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Author: Sanzio RaffaelloPublisher:
ISBN:
Category :
Languages : en
Pages :
Book Description
The works of Raphael Santi da Urbino : as represented in the Raphael collection from the Royal Library at Windsor Castle, commonly referred to as 'The Ruland Collection'.. [Begleitheft]
![The works of Raphael Santi da Urbino : as represented in the Raphael collection from the Royal Library at Windsor Castle, commonly referred to as 'The Ruland Collection'.. [Begleitheft] PDF](https://books.google.com/books/content/images/frontcover/UQb5jwEACAAJ?fife=w80-h100)
Author: Sanzio RaffaelloThe Works of Raphael Santi Da Urbino as Represented in the Raphael Collection in the Royal Library at Windsor Castle
Author: Windsor Castle. Royal LibraryPublisher:
ISBN:
Category : Art
Languages : en
Pages : 432
Book Description
The Works of Raphael Santi Da Urbino as Represented in the Raphael Collection in the Royal Library at Windsor Castle Formed by H. R. H. the Prince Consort 1853 - 1861 and Completed by Her Majesty Queen Victoria
Author: The Works of Rafael Santi Da Urbino
Author: Royal LibraryThe Raphael Book
Author: Frank Roy FrapriePublisher:
ISBN:
Category : Painters
Languages : en
Pages : 502
Book Description
Raphael
Author: N. D'AnversNew Series of Catalogues
Author: Karl W. HiersemannPublisher:
ISBN:
Category : Art
Languages : en
Pages : 776
Book Description
The Fine Arts
Author: Karl W. Hiersemann (Firm)Publisher:
ISBN:
Category : Booksellers' catalogs
Languages : en
Pages : 776
Book Description
Raphael, by N. D'Anvers
Author: Nancy R E. BellSpace, Image, and Reform in Early Modern Art
Author: Arthur J. DiFuriaPublisher: Walter de Gruyter GmbH & Co KG
ISBN: 1501513451
Category : Art
Languages : en
Pages : 435
Book Description
The essays in Space, Image, and Reform in Early Modern Art build on Marcia Hall’s seminal contributions in several categories crucial for Renaissance studies, especially the spatiality of the church interior, the altarpiece’s facture and affectivity, the notion of artistic style, and the controversy over images in the era of Counter Reform. Accruing the advantage of critical engagement with a single paradigm, this volume better assesses its applicability and range. The book works cumulatively to provide blocks of theoretical and empirical research on issues spanning the function and role of images in their contexts over two centuries. Relating Hall’s investigations of Renaissance art to new fields, Space, Image, and Reform expands the ideas at the center of her work further back in time, further afield, and deeper into familiar topics, thus achieving a cohesion not usually seen in edited volumes honoring a single scholar.