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Author: Hendrik Roelof Rookmaaker Publisher: John Benjamins Publishing ISBN: Category : Poetry Languages : en Pages : 236
Book Description
This study describes in detail the development of Coleridge's attitude to nature as it is reflected in his poetry. It analyses the different stages of Coleridge's search for a meaningful relation to nature from an uncritical adoption of the eighteenth century conventions in his early poetry to a projectionist view in his poems of 1802. It offers challenging new readings of some of Coleridge's major poems like 'The Ancient Mariner' and 'Dejection: an Ode', and tries to rehabilitate some minor ones, like 'The Picture'. Attention is also paid to his relation with Wordsworth. It discusses in detail the philosophical background of Coleridge's views and considers the contribution of German thought to his development. As a whole this study affords a new insight into the genesis of romanticism in England.
Author: Hendrik Roelof Rookmaaker Publisher: John Benjamins Publishing ISBN: Category : Poetry Languages : en Pages : 236
Book Description
This study describes in detail the development of Coleridge's attitude to nature as it is reflected in his poetry. It analyses the different stages of Coleridge's search for a meaningful relation to nature from an uncritical adoption of the eighteenth century conventions in his early poetry to a projectionist view in his poems of 1802. It offers challenging new readings of some of Coleridge's major poems like 'The Ancient Mariner' and 'Dejection: an Ode', and tries to rehabilitate some minor ones, like 'The Picture'. Attention is also paid to his relation with Wordsworth. It discusses in detail the philosophical background of Coleridge's views and considers the contribution of German thought to his development. As a whole this study affords a new insight into the genesis of romanticism in England.
Author: Hendrik Roelof Rookmaaker Publisher: John Benjamins Publishing ISBN: 9789027222152 Category : Poetry Languages : en Pages : 232
Book Description
This study describes in detail the development of Coleridge's attitude to nature as it is reflected in his poetry. It analyses the different stages of Coleridge's search for a meaningful relation to nature from an uncritical adoption of the eighteenth century conventions in his early poetry to a projectionist view in his poems of 1802. It offers challenging new readings of some of Coleridge's major poems like 'The Ancient Mariner' and 'Dejection: an Ode', and tries to rehabilitate some minor ones, like 'The Picture'. Attention is also paid to his relation with Wordsworth. It discusses in detail the philosophical background of Coleridge's views and considers the contribution of German thought to his development. As a whole this study affords a new insight into the genesis of romanticism in England.
Author: Uttara Natarajan Publisher: John Wiley & Sons ISBN: 0470766352 Category : Literary Criticism Languages : en Pages : 360
Book Description
This welcome addition to the Blackwell Guides to Criticism series provides students with an invaluable survey of the critical reception of the Romantic poets. Guides readers through the wealth of critical material available on the Romantic poets and directs them to the most influential readings Presents key critical texts on each of the major Romantic poets – Blake, Wordsworth, Coleridge, Byron, Shelley and Keats – as well as on poets of more marginal canonical standing Cross-referencing between the different sections highlights continuities and counterpoints
Author: Robert J. Richards Publisher: University of Chicago Press ISBN: 0226712184 Category : Literary Criticism Languages : en Pages : 609
Book Description
"All art should become science and all science art; poetry and philosophy should be made one." Friedrich Schlegel's words perfectly capture the project of the German Romantics, who believed that the aesthetic approaches of art and literature could reveal patterns and meaning in nature that couldn't be uncovered through rationalistic philosophy and science alone. In this wide-ranging work, Robert J. Richards shows how the Romantic conception of the world influenced (and was influenced by) both the lives of the people who held it and the development of nineteenth-century science. Integrating Romantic literature, science, and philosophy with an intimate knowledge of the individuals involved—from Goethe and the brothers Schlegel to Humboldt and Friedrich and Caroline Schelling—Richards demonstrates how their tempestuous lives shaped their ideas as profoundly as their intellectual and cultural heritage. He focuses especially on how Romantic concepts of the self, as well as aesthetic and moral considerations—all tempered by personal relationships—altered scientific representations of nature. Although historians have long considered Romanticism at best a minor tributary to scientific thought, Richards moves it to the center of the main currents of nineteenth-century biology, culminating in the conception of nature that underlies Darwin's evolutionary theory. Uniting the personal and poetic aspects of philosophy and science in a way that the German Romantics themselves would have honored, The Romantic Conception of Life alters how we look at Romanticism and nineteenth-century biology.
Author: Richard Mabey Publisher: University of Virginia Press ISBN: 9780813926216 Category : Biography & Autobiography Languages : en Pages : 260
Book Description
Richard Mabey is the author of numerous books on Britain's ecology, including the best-selling Flora Britannica and the Whitbread Prize-winning Gilbert White (Virginia).
