideologies of the nationalist and intellectual movements which followed. The result is a book of immense significance, both in the context of South Asian history and in the wider context of art history.
Author: Abhijit Gupta
Author: Abhijit Gupta
Author: Megan Eaton Robb
Author: Francesca Orsini
Author: Tapti Roy
Author: Tapati Bharadwaj
Author: Miles Ogborn
Author: Judith E. Walsh
Author: Sanjay Seth
Author: Partha Mitter
Author: Ulrike Stark (Dr. phil.)