Author: Marlisa Santos Publisher: Scarecrow Press ISBN: 0810892103 Category : Performing Arts Languages : en Pages : 214
Book Description
This collection of essays explore the relationship between one of the world’s oldest art forms—poetry—and one of the world’s newest art forms—film. These essays include analyses of biopics of poets, films inspired by particular poems, cinematic representations of poets or poetic studies and the avant-garde phenomenon of the “poem-film.”
Author: Helen Vendler Publisher: Random House (NY) ISBN: Category : Literary Criticism Languages : en Pages : 568
Book Description
Companion to the PBS television series. Uses the works of thirteen poets to trace the development of an American poetic identity over the past two centuries.
Author: Christof Decker Publisher: transcript Verlag ISBN: 3839462029 Category : Social Science Languages : en Pages : 161
Book Description
In American visual culture, the 1930s and 1940s were a key transitional period shaped by the era of modernism and the global confrontation of World War II. Christof Decker demonstrates that the war and its iconography of destruction challenged visual artists to find new ways of representing its consequences. Dealing with trauma and war crimes led to the emergence of complex aesthetic forms and media crossovers. Decker shows that the 1940s were a pivotal period for the creation of horrific yet also innovative representations that boosted American visual modernism and set the stage for debates about the ethics of visual culture in the post-9/11 era.
Author: Mark Batterson Publisher: Multnomah ISBN: 0735291098 Category : Religion Languages : en Pages : 224
Book Description
PUBLISHERS WEEKLY BESTSELLER • The question isn't whether God speaks. The question is what does He have to say to you? The New York Times bestselling author of The Circle Maker teaches readers how to listen to God. WINNER OF THE ECPA CHRISTIAN BOOK AWARD FOR CHRISTIAN LIVING The voice that spoke the cosmos into existence is the same voice that parted the Red Sea, and made the sun stand still in the midday sky. One day, this voice will make all things new, but it’s also speaking to you now! That voice is God’s voice, and what we’ve learned from Scripture is that He often speaks in a whisper. Not to make it difficult to hear Him, but to draw us close. Many people have a tough time believing God still speaks. Sure, in ancient times and in mysterious ways, God spoke to His people, but is He still speaking now? Mark Batterson certainly believes so. And he wants to introduce you to the seven love languages of God; each of them unique and entirely divine. Some of them you might suspect but others will surprise you. By learning to tune in to and decipher each language, you’ll be able to hear His guidance in simple as well as life-altering choices. God is actively speaking through: Scripture, Desires, Doors, Dreams, People, Promptings, and Pain. Batterson gives you the tools you need to unlock each of these languages. God’s whisper can answer your most burning questions, calm your deepest fears, and fulfill your loftiest dreams. Discover how simple it is to hear God’s voice in every aspect of your life! He’s speaking, make sure you know how to listen!
Author: Allen H. Redmon Publisher: Univ. Press of Mississippi ISBN: 1496832620 Category : Performing Arts Languages : en Pages : 240
Book Description
Contributions by Zoe Bursztajn-Illingworth, Marc DiPaolo, Emine Akkülah Doğan, Caroline Eades, Noelle Hedgcock, Tina Olsin Lent, Rashmila Maiti, Allen H. Redmon, Jack Ryan, Larry T. Shillock, Richard Vela, and Geoffrey Wilson In Next Generation Adaptation: Spectatorship and Process, editor Allen H. Redmon brings together eleven essays from a range of voices in adaptation studies. This anthology explores the political and ethical contexts of specific adaptations and, by extension, the act of adaptation itself. Grounded in questions of gender, genre, and race, these investigations focus on the ways attention to these categories renegotiates the rules of power, privilege, and principle that shape the contexts that seemingly produce and reproduce them. Contributors to the volume examine such adaptations as Quentin Tarantino’s Death Proof, Jacques Tourneur’s Out of the Past, Taylor Sheridan’s Sicario and Sicario: Day of the Soldado, Jean-Jacques Annaud’s Wolf Totem, Spike Lee’s He’s Got Game, and Jim Jarmusch’s Paterson. Each chapter considers the expansive dialogue adaptations accelerate when they realize their capacity to bring together two or more texts, two or more peoples, two or more ideologies without allowing one expression to erase another. Building on the growing trends in adaptation studies, these essays explore the ways filmic texts experienced as adaptations highlight ethical or political concerns and argue that spectators are empowered to explore implications being raised by the adaptations.
