Vasari on Technique PDF Download

Author: Giorgio Vasari
Publisher:
ISBN:
Category : Architecture
Languages : en
Pages : 410

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Book Description
Traduzione in inglese delle tre introduzioni alle arti dell'architettura, scultura e pittura alle Vite di Giorgio Vasari.

Author: Giorgio Vasari
Publisher:
ISBN:
Category : Architecture
Languages : en
Pages : 328

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Book Description

Author: Giorgio Vasari
Publisher:
ISBN:
Category : Architecture
Languages : en
Pages : 328

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Book Description

Author: Giorgio Vasari
Publisher:
ISBN:
Category : Architecture
Languages : en
Pages : 328

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Book Description

Author: G Baldwin 1849-1932 Brown
Publisher: Legare Street Press
ISBN: 9781015593756
Category :
Languages : en
Pages : 0

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Book Description
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

Author: Giorgio 1511-1574 Vasari
Publisher: Legare Street Press
ISBN: 9781013718298
Category :
Languages : en
Pages : 410

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Book Description
This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

Author: Giorgio Vasari
Publisher:
ISBN:
Category : Architecture
Languages : en
Pages : 328

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Book Description

Author: Giorgio Vasari
Publisher: 谷月社
ISBN:
Category : Biography & Autobiography
Languages : en
Pages :

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Book Description
The Lives of the Most Excellent Painters, Sculptors, and Architects Often called "the first art historian", Vasari invented the genre of the encyclopedia of artistic biographies with his Le Vite de' più eccellenti pittori, scultori, ed architettori (Lives of the Most Eminent Painters, Sculptors, and Architects), dedicated to Grand Duke Cosimo I de' Medici, which was first published in 1550. He was the first to use the term "Renaissance" (rinascita) in print, though an awareness of the ongoing "rebirth" in the arts had been in the air since the time of Alberti, and he was responsible for our use of the term Gothic Art, though he only used the word Goth which he associated with the "barbaric" German style. The Lives also included a novel treatise on the technical methods employed in the arts. The book was partly rewritten and enlarged in 1568, with the addition of woodcut portraits of artists (some conjectural). The work has a consistent and notorious bias in favour of Florentines, and tends to attribute to them all the developments in Renaissance art — for example, the invention of engraving. Venetian art in particular (along with arts from other parts of Europe), is systematically ignored in the first edition. Between the first and second editions, Vasari visited Venice and while the second edition gave more attention to Venetian art (finally including Titian) it did so without achieving a neutral point of view. Vasari's biographies are interspersed with amusing gossip. Many of his anecdotes have the ring of truth, while others are inventions or generic fictions, such as the tale of young Giotto painting a fly on the surface of a painting by Cimabue that the older master repeatedly tried to brush away, a genre tale that echoes anecdotes told of the Greek painter Apelles. With a few exceptions, however, Vasari's aesthetic judgement was acute and unbiased. He did not research archives for exact dates, as modern art historians do, and naturally his biographies are most dependable for the painters of his own generation and those of the immediate past. Modern criticism – with new materials opened up by research – has corrected many of his traditional dates and attributions. Vasari includes a sketch of his own biography at the end of the Lives, and adds further details about himself and his family in his lives of Lazzaro Vasari and Francesco Salviati. According to the historian Richard Goldthwaite, Vasari was one of the earliest authors to use the term "competition" (or "concorrenza" in Italian) in its economic sense. He used it repeatedly, and stressed the concept in his introduction to the life of Pietro Perugino, in explaining the reasons for Florentine artistic preeminence. In Vasari's view, Florentine artists excelled because they were hungry, and they were hungry because their fierce competition amongst themselves for commissions kept them so. Competition, he said, is "one of the nourishments that maintain them."

Author: Carlo Falciani
Publisher:
ISBN: 9781911300823
Category : Allegories
Languages : en
Pages : 0

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Book Description
This book recounts the exciting rediscovery of Giorgio Vasari's painting' Allegory of Patience', painted in 1551-52 for the Bishop of Arezzo, Vasari's hometown. The painting was conceived in Rome with the aid of Michelangelo, as many surviving letters reveal. The work will be on view to the public at the National Gallery, London, through 2023. The monumental figure of a woman, life-sized, with arms crossed, watches time run down. The passing of time is symbolized in the drops that fall from an antique water clock beside her, gradually wearing away the stone on which she rests her foot. The Bishop of Arezzo regarded patience as the key to his career and achievements, and wished it to be represented in a picture. Vasari consulted his contemporaries and fellow humanists as well as the great sculptor Michelangelo when deciding what form it should take. The image represents more exactly the Latin tag "diuturna tolerantia" (daily tolerance). The painting quickly became famous in its time and numerous copies were made of it - but not until now has the original emerged. Thanks to letters between those involved, the painting and the process of its creation are richly documented, and in particular provide insights and quotations about picturemaking from Michelangelo. The book carries full documentation of the work and its known copies, some of which can be traced to leading patrons in Renaissance Italy. It also examines Vasari's own autograph technique and artistic aims.

Author: Giorgio Vasari
Publisher:
ISBN:
Category : Architecture
Languages : en
Pages : 328

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Book Description