Author: Onno Oerlemans Publisher: University of Toronto Press ISBN: 1442658983 Category : Literary Criticism Languages : en Pages : 268
Book Description
Given current environmental concerns, it is not surprising to find literary critics and theorists surveying the Romantic poets with ecological hindsight. In this timely study, Onno Oerlemans extends these current eco-critical views by synthesizing a range of viewpoints from the Romantic period. He explores not only the ideas of poets and artists, but also those of philosophers, scientists, and explorers. Oerlemans grounds his discussion in the works of specific Romantic authors, especially Wordsworth and Shelley, but also draws liberally on such fields as literary criticism, the philosophy of science, travel literature, environmentalist policy, art history, biology, geology, and genetics, creating a fertile mix of historical analysis, cultural commentary, and close reading. Through this, we discover that the Romantics understood how they perceived the physical world, and how they distorted and abused it. Oerlemans's wide-ranging study adds much to our understanding of Romantic-period thinkers and their relationship to the natural world.
Author: Dalia Nassar Publisher: University of Chicago Press ISBN: 022608423X Category : Philosophy Languages : en Pages : 354
Book Description
The absolute was one of the most significant philosophical concepts in the early nineteenth century, particularly for the German romantics. Its exact meaning and its role within philosophical romanticism remain, however, a highly contested topic among contemporary scholars. In The Romantic Absolute, Dalia Nassar offers an illuminating new assessment of the romantics and their understanding of the absolute. In doing so, she fills an important gap in the history of philosophy, especially with respect to the crucial period between Kant and Hegel. Scholars today interpret philosophical romanticism along two competing lines: one emphasizes the romantics’ concern with epistemology, the other their concern with metaphysics. Through careful textual analysis and systematic reconstruction of the work of three major romantics—Novalis, Friedrich Schlegel, and Friedrich Schelling—Nassar shows that neither interpretation is fully satisfying. Rather, she argues, one needs to approach the absolute from both perspectives. Rescuing these philosophers from frequent misunderstanding, and even dismissal, she articulates not only a new angle on the philosophical foundations of romanticism but on the meaning and significance of the notion of the absolute itself.
Author: William Wordsworth Publisher: ISBN: Category : Education Languages : en Pages : 484
Book Description
Includes texts from 1750 to 1859 by Gilbert White, John Aikin, Anna (Aikin) Barbauld, Joseph Priestley, Oliver Goldsmith, Erasmus Darwin, Thomas Bewick, William Blake, William Wordsworth, William Bartram, Sir Humphry Davy, Samuel Taylor Coleridge, Charlotte Smith, Giovanni Aldini, Mary Wollstonecraft Shelley, Percy Bysshe Shelley, John Keats, William Kirby, William Lawrence, John Clare, John Leonard Knapp, Alfred, Lord Tennyson, and Charles Darwin.
Author: Marga Vicedo Publisher: University of Chicago Press ISBN: 022602055X Category : Science Languages : en Pages : 332
Book Description
The notion that maternal care and love will determine a child’s emotional well-being and future personality has become ubiquitous. In countless stories and movies we find that the problems of the protagonists—anything from the fear of romantic commitment to serial killing—stem from their troubled relationships with their mothers during childhood. How did we come to hold these views about the determinant power of mother love over an individual’s emotional development? And what does this vision of mother love entail for children and mothers? In The Nature and Nurture of Love, Marga Vicedo examines scientific views about children’s emotional needs and mother love from World War II until the 1970s, paying particular attention to John Bowlby’s ethological theory of attachment behavior. Vicedo tracks the development of Bowlby’s work as well as the interdisciplinary research that he used to support his theory, including Konrad Lorenz’s studies of imprinting in geese, Harry Harlow’s experiments with monkeys, and Mary Ainsworth’s observations of children and mothers in Uganda and the United States. Vicedo’s historical analysis reveals that important psychoanalysts and animal researchers opposed the project of turning emotions into biological instincts. Despite those substantial criticisms, she argues that attachment theory was paramount in turning mother love into a biological need. This shift introduced a new justification for the prescriptive role of biology in human affairs and had profound—and negative—consequences for mothers and for the valuation of mother love.
Author: Matthew Hargraves Publisher: Paul Holberton Publishing ISBN: 9781907372667 Category : Art Languages : en Pages : 0
Book Description
"Organized by the Morgan and London's Courtauld Gallery, A Dialogue with Nature explores aspects of Romantic landscape drawing in Britain and Germany from the 1760s to 1840s. The exhibition draws upon the strengths of both collections—the Morgan's exceptional group of German drawings and The Courtauld Gallery's extensive holdings of British works—in order to consider points of commonality and divergence between the two distinctive schools. Taken together, these drawings exemplify Caspar David Friedrich's understanding of Romantic landscape draftsmanship as 'a dialogue with Nature.' The exhibition will include thirty-seven works that represent the two central elements of the Romantic conception of landscape: close observation of the natural world and the importance of the imagination."--
Author: Hendrik Roelof Rookmaaker
Author: Hendrik Roelof Rookmaaker
Author: Hendrik Roelof Rookmaaker
Author: Uttara Natarajan
Author: Robert J. Richards
Author: Richard Mabey
Author: Onno Oerlemans
Author: Dalia Nassar
Author: William Wordsworth
Author: Marga Vicedo
Author: Matthew Hargraves