Author: Henry Tompkins Kirby-Smith Publisher: University of Michigan Press ISBN: 9780472085651 Category : Literary Criticism Languages : en Pages : 324
Book Description
Argues that free verse has deep historical roots, and traces them, from Milton to contemporary poetry
Author: John Hughes Publisher: Liverpool University Press ISBN: 1837641544 Category : Literary Criticism Languages : en Pages : 233
Book Description
John Hughes explores Hardy's claim that his art sought to intensify the expression of things through three main sections on music, the body, and voice. These offer intersecting and mutually informing discussions of the central drama of inexpression and expressivity in Hardys work, as it affects the various personae of the text, including the reader. Throughout, the book draws on themes in the work of Gilles Deleuze and Stanley Cavell to reveal how Hardys fiction and poetry express and represent the affective and physical conditions of mind, and their conflicts with social fictions of identity. The first main section on music incorporates three chapters that examine how Hardys writing stages musical experience as an expression of human desire and individuality at odds with the constraints of rationality, Victorian fiction form, and social convention. Intricate and extensive readings are linked also to larger contextual and theoretical issues in order to show how music as a theme and motif highlights the kinds of creativity and ethical cruxes that characterise Hardys work throughout his career. The second section on embodiment and sensation shows how close attention to Hardys writing on the topics of facial and bodily expression (and affectivity) reveal much about the sources of his inspiration, and its philosophical conditions and implications. The third section on voice offers three chapters, each of which centrally employs a close metrical reading of an important Hardy poem within its larger biographical and inter-textual contexts. These readings demonstrate how fundamental were Hardys innovations in meter to the power and originality of his work, and to its expressive treatment of his abiding preoccupations with love, grief, childhood, and the loss of faith.
Author: Christopher C. H. Cook Publisher: Routledge ISBN: 0429750943 Category : Religion Languages : en Pages : 258
Book Description
The Open Access version of this book, available at www.taylorfrancis.com/books/9781472453983, has been made available under a Creative Commons Attribution-Non Commercial-No Derivative 4.0 license. Experiences of hearing the voice of God (or angels, demons, or other spiritual beings) have generally been understood either as religious experiences or else as a feature of mental illness. Some critics of traditional religious faith have dismissed the visions and voices attributed to biblical characters and saints as evidence of mental disorder. However, it is now known that many ordinary people, with no other evidence of mental disorder, also hear voices and that these voices not infrequently include spiritual or religious content. Psychological and interdisciplinary research has shed a revealing light on these experiences in recent years, so that we now know much more about the phenomenon of "hearing voices" than ever before. The present work considers biblical, historical, and scientific accounts of spiritual and mystical experiences of voice hearing in the Christian tradition in order to explore how some voices may be understood theologically as revelatory. It is proposed that in the incarnation, Christian faith finds both an understanding of what it is to be fully human (a theological anthropology), and God’s perfect self-disclosure (revelation). Within such an understanding, revelatory voices represent a key point of interpersonal encounter between human beings and God.
Author: Laura Harris Smith Publisher: Chosen Books ISBN: 1441263675 Category : Religion Languages : en Pages : 191
Book Description
God is always speaking . . . even when He doesn't use words. We live in a post-verbal society that communicates through images--television, smartphones, the Internet--and our Creator longs to communicate with us visually if we'll live with our eyes wide open. With absorbing insight, Seeing the Voice of God demystifies nighttime dreams and daytime visions, revealing the science behind the supernatural and giving you a biblical foundation for making sense of what you see. You'll also: · learn to discern if what you see is from God · study the ten most common types of dreams · discover spirit, mind, and medical tips for better dream recall · interpret dream symbols and imagery · review the best iPhone and Android sleep cycle apps Includes a comprehensive Dream Symbols Dictionary with over 1,000 biblical definitions.
Author: Marlisa Santos
Author: Helen Vendler
Author: Christof Decker
Author: Mark Batterson
Author: Allen H. Redmon
Author: Henry Tompkins Kirby-Smith
Author: John Hughes
Author: Edgar S. Werner
Author: Christopher C. H. Cook
Author: Laura Harris Smith