Author: Giorgio Vasari
Publisher:
ISBN:
Category : Architecture
Languages : en
Pages : 410

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Book Description
Traduzione in inglese delle tre introduzioni alle arti dell'architettura, scultura e pittura alle Vite di Giorgio Vasari.

Author: Giorgio 1511-1574 Vasari
Publisher: Legare Street Press
ISBN: 9781013718298
Category :
Languages : en
Pages : 410

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Book Description
This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

Author: Carnegie Library of Pittsburgh
Publisher:
ISBN:
Category : Catalogs, Classified (Dewey decimal)
Languages : en
Pages : 1186

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Author:
Publisher:
ISBN:
Category : Classified catalogs (Dewey decimal)
Languages : en
Pages : 892

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Author: Osterhout Free Library
Publisher:
ISBN:
Category : Catalogs, Classified (Dewey decimal)
Languages : en
Pages : 308

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Author: Carnegie Library of Pittsburgh
Publisher:
ISBN:
Category : Classified catalogs (Dewey decimal)
Languages : en
Pages : 872

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Author: Carnegie Library of Pittsburgh
Publisher:
ISBN:
Category : Libraries
Languages : en
Pages : 872

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Author: Marjolijn Bol
Publisher: University of Chicago Press
ISBN: 022682263X
Category : Art
Languages : en
Pages : 323

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Book Description
A new history of the techniques, materials, and aesthetic ambitions that gave rise to the radiant verisimilitude of Jan van Eyck’s oil paintings on panel. Panel painters in both the middle ages and the fifteenth century created works that evoke the luster of precious stones, the sheen of polished gold and silver, and the colorful radiance of stained glass. Yet their approaches to rendering these materials were markedly different. Marjolijn Bol explores some of the reasons behind this radical transformation by telling the history of the two oil painting techniques used to depict everything that glistens and glows—varnish and glaze. For more than a century after his death, the fifteenth-century painter Jan van Eyck was widely credited with inventing varnish and oil paint, on account of his unique visual realism. Once this was revealed to be a myth, the verisimilitude of his work was attributed instead to a new translucent painting technique: the glaze. Today, most theories about how Van Eyck achieved this realism revolve around the idea that he was the first to discover or refine the glazing technique. Bol, however, argues that, rather than being a fifteenth-century refinement, varnishing and glazing began centuries before. Drawing from an extensive body of recipes, Bol pieces together how varnishes and glazes were first developed as part of the medieval art of material mimesis. Artisans embellished metalwork and wood with varnishes and glazes to imitate gold and gems; infused rock crystal with oil, resin, and colorants to imitate more precious minerals; and oiled parchment to transform it into the appearance of green glass. Likewise, medieval panel painters used varnishes and glazes to create the look of enamel, silk, and more. The explorations of materials and their optical properties by these artists stimulated natural philosophers to come up with theories about transparent and translucent materials produced by the earth. Natural historians, influenced by medieval artists’ understanding of refraction and reflection, developed theories about gems, their creation, and their optical qualities.

Author: Dr. Alex Locay
Publisher: WestBow Press
ISBN: 1664242481
Category : Religion
Languages : en
Pages : 240

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Book Description
Today, the voices from the secular left are hard at work removing any trace of religion from government and the law. Meanwhile, secular historians have successfully limited Christianity’s contribution in history to the Crusades and Inquisitions; as if that is all Christians have to speak for. The real story is quite different, primarily that everything good in Western Civilization has its roots in the Christian religion. How Christianity Built Western Civilization is the epic tale of how our Christian forefathers stood up to history’s darkest forces, to forge a new way of life, grounded in the biblical worldview. Over the centuries it has become evident that Western Civilization has emerged as mankind’s greatest achievement. It is here where the greatest political and economic systems were born, and here that we see the concept of human rights emerge, along with the modern scientific process and the greatest discoveries. It is in the West that we find the most advanced educational institutions, along with the greatest charities, artistic masterpieces and architectural innovations. Is this a coincidence, or the deliberate result of our worldview? How Christianity Built Western Civilization answers this question with chapters on human rights, modern science, universal education, charity, art and architecture; focusing entirely on the revolutionary milestones and individuals that made these achievements possible. Each chapter unfolds chronologically, starting with the biblical foundation and moving through the work of the early and Medieval Church, arriving at modern times. The author builds a compelling case demonstrating how Western Civilization would be indistinguishable from India, China or Africa today, if not for the teachings of Christ and the Bible.

Author: Carnegie Library of Pittsburgh
Publisher:
ISBN:
Category : Catholic literature
Languages : en
Pages : 336

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